Describing a Scenic Spot

Prompt: Describe a scenic spot

5 Sample Essays Describing Scenic Spots
 

Tips How to craft an engaging descriptive essay

I. Outline Describing a scenic spot

1. Introduction

- Introduce the subject of description: The scenic spot that I intend to introduce.
- Share your general thoughts about that scenic spot.

2. Body

a) General introduction:
- Geographic location, address
- Area size
- Transportation options
- Surrounding scenery

b) Introduction to the historical background:
- Construction timeline, origin...(Continued)

Explore the detailed outline of a captivating presentation on scenic beauty here.

II. Exemplary essay Elaborating on scenic beauty
 

1. Describing the scenic marvel of Phong Nha Cave

In recent years, tourism in our country has witnessed remarkable growth. Across the nation, there are numerous renowned scenic spots like Ha Long Bay, Hoi An Ancient Town, and My Son Sanctuary... Among them, Phong Nha Cave stands out as a destination that attracts a large number of domestic and international tourists. Recognized by UNESCO as a world cultural heritage, Phong Nha Cave holds a special place in the hearts of those seeking natural wonders.

Phong Nha Cave is nestled within the cave system of the Ke Bang limestone mountains, situated in Son Trach commune, Bo Trach district, Quang Binh province. Accessing Phong Nha Cave is effortlessly possible via two routes: If you prefer water routes, travel upstream along the Gianh River until you reach the confluence of the Gianh and Son Rivers, then follow the Son River to reach the cave. Alternatively, if you choose the overland route, follow Provincial Road No. 2 to the Son River pier (approximately 20 kilometers). Regardless of your chosen route, you will need to descend by motorboat or paddleboat from the Son River pier to the entrance of Phong Nha Cave. If you take a motorboat from the Son River pier to the Phong Nha Cave entrance, the journey takes about half an hour. Sitting on the boat, enjoying the deep and clear blue river, observing the limestone mountains in layers, scattered villages, and cornfields on both banks, is truly fascinating.

Phong Nha consists of two parts: the dry cave and the water cave. The dry cave, at an elevation of about 200 meters, now only features white marble arches with glittering green veins and numerous shiny columns. However, according to geographers, in the past, this dry cave was an underground river, now completely dried up. The water cave still has a flowing river. This river is very clear and quite deep.

The Best Description of scenic spots

The water cave is the more alluring and attracts more tourists. Since the water cave still has a long river, accessing it requires a boat. However, it's crucial to bring a flashlight and torch for illumination because the deeper you go into the cave, the less light there is. Although some parts of the cave are electrified, having tools for illumination is still necessary to traverse the 1500-meter cave.

Elaboration on a scenic spot is an intriguing topic; to delve deeper into this, students can explore Creating an Overview of Expository Texts

along with the section Creating Composition #3: Expository Writing to enhance their Grade 8 Literature skills.
 

2. Elaborating on a Scenic Spot: The Red River

Walking through the bustling Dong Xuan market year-round, I leisurely stroll on Long Bien Bridge, expanding my view to the majestic, tranquil flow of the Red River towards the sea. The wind gently blows, and I deeply inhale the cool breeze into my chest, reminiscent of the breezes that once embraced my growing body during childhood. The sky is too high, too pure, and a flood of memories from the past suddenly rushes in, making my soul float on a river of emotions. My family lived on Tran Nhat Duat street, looking across the road to the outer dyke.

Back then, just climbing over a 4-meter-high grassy bank would instantly reveal a serene, peaceful scene, much like in the countryside, completely different from urban life. Expansive green grass fields, ponds surrounded by thick clumps of bamboo, virgin forests, and banana groves... The sound of birds chirping above, occasionally encountering a group of a few people fishing. After crossing the grassy area, reaching the inner dyke, which is smaller, carefully constructed with stone embankments. From here, the mighty Red River expands before my eyes, the golden sandy beach shining, the river water reddish-brown like crab shell, flowing steadily eastward, embracing and nurturing an entire fertile delta.

