Impressions on the character Mr. Hai in the work Village by Kim Lan are profound and concise.

Prompt: Reflect on the character Mr. Hai in the work Village by Kim Lan

Exploring the Essence of Mr. Hai in Kim Lan's Village: A Reflective Essay

I. Outline of Reflection on the Character Mr. Hai in Kim Lan's Village

1. Introduction

Unveiling the short story 'Village' and the central character, Mr. Hai:
- 'Village' is a quintessential work by the author Kim Lan
- Mr. Hai takes the spotlight as the pivotal character in the narrative

2. Body

a. Profound Love for the Village
- Proudly boasts about the village with an enthusiastic tone.
- Highlights the traditions of resistance and the beauty of the village.
- Always reminiscing about the village with sentiments like 'Oh! The old man misses this village too much'...(Continued)

>> View the detailed sample essay Outline of Reflection on the Character Mr. Hai in Kim Lan's Village here.

II. Sample Essay C

Reflection on the Character Mr. Hai in the short story 'Village' by Kim Lan
 

1. Reflection on the Character Mr. Hai in Kim Lan's Village, Sample 1:

Mr. Hai, like many rural folks of old, is deeply connected to his hometown. He cherishes and proudly boasts about Chợ Dầu village, expressing his warmth and enthusiasm. Even in his displaced location, he constantly reminisces about the village, follows resistance news, and inquires about Chợ Dầu.

His love for the village is profoundly revealed in challenging circumstances. Kim Lan places the character in intense situations to unveil the depth of his emotions. The news of Chợ Dầu village aligning with the enemy shatters him. In the midst of the elation in the information room for the resistance, encountering refugees and hearing the village's name, Mr. Hai eagerly hopes for good news but is met with the unexpected: 'The whole village has gone with the West.' The sudden news leaves him shocked and in pain: 'His old throat choked up, his face numb, he fell silent as if he couldn't breathe, and after a while, he swallowed something stuck in his throat. He asked with a strained voice, hoping what he heard was not true.' Faced with the certainty from the refugees, he tries to deny it. The echoing curses of a breastfeeding woman about the villagers being traitors make him shudder: 'The ancestors of these children, hungry and stealing, captured someone, and they still pity them. The Viet Cong breed sells their country; each one should be given a blow.'

Returning home disheartened, he collapses on the bed, looking at his tearful children and exclaims, 'Are they also the children of the traitorous village? Are they also being despised and humiliated?' He harbors intense resentment towards those siding with the West and betraying the village. He clenches his fists and shouts, 'They happily take a piece of rice or anything into their mouths and do this disgraceful act.' Trust and suspicion wrestle within him. He checks each person mentally, finding them all morally corrupt: 'Is there a lifetime where they willingly do this shameful thing?' He is pained, thinking about how 'people detest them, people hate the Viet Cong breed.' For days, he dares not go anywhere, 'just stays at home monitoring the situation,' always anxious, thinking people are paying attention, discussing the village's matter. His haunting, persistent, and heavy obsession turns into constant fear. He is tormented, ashamed, as if he himself is guilty...

Write a brief essay reflecting on the character Mr. Hai in the short story 'Village', highlighting his resilience and dilemmas.

As Mr. Hai's situation becomes more dire and desperate, the landlord's decision to evict his family, citing a refusal to house people from the Viet Cong village, adds to his despair. Contemplating a return to the village, he quickly dismisses the thought, understanding that going back would mean abandoning the resistance and bowing to the West as 'accepting a return to servitude under the Westerners' eyes.'

His love for the village has now evolved into a love for the country. Despite the wavering faith and pride in Chợ Dầu village, his belief in Cụ Hồ and the resistance remains unwavering. Mr. Hai makes a painful and decisive choice: 'If the village is lost to the West, then we must seek revenge!' Despite this resolve, he cannot sever his emotional ties to his homeland. Consequently, he feels even more poignant and distressed.

