1. Detailed Outline
2. Sample Essay 1
2. Sample Essay 1
3. Sample Essay 2
4. Sample Essay 3
5. Appreciation of 'Who Named the River' by Hoàng Phủ Ngọc Tường
6. Outline for Analyzing 'Who Named the River'
7. Thoughts on Reading 'Who Named the River'
8. Analysis of the Beauty of the Perfume River in 'Who Named the River'
9. The Imagery of the Perfume River in the Work 'Who Named the River'
Prompt: Analyze the essay 'Who Named the River' by Hoàng Phủ Ngọc Tường
Analyzing 'Who Named the River' by Hoàng Phủ Ngọc Tường
I. Outline for Analyzing 'Who Named the River' by Hoàng Phủ Ngọc Tường (Standard)
1. Introduction
* Introduction to the author and the work:
- Hoàng Phủ Ngọc Tường (1937) is a writer from Hue with a unique artistic style, specializing in essays and personal narratives.
- The essay 'Who Named the River?' is taken from a collection of essays of the same name, showcasing the author's sophisticated and sincere expression of the beauty of Hue's nature.
2. Main Body
-Title of the essay:
+ Unique and innovative title using rhetorical questions.
+ Emphasizing the sentimental beauty of the Perfume River - a historic river, demonstrating the aspiration for beauty and the construction of beauty of the people of Hue...(Continued)
>> See detailed Outline Analyze the work 'Who Named the River' by Hoàng Phủ Ngọc Tường here.
II. Sample Essay Analyze the essay 'Who Named the River' by Hoàng Phủ Ngọc Tường
1. Analysis of 'Who Named the River' by Hoàng Phủ Ngọc Tường, sample 1 (Standard):
1.1. Outline for Analyzing the Essay Who Named the River
1.1.1. Introduction:
- General introduction to the author, the work.
- Overview of the essay content.
1.1.2. Main Body:
1.1.2.1. Exploring the Natural Beauty of the Perfume River from a Geographical Perspective:
a) The Perfume River at its Source:
- The Perfume River at its source is like a 'ode to the ancient forest'.
- The Perfume River is 'Lady Di - bold and wild'.
=> The Perfume River emerges as the daughter of the mountains and forests, and the Truong Son forest has imbued the river with courage, a free and pure soul.
- 'As it emerges from the forest, the Perfume River changes its course continuously, twisting and turning along soft curves'.
- The Perfume River 'passes through the scattered villages echoing with the sound of roosters'.
- The surface of the river 'comes alive when it hears the echoing call of Hue through the bells of the Thien Mu Pagoda'.
- In that moment, the Perfume River embodies both earthly and divine beauty, both ordinary and extraordinary.
b) The Perfume River within the City of Hue:
* Approaching Hue:
- The Perfume River is like a traveler returning home:
+'The mood brightens amidst the green fields of the Kim Long suburbs'.
+'Pulling a straight line to ensure a peaceful view of Hue, the white bridge of the city stands out against the sky, small and delicate like young moon rings'.
- 'At the outskirts of Hue in Con Hen, the Perfume River gently arcs toward Con Hen'.
* Within the city of Hue:
- Hue opens its arms wide to welcome the Perfume River, and the river lies entirely within the beloved city of Hue.
- In return for Hue's kindness, the Perfume River has devoted all its beauty and essence to Hue.
* The Perfume River bids farewell to Hue:
- The Perfume River reluctantly departs amidst the green of bamboo and the gardens of the magnificent Dạ outskirts.
- But as if remembering something unsaid, the Perfume River suddenly changes its course, returning to meet Hue one last time in the ancient town of Bao Vinh.
1.1.2.2. Exploring the Cultural Beauty of the Perfume River from a Temporal Perspective
a) The Perfume River - a River of History:
- In times of war:
+ In history, the Perfume River is a mighty river with glorious victories but also a river of pain with many losses and sacrifices. The river bears the common destiny of the Vietnamese people through various historical periods.
- In everyday life:
+ The Perfume River is the river of echoing time, a poem written amidst the green grass.
+ Strong and magnificent changes to everyday life, simple yet profound, express the eternal beauty of the Perfume River.
+ The Perfume River not only carries the beauty of the people of Hue but also the beauty of the Vietnamese people.
+ The Perfume River in everyday life is like a gentle, discreet Hue lady.
b) The Perfume River - a River of Poetry:
- The Perfume River has entered poetry. For each artist, the river appears with a different appearance.
- The river has given birth to traditional music of Hue.
1.1.3. Conclusion:
- Reaffirming the value of the content and artistry of the essay:
+ Content: The beauty of the Perfume River from various perspectives, the author's passionate, talented, and eloquent expression.
+ Artistry: Countless associations, comparisons of great talent, elegant prose style, abundant writing skills.