Our group of kids loves summer the most – a break from school, freely playing and frolicking throughout the day in that fairytale world. Early morning dreams, dew still moistening the grassy field, I woke up and ran to the embankment, stretching my shoulders, inhaling the fresh air. Noon, sun shining brightly, carrying a bottle to catch grasshoppers for our impromptu cricket match, fishing for eels, bird shooting, and when thirsty, breaking fresh corn to munch on... so many entertaining games. In the evening, we'd all gather to play soccer or fly kites, sweating profusely, muscles tired, bodies like blazing fire, yet a plunge into the river instantly refreshed us. Once, during my swimming practice, I had to gulp down a bellyful of water, making it seem like the waters of the Red River still mingled in my veins.

Elaboration on the Red River

At night, after dinner, many people would spread mats on the riverbank to catch the cool breeze. The wind whispered, the atmosphere serene, the sky clear, sparkling with moon and stars. Amidst the fragrant grass, the sound of insects tirelessly singing lulled me to sleep on the riverbank, innocent and pure. My older brother would carry me home, and I'd be oblivious. Summer is also the season of floods, waters rushing down from the North, merging with the Da and Lo rivers, becoming more ferocious. Roaring, they invade the embankments, devouring the alluvial plains, threatening to breach the dikes.

Just the other day, the expanse in the middle of the river stretched like the back of a giant turtle, and the next day, it became a mound rising like a turtle's shell before disappearing entirely into the swirling red current, ominous. The people in the riverbank villages and the city fought fiercely against the floods. The most horrifying were the floods in 1969 and 1971, water rising perilously close to the top of the embankment, nearly sweeping away the Long Bien Bridge. An entire village with hundreds of houses was wiped out. Anyone who had the chance to boat around the flooded area during those dreadful days couldn't help but feel heartache seeing trees and roofs jutting out from the water.

As the dry season sets in, the receding waters unveil a lush expanse, the fertile soil gleaming golden under the dazzling sunlight. Simply brushing away the surface layer of sand, dried by the caressing winds, reveals moist, vibrant red earth, rich and velvety to the touch. Farmers start sowing corn, beans, peanuts... No need for plowing or fertilizer, the seeds sprout vigorously. By harvest, each corn ear is as large as a calf's leg, with uniformly aligned, white, milk-like kernels, a delightful crunch that's both sweet and savory. Due to the abundance of sand, people dig wide frog pits, about 1-2 meters deep, letting the sand flow down. Those collecting sand only need a shovel to scoop it up, fill the boats, and drift downstream to Pha Den port, forming a large depot awaiting contractors to buy and transport it to construction sites within the city.

For almost half a month, every early morning, I followed my friend, driving the ox cart to Pha Den port to collect sand, then crossing to Linh Nam, taking the boat to Bat Trang, a ceramic village dating back 600 years.

In no time, the chilly northern winter winds arrived, making us, the kids, shiver in the cold, seldom venturing to the riverbank. However, in that dark, bone-chilling weather, my friends from Quang Ba and Nhat Tan were still busy with their families, meticulously caring for thousands of peach and kumquat trees, vibrant like young girls, planted all year to serve only for three days of Tet.

As the weather gradually warms up, the spring rain drizzles like mist. The children cheer: 'Tet is coming.' Along the entire riverbank, a variety of flowers illuminate the surroundings, competing in fragrance: the shiny yellow of daisies, the deep purple of irises, the extensive peach orchards blooming warmly like sunshine, fields of chrysanthemums and marigolds shining golden. Young men and women, faces beaming, lead each other to admire, choose, and buy flowers - peach blossoms blush like fireworks, quince branches spreading round and lush, laden with young buds, and ripe fruits dangling heavily.

Hanoi is growing more beautiful and bustling, with both riverbanks becoming even more vibrant. In areas like Quang Ba and Tu Lien, luxurious hotels and villas spring up like mushrooms. Along the Nghia Dung and Phuc Xa reclaimed areas, houses, docks, workshops, and markets intermingle all the way to the riverbank, where the embankment, made of soil from a thousand years ago, has been neatly reinforced with compact concrete. Hanoi evolves by the hour, but the Red River seems timeless, still carrying rich alluvium, still depositing and eroding...

