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Write a research report on a Vietnamese Language and Literature 10 topic, Connecting Knowledge
Compose a research report on a 10th-grade KNTT topic.
Topic: Living Spaces of the Ede People Illustrated in the Excerpt 'Hunting to Capture the Sun Goddess'
I. Research Report Outline on a Topic:
a. Problem Statement:
- Clearly state the topic and research question.
b. Problem Resolution:
* Architectural features of Ede people's homes in the excerpt 'Hunting to Capture the Sun Goddess':
- Linked to the image of long communal houses.
- Characteristics of Central Highlands longhouses include: form of stairs, floor columns, and arrangement of objects on the living space.
* Ede people's activities in the living space in the excerpt 'Hunting to Capture the Sun Goddess'.
- The longhouse space serves as the main dwelling for the Ede people.
c. Conclusion
- Affirm the research results and the significance of the research question.
Write a research report on a topic, Grade 10 Vietnamese Language and Literature Connection to Knowledge
II. Reference Sample for Writing a Research Report on a Topic, Grade 10 KNTT:
SAMPLE REPORT
1. Pose the Issue
The epic 'Đăm Săn' is a renowned narrative among the Ê-đê people. The excerpt 'Đăm Săn goes to capture the Sun Goddess' is one of the representative passages recounting the journey of the hero Đăm Săn in conquering the Sun Goddess. Simultaneously, it reflects the spiritual life, beliefs, and community spirit of the Ê-đê people. Through the passage, the living space of the Ê-đê people is vividly portrayed, becoming an intriguing focal point worth exploring.
2. Resolve the Issue
a. Architectural Structure of Ê-đê People's Dwellings in the excerpt 'Đăm Săn goes to capture the Sun Goddess'
Firstly, the architectural style of Ê-đê people's homes in the passage 'Đăm Săn goes to capture the Sun Goddess' is closely tied to the image of the expansive stilt houses. The stilt house is a unique and distinctive architecture of the Ê-đê people in the Central Highlands. Characteristics of Central Highlands' stilt houses include the design of stairs, floor columns, and the arrangement of utensils on the living space. This is vividly described in the passage with details like 'Climbing twice, he ascended the stairs. He stepped on the floor of the yard twice, the yard's floor was like flapping wings, seven rows of pillars swayed back and forth from east to west,' 'The stairs look like a rainbow,' 'The tall house stands sturdy,' 'Elephants tightly grip the yard floor,' 'Horizontal and vertical beams are finely gilded.' The images of the expansive stilt house, stairs, and beams appear numerous times and are repeated, indicating the architectural imprint of Ê-đê people's homes. Though the dwelling architecture isn't described meticulously, such iconic images are enough to depict the distinctive cultural background of the Central Highlands.
b. Activities of the Ê-đê People in the Living Space in the excerpt 'Đăm Săn goes to capture the Sun Goddess'
The longhouse is primarily the residence of the Ê-đê people, hosting various activities closely tied to the culture of the Ê-đê people such as meetings, celebrations, epic storytelling, and organizing spiritual ceremonies. The passage in the excerpt 'Đăm Săn goes to capture the Sun Goddess' describes the scene of the people as follows: 'I, a servant, lay under a white mat, spread on a red mat as a seat for the village chief. Then, they brought bundles of fiber, large bundles of tobacco, a betel nut in a large bag, ensuring Đăm Săn lacked nothing in terms of food and smoking. They lit a hen, slaughtered a laying hen, pounded white rice like petals, bright as sunlight, cooked rice to treat guests. They went to get wine, brought a large tufted lard skin, an Mnông tobacco holder, with drawings of kơ-ụ flowers above and swirls of decorative patterns below, and the handle shaped like a parrot's beak with perforations. Those are the rare pottery items symbolizing wealth and abundance, requiring a 'price equivalent to three elephants' to possess.
Furthermore, the passage also highlights the activities and character of the Ê-đê people. To honor the village chief, Đăm Săn, an esteemed guest of the village, the people eagerly brought out the finest foods and most precious medicines for the treat: fiber, tobacco, betel nut, incense-burning hen, laying hen, and white rice. The Ê-đê people manifest a generous, warm, and hospitable character. The activities of treating village chief Đăm Săn also mirror the hospitality of the villagers when welcoming esteemed guests from afar.
Additionally, the details 'gongs stacked outside the house,' 'gong stacked inside the house,' and 'whoever plays the gong continues playing, whoever sets up the jar continues setting up the jar' reflect the tradition of playing gongs and drinking jar wine in the Tây Nguyên region. The gong is not just a musical instrument; it also holds cultural value for the Ê-đê community. Hence, the detail of Đăm Săn arriving at the Sun Goddess's house seeing the image 'gongs stacked outside, jars stacked inside' signifies power and wealth. The Ê-đê people believe that each gong contains a deity, so the more and older the gongs, the higher the deity's power. Furthermore, the custom of drinking jar wine is a cultural beauty in the lives of the Tây Nguyên ethnic groups. The jar wine in the excerpt serves as a means to bond the relationship between the village chief Đăm Săn and Đăm Par Kvây. The wine not only plays a role in ceremonial rituals to supplicate the divine but also fully expresses the community spirit and hospitality of the host.
It can be said that the objects within the Ê-đê people's house are not only associated with daily activities but also reflect the character, wealth, and prosperity of an entire community.
3. Conclusion
The excerpt 'Đăm Săn goes to capture the Sun Goddess' is a crucial part of the epic 'Đăm Săn.' The passage not only portrays the extraordinary beauty and fierce aspirations of the hero Đăm Săn but also reveals the cultural beauty, especially the living space of the Ê-đê people in the Central Highlands. The epic 'Đăm Săn' illustrates the longhouse architecture, objects tied to activities and lifestyle, and the character of the Ê-đê people. The material and spiritual values of the Ê-đê people in the modern era need to be preserved and promoted further.
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