1.2. Superb Analysis of 'Who Named the River':
When mentioning the writer Hoàng Phủ Ngọc Tường, Tô Hoài once commented, 'Hoàng Phủ Ngọc Tường is one of the best essay writers in our literature today.' Indeed! With a combination of intellectual and sentimental qualities, sharp argumentation with multi-dimensional contemplation, Hoàng Phủ Ngọc Tường has produced remarkable essays. Among them, the work 'Who Named the River?' stands out, highlighting the enchanting beauty of the Perfume River.
Firstly, Hoàng Phủ Ngọc Tường explores the Perfume River from a geographical perspective. The Perfume River at its source is an 'ode to the ancient forest.' This ode is both majestic, 'roaring amidst the shadow of the primeval forest, fierce through the rocky cliffs, swirling like a storm.' Not only that, it is also a sentimental flow, poetic 'gentle and intoxicating amidst the glaring red of the wild flowers.' With a keen eye, the author sees the Perfume River as 'Lady Di-gan, bold and wild.' The Perfume River now appears as the daughter of the forest, and the Truong Son forest itself has molded the river with courage, a free and pure soul. Through the use of similes, intriguing associations, the author praises the vigorous vitality and mesmerizing femininity of the Hue river. Returning to the Perfume River in the flat land like 'a beautiful girl sleeping amidst the dreamy meadows full of wildflowers.' This associative imagery glorifies the fairytale-like, legendary beauty of the Perfume River. The 'beautiful girl' Perfume River is sanctified by love, awakening after a long sleep, bearing a completely new romantic appearance. The river begins to actively embark on a 'conscious search' journey to meet the awaited lovers.
Within the city of Hue, the Perfume River is like a traveler returning home who has found the right way back 'The mood brightens amidst the green fields of the Kim Long suburbs,' and it 'Draws a straight line to ensure a peaceful view of Hue, the white bridge of the city stands out against the sky, small and delicate like young moon rings.' Clearly, the Perfume River entrusts its entire life to Hue without hesitation or doubt. Confronting Hue at Cồn Giã Viên, the Perfume River gently arches towards Con Hen. This curvature makes the river soft, like a 'yes' unspoken of love. Hoàng Phủ Ngọc Tường juxtaposes the tangible, visible nature of the river with the intangible, invisible nature of inner emotions. The river hides a longing, a blink, a tearful head, an unspoken willingness. Within the city, Hue spreads its arms wide to welcome the Perfume River, and the river lies entirely within the beloved city of Hue. Although reluctant, the Perfume River eventually bids farewell to Hue. The Perfume River reluctantly departs amidst the green of bamboo and the gardens of the magnificent Dạ outskirts. But as if remembering something unsaid, the Perfume River suddenly changes its course, returning to meet Hue one last time in the ancient town of Bao Vinh.
Hoàng Phủ Ngọc Tường also explores the Perfume River from a temporal perspective. In war, the Perfume River is a mighty river with glorious victories but also a river of pain with many losses and sacrifices. The river bears the common destiny of the Vietnamese people through various historical periods. In everyday life, 'The Perfume River is the river of echoing time, a poem written amidst the green grass.' This river undergoes strong, majestic changes from grandeur to everyday life, simplicity to express the eternal beauty. The Perfume River not only carries the beauty of the people of Hue but also the beauty of the Vietnamese people. It is not just a river of history; it is also a river of poetry. The Perfume River is a river that never repeats itself in the creative inspiration of artists. It is a 'white river - green leaves' in the subtle eyes of Tản Đà. From subtle, dreamy, it suddenly appears majestic 'like erecting the sky' in the dignity of Cao Bá Quát.
These diary pages by Hoàng Phủ Ngọc Tường overflow with love and emotions for Huế. The imagery of Perfume River emerges like that of a beautiful Huế girl, with flowing black hair, a vibrant personality that oscillates between strength and gentleness.
Beginning with profound geographical insights, the author brings forth the beauty of diverse natural landscapes and the allure of the river. Perfume River is portrayed amidst the geographical beauty of Huế, with nature on both banks accentuating its splendor. The river flows through three major sections: amidst the Trường Sơn Mountains, on the outskirts of Huế, and through the city itself, each portraying a different facet of Huế's beauty.
Perfume River amidst the Trường Sơn Mountains reflects the beauty crafted by these ancient ranges. Through vivid comparisons and personifications, the river is depicted as a grand ode to the old forest, with a majestic and romantic allure. It embodies both grandeur and romanticism as it flows amidst 'the towering shadows of ancient forests,' 'roaring through rocky rapids,' and 'twisting like whirlwinds.' The river's existence as a living entity with contrasting qualities creates a diverse and vibrant beauty, a fierce vitality for the Hương River.