Perhaps thousands of years ago, when King Ly Thai To decided to move the capital here, people must have foreseen the beauty of the Red River and the endless benefits it would bring. Involuntarily, I gaze at the deep blue sky and follow the river, the 'broad stream carrying sediment to the village's feet' for a thousand years. Oddly, the perpetually red river from sediment looks unique – under the autumn sunlight, it harmonizes with the celestial colors, expanding the vastness in the green hues, serene and sturdy. You don't need to go higher; just from Long Bien, Thang Long, or Chuong Duong, if you squint and immerse yourself, like me, you'll see the gentle and graceful flow of the Red River, reminiscent of Hanoi's traditional ao dai, simple yet elegant, charming yet powerful.

As the sun sets, the city lights up, and below, the 'river flows wide, singing like a vast bowl.'

3. Overview of the scenic beauty of Bai Dinh Pagoda

The spiritual area of Bai Dinh Pagoda lies within the Trang An Scenic Complex, approximately 15 km from Ninh Binh city. Situated to the west of the historical site of Hoa Lu ancient capital, it is the largest pagoda in Vietnam, renowned for various records such as the largest bronze Buddha statue in Southeast Asia, the largest bronze bell in Southeast Asia, and the corridor with the most Buddha statues... a continuation of spirituality from a thousand years ago, passed on to the next thousand years.

With its majestic, grandiose architecture, the statues exude a solemn and inclusive demeanor, intricate craftsmanship in carving and casting bronze, coupled with the magnificent landscape of mountains nestled by the river, clouds caressing the mountain peaks, creating a serene spiritual space. Each step here brings tranquility, enlightenment, and a serene heart, aspiring towards Goodness - Compassion - Beauty.

Setting foot in Bai Dinh, one is immediately greeted by the imposing Tam Quan, standing nearly 17 meters tall. This marks the boundary between the sacred and the secular. Simply crossing Tam Quan, one can immerse oneself in the serene spiritual space. Next is the 36-ton bronze bell, hung on a towering structure, its resounding echoes spreading far and wide, dispelling all suffering, awakening all beings.

The long corridor adorned with 500 Arhats is the path leading us closer to the realm of Buddha. The statues of Guan Yin Bodhisattva and Buddha Shakyamuni, the largest bronze statues in Vietnam, carry an air of grace and compassion, instilling faith in goodness into people's hearts. A monumental architectural work, delicately placed amidst the celestial landscape. From a distance, Bai Dinh Pagoda seems to lean against the lush hillside. The enchanting scenery and expansive sacred space have turned Bai Dinh into a spiritual masterpiece, both magnificent and venerable.

Overview of the scenic beauty of Bai Dinh Pagoda

Bai Dinh is synonymous with the 'sacred land - human elite' region. It is where National Teacher Nguyen Minh Khong, during the Ly dynasty, practiced Buddhism, performed rituals on the mountain peak, and named the mountain and the pagoda. The footprint of the Holy Nguyen is imprinted everywhere, as he was born in Gia Vien district, Ninh Binh. In his lifetime, Nguyen Minh Khong was an exceptional physician and a highly respected religious figure. He discovered this visionary place, where the mountains faced west, reminiscent of bowing to the Buddha's land, and vast forests with countless valuable medicinal plants. Here, he stopped to cultivate and transformed it into a 'herbal garden' to save countless lives. He directly harvested medicinal herbs for healing, utilizing the precious herbs found here and some he brought from elsewhere. Through this, we can see that Nguyen's spiritual practice is closely linked to 'saving sentient beings.' He was also regarded as a divine healer when he cured the severe illness of King Ly Than Tong (1128-1138). It is said that when the Dao Hanh monk was about to pass away, he entrusted Nguyen Minh Khong with medicine and mantras, instructing him, 'If you see the King seriously ill 20 years later, come and cure him immediately.' After the monk Dao Hanh transformed into Duong Hoan, loved by King Nhan Tong, appointed as the Crown Prince and successor to the throne, not long after, in March 1136, King Ly Than Tong fell seriously ill. His body grew covered in fur, his roar resembled a tiger's, terrifying everyone. Despite the numerous skilled doctors summoned from everywhere, his condition did not improve. At that time, in the folk, there was a children's rhyme that appeared:

'Bong bong bong, gather around
In Diem village, there's Nguyen Minh Khong
Curing illnesses for the Divine Emperor'