In his compressed and desperate state, Mr. Hai seeks solace only in heartfelt conversations with his young son. Asking questions he already knows the answers to, he hears his son's responses with reverence and simplicity: 'Our home is in Chợ Dầu village,' 'We support Uncle Hồ Chí Minh forever!' These affirmations, already known to him, are moments of bonding and a testament to his desire to instill these values in his son. Mr. Hai wishes, 'May my comrades know the steadfastness of my son's and my heart, never daring to betray, even in death never daring to betray.' His thoughts are like solemn pledges of iron and steel. Moved, tears stream down his face. His devotion to the village and the country runs deep and sacred. Despite the entire Viet Cong village, he remains wholeheartedly loyal to the resistance, to Cụ Hồ.

Fortunately, the false rumors about Chợ Dầu village were corrected. Mr. Hai felt like he had been given a second chance at life. He dressed neatly and joyfully accompanied the news bearer. Upon returning, his usually somber face lit up with happiness. He bought his son sugar donuts and hurriedly went around proudly sharing with everyone. Everywhere he went, he exclaimed, 'The West burned my house down, completely destroyed it! The village chief just confirmed that our Chợ Dầu village is not siding with the West. Lies, all lies! The purpose is to deceive.' He gestured dramatically to everyone, boasting about his house being burned down, a clear testament that his village did not side with the enemy. Losing all his property, he felt no regret, even elated and happy. This peculiar joy signifies a rebirth of honor for the brave resistance of Chợ Dầu village. It is a strange, poignant expression of love for the village, the country, and the spirit of sacrifice for the revolution of the Vietnamese people during the resistance against invading enemies.

The vivid and diverse depiction, realistic language, dialogue, monologue, and internal monologue, along with the tense contradictions, pressures, and anxieties, have played a significant role in the success of the story. This also demonstrates the author's profound understanding and deep connection with the farmers and the country's resistance efforts.

Through the character of Mr. Hai, we gain further insight into the soulful beauty of Vietnamese farmers during the resistance against the French colonialists: their love for the village, the country, and their commitment to the resistance. Perhaps that's why the work 'Village' deserves to be one of the outstanding short stories in modern Vietnamese literature.

2. Concise Reflection on the Character Mr. Hai in Kim Lan's Village, Sample 2:

Kim Lan is a writer known for his skill in crafting short stories with a focus on farmers. The short story 'Village' was written in 1948 during the early stages of the resistance against the French colonialists. It depicts the admirable qualities of Mr. Hai, portraying his intense love for the village, trust in the Party and the revolution, and a sense of dignity valuing the honor of the village over material possessions.

Reading the short story 'Village,' readers are deeply impressed by the character Mr. Hai, a kind, diligent, hardworking, straightforward individual with a passionate love for Chợ Dầu village always burning brightly. When the war breaks out, he must evacuate, but he reminisces about the beautiful, prosperous village: tiled houses close together, lively and bustling. He is happy, proud, and boasts about the village. He even brags about the birth of the governor's son without realizing the governor is his enemy. The revolutionary light shines into his dark life, revealing who his true enemy is, and he no longer boasts about it. Mr. Hai actively participated in building resistance structures: digging roads, building embankments, and digging trenches. These challenging tasks were undertaken with enthusiasm, joy, and a sense of responsibility. His love for the village is not only expressed in words but also through concrete actions as a farmer ready to defend the homeland. His love for the village blends seamlessly with love for the country. Mr. Hai has the habit of going to the information room to find joy when hearing about our army's victories, no matter how small, with the thought 'accumulate small successes, and the West will step back soon.' These thoughts, though simple, reflect the farmer's belief in the revolution's inevitable success. It is the realization of Mr. Hai's new ideology brought about by the revolutionary light.

Write an essay expressing reflections on the character Mr. Hai in Kim Lan's short story 'Village' concisely.

