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Nguyễn Trãi's Deep Feelings through the Poem 'Scenes of Summer Days':
Nguyễn Trãi (1380 - 1442), the national hero, a 'heart shining like the Khuê star' (as proclaimed by King Lê Thánh Tông), never ceases his patriotic devotion, even in the most challenging circumstances. Even when suspected and forced to retreat to his homeland in Côn Sơn, he candidly expresses his passionate longing for the people and the country in a life seemingly filled only with joy amidst clouds, mountains, and nature. This heartfelt sentiment is vividly revealed in the cluster of 61 poems titled 'Bảo kính cảnh giới' (Reflecting on the World's Treasure). Particularly, poem number 43 encapsulates numerous aspirations towards life and the people.
Bảo kính cảnh giới (The Mirror of Self-Reflection) draws valuable lessons from the magnificent nature to illuminate the poet's heart. We not only encounter the artist's love for nature but also understand the inner thoughts of a hero always standing by the side of the nation's 'prosper the country, love the people.' The poet's reflections and emotions help us envisage a great personality.
The poem begins with a reluctantly enjoyed leisurely situation:
'Then basking in the coolness of schooldays'
The poetic rhythm is peculiar, extending the sensation of a day 'eating without sitting': creating accents in the first beat, followed by five words forming a breath like a sigh. Clearly, the poet speaks of cooling off without providing a truly leisurely feeling. The two words 'schooldays' reveal the tediousness of a long and monotonous day. Leisure enjoyed without relaxation! Perhaps that will be the source of many involuntary frustrations vented by humans. However, all suppressed thoughts accumulate when the poet faces a fierce and vibrant nature:
'The hoe piles up, covering the surface.
The stone pomegranate pavilion still spurts red dew,
The pink lotus terrace has bid farewell to its fragrance'
These three lines paint a colorful picture of nature, along with characteristic images of the summer space. First and foremost, the hoe releases a green color like a giant canopy covering the landscape, creating a sense of a green space. Nguyễn Trãi's view of nature is comprehensive, evoking the vitality of space in the verbs 'piles up' and the liberating feeling in the word 'covering.' The perspective extends from near to far, following the alternating structure in the two descriptive lines, cleverly intertwining the red color of the stone pomegranate in front of the house and the pink color of the lotus pond. The upper line describes color, while the lower one suggests fragrance. That nature also contains rich emotions, sometimes gently spreading, sometimes bursting. Eventually, it lingers with the nostalgic scent of pink lotus at the end of summer. It takes a soulful person to convey many feelings in just a few lines of concise poetry. Amidst that natural scenery, the poet seems to shed all frustrations, letting the heart merge with the lively nature.
Nguyễn Trãi not only sees with his eyes but also listens to the myriad sounds of nature with a contemplative heart:
'Bustling fish market in the fishing village,
Weary holding a lute on the terrace at sunset'
There's an emotional shift in how the poet listens to the sounds of life. Now, the sounds are sensed from afar to near, from bustling to serene. Nature is not silent and gloomy in the late afternoon; on the contrary, it is lively and intimate with the poet's heartfelt love for life. The bustling is the sound vividly depicting the peaceful life of fishermen, the bustling scene of trading without being too noisy to disturb the leisure space of the poet. It seems that Nguyễn Trãi actively directs his heart towards the fish market, the fishing village, to feel close to everyday life. The echoing sounds of real life create a connection between the poet and the people, bringing joy in an evening easy to evoke sorrow for the poet. The alternating structure has created harmony between humans and nature in the balanced setting of the fishing village - the shadow of the setting sun carries a classical and solemn atmosphere. The contrasting art creates a very fresh inspiration in Nguyễn Trãi's poetry when the impactful impression is not the darkening twilight but the sound of the weary lute. This unexpected and unique association clearly demonstrates Nguyễn Trãi's artistic qualities. The distinctive sound of summer, the singing of cicadas, comes with Nguyễn Trãi like a powerful, vibrant instrument, echoing the lively rhythm of nature. That vibrant nature painting contains a beautiful aesthetic message that stimulates the poet's emotions. Does he himself want to escape life, admire the twilight, confine himself in seclusion and not hear, not see the beauty of vibrant nature around? Is nature bustling, or is it the poet's heart that is eager to join the joy of life? His life is not that of a recluse but rather a reflection of a soul that passionately loves life, always embracing the joy of peaceful life to forget the private sorrows.
Nature has provided a great lesson. It stirs the intense desire to return to life for the poet. Nature has ignited the longing of the silver-haired hero but still with a golden heart:
'De Ngu plays the lute for a moment,
Wealthy people demand from all directions'
What could be more simple, noble, and succinct than those sincere, rustic verses! Amidst the breathtaking nature, Nguyễn Trãi has no desire for leisure only for himself. He isn't someone solely focused on maintaining personal purity according to Confucian principles of 'independent integrity'; deep in his soul, he remains the 'patriotic for the people,' the lifelong aspiration of someone dedicated to the interests of the populace. Nguyễn Trãi's spirit never diminishes the dream of dedicating himself to the country's peace and prosperity, like the prosperous society during the Tang Dynasty - an ideal society according to Confucian beliefs. Simple yet lofty, these six words encapsulate Nguyễn Trãi's heart directed towards the people. Indeed, in his challenging circumstances, there might be much sadness, but the essence of Nguyễn Trãi's soul is always 'pure and full of vitality' (words of Prime Minister Phạm Văn Đồng). That burning soul only fervently desires to provide the people with a rich and fulfilling life. The people's longing for 'everywhere without a sound of resentment or sorrow' is evidence of Nguyễn Trãi's outstanding pure character.
The Mirror of Self-Reflection - a profound lesson from nature that helps Nguyễn Trãi reflect, containing a myriad of emotions for life and love of existence. We recognize an artist's soul - a warrior of the scholar Trai. That 'bright as the star Khuê' heart still shines brightly to this day!
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