Nguyen Minh Khong was then practicing at Bai Dinh Pagoda on the mountain and was invited to the Capital to heal the king. Upon arrival, everyone looked at him with suspicion, some mocking his rustic appearance. Without hesitation, Nguyen Minh Khong took a large nail, over 5 spans long, drove it deep into a wooden pillar, and said, 'Anyone who can pull out this nail will be able to cure the king's illness.' All the skilled doctors, though harboring some doubts, eagerly tried to pull out the nail, but none could. At that moment, Nguyen Minh Khong used just two fingers, gently pulled the nail out of the pillar, leaving everyone in awe.

Following that, he instructed to heat a large pot of oil and threw in a hundred needles, asking, 'Can anyone use their hands to take out all 100 needles from this boiling pot?' Everyone shook their heads, frightened. He then reached into the boiling and bubbling pot, stirred it about three or four times, and fished out exactly 100 needles. Nguyen Minh Khong used the boiling oil to bathe the king, inserted needles into acupuncture points, and wherever the oil touched, hair and leaves fell. The illness immediately subsided. King Ly Thanh Tong, the court, and those present were deeply impressed by Nguyen Minh Khong's magical abilities.

After recovering from the illness, impressed by his talents, King Ly Thanh Tong appointed him as the National Teacher, exempted taxes for hundreds of households. He became the chief monk of the Ly dynasty in Vietnamese history, the first person to apply Southern medicine and acupuncture methods. As a real historical figure with significant contributions to healing the king and the people, sometimes exhibiting mysterious phenomena, the Vietnamese hold him in high esteem as the Holy Nguyen.

Not only a renowned physician, Nguyen Minh Khong was also known as the father of the bronze casting profession. He contributed to creating the famous 'Four Great Treasures' in our country during the Ly dynasty: Bao Thien Tower, Quy Dien Bell, Quynh Lam Buddha Statue, and Pho Minh Shrine. Legend has it that he went alone to China to treat the prince of the northern kingdom. Although the king rewarded him with a lot of gold, silver, and treasures, Nguyen Minh Khong only asked for a small amount of copper to fill his three-pocket bag. Seeing his bag, the king agreed and allowed him to go to the warehouse to take copper. Strangely, he managed to fill his bag with copper from ten warehouses and still hadn't filled it completely. He then took the bag of copper down to the boat to return to his homeland, but no boat could bear the weight of the copper he brought. Therefore, he rode his conical hat to replace the boat to return to his homeland. Back in Vietnam, Nguyen Minh Khong used the accumulated copper to cast four precious national treasures: Bao Thien Tower, 20 spans tall; consisting of 12 levels with the pinnacle entirely made of bronze, while the remaining levels were intricately carved with bricks and stones; Quy Dien Bell weighing nearly 8 tons; Quynh Lam Buddha Statue standing at six spans, Pho Minh Shrine reaching four thước. He played a crucial role, actively contributing to the development of Vietnamese culture in various aspects: medicine, architectural arts, laying the foundation for the sustainable development of Vietnamese culture, passed down from generation to generation. With admiration and gratitude, people in Ninh Binh, Nam Dinh, and other provinces erected statues, built shrines to honor the Holy Nguyen, ensuring his legacy endures through time.

Bai Dinh can be considered the convergence of the spiritual energy of mountains and rivers, the spirituality of the people, and the extraordinary individuals. Nature has generously bestowed upon the people of Ninh Binh a picturesque landscape, but it is the people who contribute to honoring and beautifying the natural scenery. All of these factors have made Bai Dinh a sparkling gem, with a thousand years of spirituality and legends.

4. Describing a scenic spot: Thien Mu Pagoda

Thien Mu Pagoda is situated on Hà Khê Hill, along the northern bank of the Perfume River, approximately 5km west of the city center of Huế. The main pagoda was constructed in the Year of the Buffalo (1601) during the reign of Lord Nguyễn Hoàng, the first ruler of the Nguyễn lords in the Southern Vietnam. Thiên Mụ is considered the oldest pagoda in Huế.