The author cleverly introduces unexpected situations in the story, pushing the character to reveal a chain of psychological developments. The news of Chợ Dầu village siding with the West acts like a 'bucket of cold water,' extinguishing the long-burning flame of love for the village in Mr. Hai's heart. The sudden news leaves him stunned, thinking he can't breathe, as if his ears were playing tricks on him. But upon hearing names and village names, Mr. Hai feels ashamed. The statement 'Ha, it's sunny, come back!' becomes an excuse for him to avoid others. The author focuses on describing the image of Mr. Hai walking down the road, looking embarrassed and humiliated. The tears fall when he sees his son, thinking, 'Are they also despised and scorned? Who supports them? Who trades with them?' The internal monologue combined with the rhetorical questions expresses Mr. Hai's worry for his son and the people of Chợ Dầu village. Then, all the worries and shame turn into angry curses directed at the 'Viet traitors.' The term 'Viet traitors' becomes a stain, an indelible shame in Mr. Hai's heart, making everyone hate him. In that moment of pain, Mr. Hai turns to those who remain in the village with unwavering belief 'they are determined to live and die with the enemy.' But the news of Chợ Dầu village siding with the West makes him doubt 'No fire, how can there be smoke.' He once intended to return to the village, but he didn't because 'Loving the village is true, but following the West means revenge.' A person who once loved the village passionately now must speak words of revenge, surely causing immense pain in his heart. The author's pen focuses on describing the character's psychological developments, vividly portraying the profile of Mr. Hai's shame, humiliation, pain, anger upon hearing the news of the village siding with the West.

To ease the pain, he engages in a conversation with his son, asking, 'Do you want to return to Chợ Dầu village? Whom do you support?' The father receives a straightforward answer, 'I want to return to the village. I support Uncle Ho Chi Minh forever.' Though the dialogue revolves around Chợ Dầu village, it serves as a pretext for Mr. Hai to express his feelings. Despite speaking ill of the village, he still holds deep affection and a desire to return. Even though the love for the village has undergone changes, the belief in Uncle Ho remains unwavering and sacred, reflecting a new shift in the mindset and emotions of Mr. Hai and the farmers during the early days of the resistance against the French. The pen vividly describes the psychological changes, unveiling the inner world of the character during moments of shame, humiliation, pain, and anger.

Then, Mr. Hai's belief becomes a reality when he receives news of the village correction. His pride returns, boasting about the corrected news that Chợ Dầu village doesn't side with the West, proudly stating that the West burned down his house. In his boasting, the beauty of Mr. Hai's character emerges as he recognizes the importance of village honor over his material possessions.

This excerpt succeeds not only in content but also in artistry. It constructs the storyline focusing on the event of people evacuating. It creates unexpected and remarkable story situations, describing the character's psychological development through dialogue, inner monologue, and the use of Northern dialect. The writing is rich in the vernacular of Northern people. The excerpt portrays the beauty of the character Mr. Hai, a man with intense love for the village, possessing dignity. Kim Lan, having lived and intimately understood the inner life of farmers, unveils the profound simplicity of Mr. Hai and the farmers' love for the village and the country. They are the main force in the resistance, contributing to the success of the work and the author, which contemporaries could not achieve.

After reading the short story 'Village,' the spirit and beauty of the character Mr. Hai and the farmers leave unforgettable impressions on the reader. Understanding them makes one cherish and admire them more. Looking at today's farmers, they continue to uphold the tradition of loving the village and the country, building a beautiful homeland, and creating a new countryside.

Imagining the boycott of everyone, he couldn't help but worry, 'How will I do business now? Who will support me? Who will trade with me?' His anxiety escalated into fear. He snapped at his wife for no reason. He stared blankly, sighing heavily. His hands and feet trembled. He held his breath, listening intently. He lay still without a twitch. It turns out he feared the difficult landlady, full of unknowns about how things would 'go wrong now.' Afterward, he dared not leave the house, going nowhere, always thinking about 'that matter.' Even a gathering of people caught his attention. A few distant laughter sounds also unsettled him. Hearing words like 'Western,' 'betrayal,' 'traitor,' made him retreat to a corner, sighing deeply: 'Oh, here we go again.' Through behavior, feelings, and thoughts, Kim Lan vividly described Mr. Hai's heavy obsession turning into fear.