Not stopping there, feeling unable to fully describe its beauty and character, the author creatively compares Perfume River to 'a free-spirited and wild Di-gan girl,' reminiscent of nomadic tribes with a strong, untamed spirit. Through the author's portrayal, the river gains a distinct personality and liberated soul, forged by the ancient forest. This personality and spirit, which the river seeks to hide within the depths of the mountains, is immediately concealed upon leaving the old forest, ending its grandiose journey at the forest's edge and throwing the key into the deep abyss beneath Mount Kim Phụng. Hoàng Phủ Ngọc Tường's journey to the river's source demonstrates his meticulousness, endless curiosity, and refined perception, showcasing the arduous artistic labor and sophistication of the author.
As soon as it emerged from the ancient forest, Perfume River adorned itself with a completely new beauty, leaving us slightly bewildered. The author compares the river's beauty to 'the nurturing mother of the cultural land,' embodying gentle wisdom, nurturing the children of Huế and enriching the cultural heritage along its banks. This quiet flow, silently nourishing the land with silt, forms a vibrant cultural foundation, akin to a selfless mother nurturing her beloved children, aspiring only for their growth and prosperity.
Analyzing the penmanship: Who named Hoàng Phủ Ngọc Tường's river
After its journey amidst the Trường Sơn Mountains, Perfume River embarks on a new phase near the outskirts of the royal capital Huế, passing through the Châu Hóa region adorned with wildflowers, exuding romance and charm. With the beauty of a 'beautiful maiden,' this stretch of the river seems to be in a dreamy slumber, awaiting the awakening of its lover. This journey towards the sea at Thuận An now resembles a conscious search, a pursuit filled with grandeur and passion, akin to lovers finding each other. The river carries within it a plethora of new life forms, constantly changing its course, 'twisting along gentle curves.' The author gazes upon the river, imagining the 'beautiful maiden' displaying her alluring curves, a creative and powerful imagination of the writer.
As Perfume River passes through the Châu Hóa region, it not only carries the soft, seductive beauty of a young woman but also diverse and rich aesthetics. At times, the water takes on a deep green hue, 'soft as silk,' a serene and peaceful beauty. Then, as the river flows past the hills, the water surface reflects vibrant colors, 'green in the morning, golden at noon, purple in the evening,' truly fascinating, turning the Hương Giang into a colorful, remarkable masterpiece. Passing by the tombs, the river becomes solemn, contemplative, as if reflecting on the history of ancient kings and queens, and then suddenly brightens up, rejuvenated upon hearing the sounds of the city.
In the end, the author brings forth the scene of Perfume River nestled within the embrace of Huế's citadel, akin to a girl nestled in the arms of her beloved, preparing to depart from her lover. The author's skill shines through in crafting unique imagery: 'the white bridge of the city etched against the sky, petite as a crescent moon,' evoking a budding romance of a Huế girl. Then, the 'soft river flows like the unspoken 'yes' of love,' like the shy, hesitant heart of a Huế girl in her first love.
The author likens Perfume River to a 'slow' melody of Huế, slow-paced, like a 'tranquil lake,' its 'silent flow passing through the city... It's the slow rhythm of emotions reserved for Huế,' these words, accompanied by a slow musicality, blend into the reader's soul, melodious, soft, profound, and romantic. Then, the author introduces intriguing new analogies: 'the Neva River sweeping away ice floes,' 'each floe carrying a mischievous seagull standing on one leg, enjoying their beautiful boat.' The author desires to become a seagull, drifting swiftly to the sea on that glass ship, and finally, unable to bid farewell to the friends on the shore as the boat drifts away too fast, the author deeply feels the nostalgia for Perfume River and 'suddenly feels the value of its silent flow through the city.' That leisurely flow evokes a hesitant girl, torn between leaving and staying, unwilling to part from the beloved's embrace, heart full of longing. With vivid and creative writing, the author transforms Perfume River into a 'maiden' both spirited and tender, immersed in love with the dreamy Huế boy.
Furthermore, Perfume River serves as a witness to the rich history of Huế's rise and fall, its 'glorious reflection illuminating the ancient capital of Phú Xuân,' every mark, every event of the Vietnamese people that can never be forgotten, all witnessed and recorded by Perfume River. Perfume River is the most beautiful symbol constructing an idyllic image of Huế, a beauty steeped in thousands of years of the nation's culture. A serene beauty, with hidden characteristics, Perfume River has existed for ages yet never ages, still carrying the passionate love of a girl in her prime.
Through creative thinking, imaginative associations, meticulous observation, profound understanding of Huế's social and cultural knowledge, author Hoàng Phủ Ngọc Tường has produced a truly remarkable diary, painting a vivid picture of Huế and Perfume River, a beauty that is both intimate, sacred, and gentle. All of this beckons readers' longing to visit Huế, to stand on Tràng Tiền Bridge spanning Perfume River and gaze upon the river to satisfy their hearts' desires.