Initially, it was just a small bamboo thatched temple established by newly settled residents. According to the Đại Nam Nhất Thống Chí (Great Annals of Đại Nam), in 1601, Lord Nguyễn Hoàng visited this area, captivated by its scenic beauty. Local people shared a tale about a fairy in red attire appearing on this hill, predicting the arrival of a lord to build a pagoda to gather spiritual energy for the prosperity of the region. The fairy then vanished. The locals named the hill Thiên Mụ (Lady from the Celestial Realm). The Lord then ordered the construction on the hill and named it Linh Mụ Pagoda. Successive rulers like Nguyễn Phúc Tần (1648 - 1687) and Nguyễn Phúc Chu (1691 - 1725) undertook renovations and expansions, transforming the pagoda into a grand structure. In 1844, King Thiệu Trị ordered the construction of the Phước Duyên Tower.

In the Year of the Dragon (1904), a severe storm hit Huế, causing significant damage to the pagoda. In 1907, Emperor Thành Thái initiated restoration work, reducing the scale of the pagoda but preserving its ancient and solemn charm.

5. Describing a renowned site: Thien Mu Pagoda

The temple is enclosed by a dual-layered stone wall. The temple grounds are divided into two areas. The front area, before the Nghi Môn gate, includes architectural structures such as a concrete boat landing with 24 three-tiered steps, a triple gate with four decorated pillars closely built next to the road. From the triple gate, ascending 15 three-tiered steps leads to the Hương Nguyện Shrine (now only the ground and stone foundation remain). Behind the Hương Nguyện Shrine is the Phước Duyên Tower, a seven-story brick structure towering high. On either side of the Hương Nguyện are two square-shaped floors (built during the Triệu Trị era, inwardly there are two hexagonal floors – one for tablets and one for a bell, constructed during Nguyễn Phúc Chu's time). These are commemorative structures (tablets, towers). The inner area of the Nghi Môn gate includes various halls: Đại Hùng, Địa Tạng, Quan Âm, the monks' residence, guesthouse, flower garden, and, finally, the serene pine garden.

Thien Mu Pagoda is the oldest, most magnificent, and arguably the most beautiful pagoda in Huế. King Thiệu Trị immortalized Thien Mu Pagoda as one of the 21 picturesque landscapes in his poem Thien Mu Chung Thanh. In 1695, Lord Nguyễn Phúc Chu held a grand ceremonial offering at the pagoda, inviting Thích Đại Sán, a distinguished monk from China, to Phú Xuân.

Today, Thien Mu Pagoda remains splendid and grand, a testament to the restoration and construction efforts of countless monks and followers over the past few decades.

6. Describing a scenic site: Thien Mu Pagoda

Hue is a place that gathers numerous scenic spots and famous ancient temples in Vietnam. Among them, the oldest temple is undoubtedly Thien Mu Pagoda, closely linked to the first steps of the Nguyen lords in the region known as Đàng Trong.

Legend has it that when Nguyen Hoang took on the role of Guardian in Thuận Hóa, he personally explored the terrain here to prepare for expanding his influence and building a foundation for the Nguyen family's future. During one of his horseback rides along the Huong River, he discovered a small hill rising along the clear, winding water. The terrain resembled a dragon turning its head back. Upon inquiry, he learned that this hill was called Hà Khê. Locals mentioned that at night, an old lady in red clothes often appeared on the hill, telling everyone, 'Soon, a noble will come to establish a temple to gather spiritual energy, fortify the nation, and make the South prosperous.' Consequently, this place is also known as Thiên Mụ Sơn (Thien Mu Mountain). Nguyen Hoang's grand vision seemed to resonate with the aspirations of the people. He ordered the construction of a temple on the hill, overlooking the Huong River, and named it 'Thien Mu Pagoda.'

In reality, there was once a Cham temple here, mentioned in Dương Văn An's Ô châu cận lục (Close Record of Ô Châu) in 1553. However, it wasn't until 1601, with the decision of Lord Nguyen Hoang, that the temple was officially constructed.