Top essay on the Impressions of Mr. Hai in Kim Lan's short story 'The Village' - incredibly excellent

Finally, Mr. Hai's emotions are revealed in a more intense and challenging situation: If Chợ Dầu village follows the enemy, no one in Chợ Dầu will accept him. In this situation, Mr. Hai's mood becomes gloomy, desperate, and stagnant. He had to undergo a fierce internal struggle, whether to return to Chợ Dầu village or not. Not returning means he doesn't know where to go, but returning means 'Now returning means abandoning the resistance, abandoning Uncle Ho.' In the end, Mr. Hai decisively decided: 'I love the village, but following the West means enmity.' His decision, mood, and attitude show that the fear of livelihood, no matter how heavy, is not as terrifying as the shame of selling out the country. Love for the village, no matter how deep, is not greater than loyalty to the homeland.

When the village chairman personally came to Mr. Hai to report the incident: 'It turns out everything was a misunderstanding.' At that moment, the joy in Mr. Hai's heart was boundless. He bought gifts for the children. He led the entire village, running back and forth, moving from one house to another, gleefully announcing: 'The Westerner burned my house. Burned it all.' He spoke of the loss as if boasting of his wealth, boasting of the beauty of his village, as it was the most heroic correction to protect his dignity, for himself, and for Chợ Dầu village.

So, upon hearing that Chợ Dầu village followed the enemy, Mr. Hai's emotional journey became incredibly complex—suffering, despair, followed by intense internal struggles about returning to the village or not. Kim Lan placed Mr. Hai in a situation that seemed incredibly challenging, yet after that scenario, his personality and character were fully revealed. He prioritized patriotism above all, despite his love for the village. He remained loyal to the country and Uncle Ho. Through the character of Mr. Hai, we also see Kim Lan's profound understanding of human nature, the spiritual world of people, especially rural folks.

4. Impression of the character Mr. Hai in Kim Lan's work 'The Village' by HSG - Model Number 4:

Someone once said, 'One can only separate a person from their homeland but cannot separate the homeland from the person.' Even if people and the homeland are geographically distant, nothing can truly separate their emotions. This is a life truth and also a literary truth. Until reading the short story 'The Village' by writer Kim Lan - a writer deeply understanding and connected to rural life, it seems we perceive that truth even more profoundly. Through the character image of Mr. Hai, the writer has embedded new messages and fresh thoughts into the work: the unity of love for the village and love for the country.

The character of Mr. Hai is a typical representation of Vietnamese farmers during the resistance against the French. For him, the love for the village is intertwined with the nation's resistance. All his joys and sorrows stem from village matters and revolutionary news. The habit of boasting about the village reflects the love and pride of the old farmer towards Chợ Dầu village: he boasts about the village having a tall bamboo broadcasting tower, tiled houses, and stone-paved village roads. After the August Revolution, he boasts about the spirit of resistance in the village with boundless pride. Loving the village so much, when he had to leave, settling elsewhere, he deeply missed the village, the days of digging trenches, building shelters, and the communal education sessions. Only with a deep, blood-related connection to the land where he planted vegetables and cut rice, could Mr. Hai carry such poignant memories within him.

Ironically, the village that the old man was extremely proud of, boasting everywhere, is now rumored to be a Viet traitor village. Initially, upon hearing the enemy entered the village, he startled, nervously asking: 'Did they terrorize Chợ Dầu village, uncle? How many did we kill?' This statement reveals his constant concern for the village, but then 'his throat choked, his face numb.' A feeling of emptiness, shock to the point of numbness, and the constricting pain made him 'fall silent, as if he couldn't breathe.' The more he loves the village, the more Mr. Hai feels heartbroken, ashamed. He keeps 'bowing his head.' Perhaps the most painful thing now is that he cannot acknowledge himself as a son of Chợ Dầu village.