During the flourishing era of Buddhism in Đàng Trong, the temple underwent a grand reconstruction under Lord Nguyen Phuc Chu (1691-1725). In 1710, a large bell was cast with an inscription. By 1714, a major restoration took place, featuring extensive architectural structures such as the Thien Vuong Hall, Dai Hung Hall, Thuyet Phap House, Tang Kinh Tower, Monk's Quarter, and Meditation Hall, many of which are no longer present today. Lord Nguyen personally composed inscriptions praising the construction of these architectural marvels, highlighting the philosophy of Buddhism and recounting the story of Venerable Thach Liem, who played a significant role in revitalizing Buddhism in Đàng Trong. The inscriptions were placed on the back of a large stone turtle, adorned with simple yet exquisite decorations.

With its expanded scale and natural beauty, Thien Mu Pagoda became the most beautiful temple in Đàng Trong at that time. Throughout historical upheavals, the pagoda served as the venue for the Tế Đất ceremony during the Tay Son dynasty (around 1788) and underwent multiple renovations under the Nguyen dynasty. In 1844, on the celebration of Queen Mother Thuan Thien Cao's 80th birthday (wife of King Gia Long, grandmother of King Thieu Tri), King Thieu Tri further expanded the temple by constructing the Tu Nhan Tower (later changed to Phuoc Duyen), Hương Nguyện Hall, and two stone steles inscribed with the king's poems.

The Phuoc Duyen Tower is a famous symbol associated with Thien Mu Pagoda. Standing at 21m tall with seven tiers, it was constructed in front of the pagoda. Each tier houses a Buddha statue, and inside, there is a spiral staircase leading to the top where a gold-plated Buddha statue once stood. In front of the tower lies Hương Nguyện Hall.

Thien Mu Pagoda is listed among the twenty scenic sites of Thuan Kinh Land, commemorated in the poem 'Thien Mu chung thanh' personally composed by King Thieu Tri and engraved on a stone stele near the temple gate. In 1862, during the reign of King Tu Duc, fearing that the word 'Thien' (Heaven) might offend the gods, the king changed the name from 'Thien Mu' to 'Linh Mu' (Divine Mother). It wasn't until 1869 that the original name Thien Mu was reinstated. Therefore, in folk culture, both names are used when referring to this temple.

The devastating storm of 1904 wreaked havoc on the temple, causing extensive damage. Many structures, including the Hương Nguyện Hall, collapsed completely. Through various rounds of restoration, alongside architectural wonders like the Phuoc Duyen Tower, Dai Hung Hall, Dia Tang Hall, Quan Am Hall, stone steles, and bronze bells, Thien Mu Pagoda has become a repository of invaluable artifacts, not only in terms of history but also art. The statues of Hộ Pháp, Thập Vương, Phật Di Lặc, Tam Thế Phật, and the ornate horizontal lacquered boards and couplets here bear witness to the golden historical periods of Thien Mu Pagoda.

Within the temple grounds is a meticulously tended garden with flowers and grass. There, the miniature rock garden of the renowned Vietnamese traditional opera artisan, Dao Tan, is placed near the car - a relic left by the venerable monk Thich Quang Duc before he self-immolated in protest against the oppressive policies toward Buddhism by the regime of Ngo Dinh Diem in 1963. At the end of the garden is the tomb tower of the late Venerable Thich Don Hau, the famous abbot of Thien Mu Pagoda, who dedicated his entire life to benevolent activities.

Nestled on the picturesque banks of the Perfume River in Central Vietnam, Thien Mu Pagoda, with its ancient architecture, contributes to enhancing the charm and elegance of the natural landscape. The temple's bell resonates like the soul of Hue, echoing endlessly along the Perfume River, flowing past the Imperial City, towards the sea, lingering in the hearts of distant visitors who come to Hue with a nostalgic reverence for the Meditation Capital.
 

6. Commentary on the scenic beauty of Ha Long Bay

Halong Bay stands as a renowned tourist destination in Vietnam, adorned with thousands of islands, both large and small, concealing the marvelous and majestic beauty of nature's creation. The bay holds immense value for both domestic and international tourism.

Halong Bay bears traces of Earth's geological formation and historical development, showcasing ancient Vietnamese footprints. It is a masterpiece of nature, covering an area of 434 km2, boasting 775 islands, protected by a vast buffer zone of 1,119 km2. The diverse and rich ecosystem here features numerous rare and valuable species of fauna. Furthermore, the region is intertwined with the glorious cultural and historical values of the nation.

Halong Bay's creation is a result of geological activities, and its story is intertwined with the nation's water preservation efforts. In ancient times, facing foreign invaders, the Jade Emperor sent Mother Dragon and her Child Dragon to help the people fight the enemy. After successfully defeating the invaders, the Mother and Child Dragons chose to stay on Earth instead of returning to the sky. The location where the Mother Dragon descended is called Halong, and where the Child Dragon descended is Bai Tu Long...(Continued)

>> Check out the detailed sample essay on the introduction to Halong Bay's scenic beauty here.
 

7. Exploring the Charm of Hoi An Ancient Town

Spanning the beloved S-shaped strip of our country, each province boasts unique scenic beauty. Hanoi has Hoan Kiem Lake, Ninh Binh has Bai Dinh Pagoda and Trang An. When it comes to Quang Nam, the land of sun and wind, one immediately thinks of Hoi An Ancient Town. Hoi An is a scenic spot and a captivating tourist destination for both domestic and international visitors.

As we know, Hoi An Ancient Town is a famous scenic spot, an ancient town situated at the mouth of the Thu Bon River, about 30 kilometers south of Da Nang city. Reflecting on its birth, construction, and development, the journey of Hoi An Ancient Town is undoubtedly awe-inspiring. In the 17th and 18th centuries, Hoi An Ancient Town was one of the busiest trading centers in the country, an international trading port where Chinese, Japanese, and Western merchants met, exchanged goods, and conducted business. During the fierce resistance against French colonialism and the U.S. imperialist invasion, this place was fortunately spared from war devastation, and its architectural and cultural heritage remains intact. Moreover, before the influence of urbanization in the 20th century,...(Continued)

>> Check out the detailed essay on exploring the scenic beauty of Hoi An Ancient Town here.
 

8. Insight into the Majestic Elephant Mountain

Stretching gracefully along the S-shaped strip by the peaceful Pacific Ocean, known as Vietnam, our country, despite its small size, holds a magnificent realm shaped by countless historical ups and downs. Vietnam is renowned for its many stunning landscapes, harmonizing nature with traditional cultural values, such as the Non Nuoc - Marble Mountains in Da Nang or the historic Huong Son complex in former Ha Tay, now part of Hanoi. Not to be outdone, our city of Hai Phong also boasts a famous scenic spot - the Elephant Mountain site, featuring the pristine beauty of mountains and forests, accompanied by ancient temples that captivate numerous tourists when they first set foot here.

The Elephant Mountain site is located in the An Tien commune, An Lao district, Hai Phong, approximately 20km from the city center, covering an area of about 300 hectares. A beautiful poem praises the Elephant Mountain site as follows:

'In Kien An, there is Mr. Elephant Mountain
With the Van Uc River, and the Thien Van Hill'

To mention this is to know that the Elephant Mountain site is one of the earliest nationally recognized scenic spots in Hai Phong city, dating back to April 28, 1962...(Continued)

>> See details about the Insight into the Majestic Elephant Mountain
 

9. Insight into the Scenic Beauty of Perfume Pagoda

I once heard a song that began with very lovely, cheerful lyrics like this:

'Yesterday, she went to Perfume Pagoda
Flowers and grass still blurred with dew
With her teacher and mother, she bowed, reflecting in the mirror.'

I also came across a saying by Chu Manh Trinh that goes:

'The sky, the scenery of Buddhas,
Perfume Pagoda has been longing for so long.
There, mountains and waters, clouds and clouds,
The first cave wonders if this is it.'

In summary, both works talk about an extremely famous place, commonly known as Perfume Pagoda. However, precisely, it is not just a separate temple but a complex of cultural and religious relics called Huong Son with a history dating back several hundred years since the reign of King Le-Trinh Lord. Perfume Pagoda not only carries in itself the picturesque beauty, romantic like a fairyland, but also possesses the tranquility, the profound atmosphere of a meditation place. Once stepping into Huong Son, it seems that travelers leave behind all worldly worries to find peace in admiring the mountainous scenery, temples, this place known as the 'Southernmost first cave'...(Continued)

>> Check out the details of the introduction to Lam Kinh scenic spot here.
 