Impression of the character Mr. Hai in the story 'The Village,' selected writing model

Leaving the pub, returning home, the old man's appearance is truly pitiful. He uncontrollably cries out because he doesn't know where to vent his emotions: 'They eat a meal, or whatever, then go and do this shameful Viet traitor thing.' We can see the thoughts and feelings of the owner mainly expressed through actions, words, and external description elements, with internal monologue elements, but not many, fitting perfectly with Mr. Hai - a true countryside farmer.

The pain seems to have transformed into fear. His mind is haunted, causing him to stay indoors all day, becoming sensitive to anything he thinks is related to that ominous news: 'Just hearing the words 'Western,' 'Viet traitor,' 'orange,'... he sneaks into a corner and stays silent.' When kicked out by the landlady, his conscience struggles with the thought: 'Should I go back to the village?' Losing the land means losing the home, 'returning to the village means abandoning the resistance, abandoning Uncle Ho...' Realizing that, despite the pain, he still makes the bold decision: 'Love the village, but if the village has followed the West, then revenge is necessary.' This is a bold, progressive decision of the farmer. Their feelings have transcended the bamboo hedge to reach the nation, the revolution.

In the days that followed, without anyone specific to confide in, or more precisely, not knowing who to open up to, he resorted to chatting with his little son to relieve his emotional burden. The noteworthy aspect here is that the conversation revolved around Chợ Dầu village—the village he supposedly 'resented.' Perhaps his mind still cradled the image of a beautiful village that his heart once cherished deeply. Could his child's words be synonymous with his own feelings for the village and the country?

Upon hearing the corrected news that Chợ Dầu village wasn't a Viet traitor, Mr. Hai was ecstatic. He proudly went around boasting about the village and his burnt house. Seemingly illogical details carried significant meaning. It was the most spirited evidence of his village's resilient fight. Mr. Hai had set aside personal losses to immerse himself in the collective joy of the nation. Now, his trust in the resistance of the village was even more robust and unwavering. And the traditional love for the village—a sentiment of Vietnamese farmers—resonated in the verse:

'Our village landscape is truly harmonious
The population is as majestic as a dragon's figure.'

However, it was only after the August Revolution that the love for the village deeply blended, unified with the love for the country, belief in leadership, and support for the revolution in the hearts of the farmers.

The character of Mr. Hai leaves a lasting impression on readers through the unique art of character construction. The author placed his character in a situation where, in exile, Mr. Hai hears news of his village siding with the enemy. This situation vividly reveals his inner self. The love for the village becomes conflicting with the love for the country, an emotion deeply rooted, a sentiment recently formed but so profound that he cannot let go. From this point, multi-dimensional thoughts are vividly portrayed, contributing to the exploration of the story's theme.

The short story 'Village' successfully depicts the sincere and profound love for the village and the country of the farmers. The work also highlights positive changes in the revolutionary awareness of the masses, showcasing the creativity of the talented writer.

5. Impressions of the character Mr. Hai in the work Village by Kim Lan, sample number 5:

If, before the August Revolution, Ngô Tất Tố brought a fierce Ms. Dậu with the vitality of a farmer, and Nam Cao brought an Old Hạc full of pride and boundless love for his son,... then after the August Revolution, Kim Lân - a farmer writer - presents readers with the image of a farmer in the era of renewal. That character is Mr. Hai in the short story 'Village' with a deep and fervent love for the countryside and the country.

Born and raised in the rural villages of Vietnam, amidst simple farmers, writer Kim Lan has early on developed a profound understanding of rural life, creating numerous works on this theme. During the early stages of the resistance against the French, when people in the North were ordered to evacuate, he once again portrayed the image of farmers in the short story 'Village.' It delves not into everyday issues but into the love for the village and country of these mud-covered individuals. First published in the Văn Nghệ magazine in 1948, it marked a positive shift in the portrayal of farmers and their consciousness, especially through the character Mr. Hai.

The primary and most noticeable trait in Mr. Hai is his deep love for his village. For farmers, the village is not just an administrative or geographical unit. It holds their lives, everything close and familiar to them. The village is their homeland, their life. Mr. Hai is no different, often boasting about the village with immense pride. 'He spoke about that village passionately and animatedly. His eyes lit up, and his face showed lively changes.' Love for the village transformed Mr. Hai into a completely different person than the constrained, awkward figure in the refugee kitchen. A new source of vitality surged within him during those times. Night after night, he spoke about his village. Kim Lan punctuates the story with criticisms of his indifferent neighbors, subtly conveying that Mr. Hai doesn't truly need them to listen. He speaks for himself, for the pleasure of it, and to ease the longing for the village. 'He thinks about his village, thinks about the days working with his comrades... He wants to return to the village, wants to dig roads, build shelters, and cut rocks with his comrades.' Memories of the old village, the previous community, become a source of comfort and encouragement for Mr. Hai whenever he feels disheartened. Just staying in the village, fighting alongside his comrades, feels like a new current of vitality flowing abundantly within him. Regardless of the hardships, he endures it all. This image sharply contrasts with Mr. Hai always being bored and lost, not knowing what to do in the refugee kitchen. However, it's just a memory, a joyful and prideful memory. Every time he recalls it, an enduring nostalgia fills him: 'Mr. Hai misses his village, misses it intensely.' For him, his village has always been something sacred and beautiful. Now, in the cramped refugee kitchen, that village becomes even more beautiful, a fervent desire. It's not an exaggeration. Mr. Hai's sentiments are those of someone deeply connected to the village, loving the village with genuine pride.

Top essay Impressions of the character Mr. Hai in the work Village

Mr. Hai's love for the village is most vividly and intensely expressed when he hears that his village is siding with the West. Like a lightning bolt, he refuses to believe it. 'His throat choked, and his face felt numb. He fell silent, seemingly unable to breathe. After a while, he stammered something, swallowing something stuck in his throat.' If the devastating news was about his beautiful village being burned down, his house, fields stolen, perhaps he wouldn't be as agonized as hearing his village siding with the West. The cheerful, talkative old man now has to 'lower his head and go straight,' 'tears streaming down his face.' If only he didn't love the village too much, if he wasn't so proud of the village, he wouldn't feel this shame. The words 'all the village people have sided with the West' stab into his heart, into his deep love for the village. All he cherished in his heart now seems to collapse. He cannot accept this truth, and an intense internal struggle ensues. Initially doubt, 'But how can such news be true?'; then pain when clear evidence is presented, 'And Chanh Bệu is indeed the person from the village.' Acknowledging that news, the pain he felt then is indescribable. 'Oh! Is it not too humiliating, the whole village siding with the West!' Perhaps in his life, Mr. Hai had never experienced or even imagined such pain, such humiliation. Those words seem to emanate from a wounded heart, from his trampled pride, making readers feel his anguish, shame at that moment. But Mr. Hai not only feels pain for himself, he also feels pain for the village, for his compatriots. 'So many villagers, scattered in every direction, don't know if they are aware of this situation?' Maybe those people harbored resentment towards Mr. Hai before, but in the face of this immense pain, this humiliation, the love for the village emerges strongly, awakening the camaraderie within him. Kim Lan skillfully uses a series of emotional phrases, continuous questions in the art of internal monologue to depict the suffering, bitterness, and resentment that Mr. Hai had to endure. At this moment, the village is not just a place to bury roots; it's something grander, a sense of self-worth, honor.