10. Introduction to Lam Kinh Scenic Spot (Thanh Hoa)

Thanh Hoa is a land of 'legendary mountains and talented people,' where many outstanding figures of the nation were born, such as Ba Trieu, Le Loi, Le Thanh Tong... Not only known as a culturally rich and talented land, but it is also famous for its beautiful landscapes, including places like Ham Rong, Sam Son Beach,... Lam Kinh historical site is also one of the tourist attractions here.

From the center of Thanh Hoa city, it takes just over an hour by car heading northwest to reach Lam Kinh. The historical site is located in Lam Son town, Tho Xuan. To the north of the temple faces the Chu River, to the west is Ham Rong Mountain, on the left side is Phu Lam forest, and the Hương mountain is on the right. The area covers more than 30 hectares, including various temples, shrines, tombs,...

Lam Kinh Imperial City was constructed on the orders of King Le Thai To. More than 10 years after the Lam Son righteous army's victory, the king moved the capital to Thang Long and issued decrees to develop and build the homeland, including the decision to build Lam Kinh Imperial City on Lam Son land...(Continued)

>> Check out the details of the introduction to Lam Kinh scenic spot here.
 

11. Introduction to Doi Pagoda Scenic Spot

Undoubtedly, for those with a passion for exploring distinctive religious architectures, there is admiration and longing for temples with unique and vibrant designs in the land of pagodas. However, traveling far to admire a landscape may not be feasible for everyone. Why not turn our attention to our homeland, to the lush land of Soc Trang, with the melodies of the Dù Kê song and the Lâm Thôn dance, captivating the hearts with the Khơ Me culture, and the temples with architectural styles reminiscent of the land of pagodas, often featuring unique elements due to the fusion of Vietnamese culture. Among the temples in Soc Trang, I enthusiastically recommend Doi Pagoda, an extraordinary site that stands out with its unique name and attracts the most tourists in this province.

The reason it's called Bat Pagoda is because the temple is located near a forest with many starfruit and castor oil plants, an ideal environment for tens of thousands of bats to reside. Every evening, they spread out, covering the entire sky around the temple to begin their foraging journey. According to the Khơ Me belief, bats gathering around the temple is an auspicious sign, indicating blessings. That's why people also call the temple Bat Pagoda, based on this distinctive feature. Besides, Bat Pagoda is also known as Ma Toc Pagoda in the Chinese pronunciation, and in the Khơ Me language, the temple is called Sêrây tê chô mahatup (created by the virtuous). Currently, the temple is located on Van Ngoc Chinh Street,...(Continued)

>> Check out the details of the introduction to Bat Pagoda scenic spot here.
 

12. Introduction to Twin Towers Scenic Spot (Binh Dinh)

Binh Dinh - a land of geographical and human wonders on the sunny and windy land of the Central region. This land has been bestowed with many beauties from picturesque beaches, islands to historical relics spanning thousands of years, and Twin Towers are one of the unique and famous scenic spots in Binh Dinh.

Tháp Double, also known by another name, Hung Thanh Tower, stands among the famous Cham towers in Binh Dinh. Situated about 3 kilometers northwest of the city center, along Tran Hung Dao Street, Dong Da District, Quy Nhon City, Binh Dinh Province. According to researchers, Tháp Double was built around the late 12th to early 13th century with a unique architectural structure. However, through the ups and downs of history with intense and tumultuous wars, Tháp Double was heavily damaged and had periods of being forgotten. Nevertheless, through numerous renovations, with the help of Polish experts and domestic specialists, Tháp Double has almost regained its original form. Especially, in July 1980, Tháp Double was classified as a national heritage site.

Tháp Double is within an area of approximately 6000 square meters, surrounded by a garden with vibrant plants throughout the four seasons, among which the Cham-pa flowers are prominent...(Continued)

>> Check out the detailed description of the scenic Tháp Double Tower here.

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In the study of expository writing, students will engage in various prompts, not only elucidating a scenic landscape but also crafting compositions on topics such as Describing a flower species, Illustrating an educational tool, Detailing a culinary delight, or Elaborating on a specific pet breed. To excel and master the skill of proficient expository writing, students can refer to an array of outstanding sample essays presented at Mytour.