Not only that, but the love for the village has become a haunting obsession within him, forcing him to choose between the village and the nation. If he was once proud, supremely confident about his village, now he feels ashamed, avoiding it as much as possible. That malicious rumor has turned into a haunting, invisible fear that always weighs on his mind. 'A crowd gathered, he also noticed, distant laughter and talk, he also felt uneasy. Whenever he hears Western words, traitor, betrayer... he retreats to a corner of the house, silent. Stop talking about that again!' Normally, when one thinks too much about something, there's a feeling that others are thinking the same. Then how large must Mr. Hai's obsession and fear be to torment him like that! The love for his village must be immense! Kim Lan vividly and profoundly described that heavy, oppressive feeling because the author himself had faced a similar situation. Mr. Hai went through moments more painful and humiliating when the landlady spoke sarcastically to expel him cunningly. The reader can feel each word from the landlady as it drills deep into Mr. Hai's already wounded love for the village. Despite decisively joining the resistance, he couldn't let go of his deeply rooted feelings for the countryside. Thus, he feels even more pained and humiliated.

In addition to his love for the village, the character Mr. Hai leaves an indelible mark on the reader with his patriotism and spirit of resistance. He always keeps track of resistance news and takes pride in the feats our people have achieved. 'His old guts would dance around, so happy!' But when faced with the choice between the village and the nation, that love becomes evident. Despite the rumor that his village is siding with the West, he steadfastly refuses to return. Here, we truly understand the complexity of this seemingly straightforward and outspoken character. His love for the village has now become a conscious, integrated love for the country. 'Why go back to that village? Returning means abandoning the resistance, abandoning Uncle Ho.' Remembering the dark days of oppression in the past, he had a clear and righteous decision. A mud-covered farmer, but Mr. Hai had a clear revolutionary consciousness: 'Loving the village is true, but if the village follows the West, it's gone, and we must seek revenge.' This new awareness is a special trait in Mr. Hai's character, marking the change in farmers after the August Revolution. He always wants to express his feelings. Though talking to his child, he's essentially using the child's words to convey his emotions. What the child says is what's overflowing in his heart without being spoken. 'Yes, that's right, support Uncle Ho, my child.' Mr. Hai talks to the child as if talking to fellow comrades, to justify his genuine feelings and to alleviate the partly relieved agony in his heart. His simple yet sincere patriotism is touching and deeply moving. This sincerity helped him endure the malicious rumor about his village because he had faith in the revolution, in the resistance. From this point, Mr. Hai, individually, or farmers in general, started seeing beyond the village bamboo clumps. Not only loving the village, within him is a love multiplied many times - love for the country.

When the news that Cho Dau village is following the enemy is corrected, Mr. Hai's love for the village and the country is complete. Mr. Hai seems to come alive again. 'The usually sad face suddenly brightened, radiant.' Once again, his love for the village and the country is genuinely, emotionally expressed. The source of vitality from the past returns within him. Mr. Hai is himself again. He talks about his village again, about 'The West burned my house, burned it down!' His joy is expressed so naturally, sincerely, and passionately. Perhaps no one in the world would boast or celebrate their house being burned down. But for Mr. Hai, that's insignificant compared to the joy when the honor of his village is restored. Because that loss is also the revival of Cho Dau village, which he has always loved and deserves that love: Cho Dau village in the resistance. The love for the village is the foundation, the most spirited manifestation of patriotism in Mr. Hai. It's true, as the writer Ilya Ehrenburg once said: 'The love for home, for the village, for the homeland makes the love for the motherland.' Compared to the characters like Old Hac by Nam Cao or Sister Dau by Ngo Tat To before the August Revolution - farmers whose entire lives faded into darkness in the fields, Mr. Hai's character has a clear understanding of the revolution, of resistance. He realized that: As long as the country exists, the village exists; if the country is lost, the village is also lost. This is not just a change in the thinking of a farmer but the thinking of every Vietnamese at that time. They were willing to sacrifice their personal, small things for the common cause, for the epic resistance of the nation. They didn't forget their roots but preserved them in their hearts, turning them into a driving force to fight for the liberation of the country and homeland.