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Topic: Outstanding artistry in the text of Cà Mau Rivers and Streams (Literature 6 - Volume II) excerpted from the story Southern Land of writer Đoàn Giỏi
Outstanding artistry in the text of Cà Mau Rivers and Streams excerpted from the story Southern Land
1. Outstanding artistry in the text of Cà Mau Rivers and Streams, sample 1:
Cà Mau Rivers and Streams, although excerpted from the story Southern Land by Đoàn Giỏi, can be seen as a fairly complete descriptive essay of the landscape of the Cà Mau river area in the extreme south of the country. The text is like a 'movie' that sequentially unfolds the unique and unique beauties of the Cà Mau Rivers and Streams region before the reader's eyes. That is the very clever, skillful combination of the author with the art of describing scenes, telling stories, and explaining intertwined, reasonably embedded. All have created a fascinating natural picture and a unique picture of human activities that cannot be forgotten.
At the beginning of the text, the writer effectively uses the technique of scene description with images that are perceived through the vision and hearing of the Sông ngòi, kênh rạch spreading out like a spider's web... the endless rustling of the green forests four seasons, along with the sound of waves from the Đỏng sea and the Thái Lan bay echoing day and night in the endless sea breeze... Is that the impression of a vast and vast space of Sông ngòi, kênh rạch? All are enveloped in green - the sky is green, underwater is green, around is only a green color of leaves... the green forests four seasons. The colors, sounds have been blended together to create the initial general impression of the natural landscape of the Cà Mau region. It can be said that the passage is like slow-motion 'film' that the cameraman has moved far away to overlook the whole scene.
Following is the explanatory paragraph, explaining some geographical names of nature and people in the Cà Mau region interwoven with the descriptive paragraph of the Năm Căn river. The canals of the Cà Mau region are narrated through strange names: rạch Mái Giầm, kềnh Bọ Mát, kênh Ba Khía... and very interesting explanations: for example, rạch Mái Giầm is called so because both banks of the canal are covered with curved, fluffy reeds... or Ba Khía is a type of hybrid crab, reddish purple, makes delicious minced fish mixed with garlic and chili... Through the naming, we see that nature here is still very natural, wild, rich, and people live very close to nature. They are simple, sincere, starting from the way they name the canals, the land. Not using fancy nouns, but naming according to its distinctive features. Then comes the description of the Năm Căn river, the writer has combined many outstanding arts such as: focusing on many details to describe the vastness, grandeur of the river and the mangrove forest in a very impressive way: The river stretches for thousands of yards, the water rushes into the sea day and night like a waterfall, the fish swim in black clusters sticking out like frogs swimming among the white waves... The mangrove forest stands tall like two endless citadels... The precise and delicate use of verbs to describe the same activity of the boat: Our boat paddled out through the Bọ Mắt canal, poured into the Cửa Lớn river, flowed towards Năm Căn.
Article analyzing the Outstanding Artistry in the text of Cà Mau Rivers and Streams
The verb phrases 'paddled out,' 'poured into,' 'flowed towards' all refer to the boat's activity. But the writer's talent lies in choosing and arranging those words in an 'optimal' sequence that suggests the scene that the boat passes through: 'paddled out' describes the state of overcoming difficulties, dangers; 'poured into' describes the state of pouring from a narrow place (small canal) to a wide place (big river); and 'flowed towards' describes the state of the boat gently floating on the calm water. Isn't that a brilliant art? The wilderness of the Năm Căn river is depicted skillfully with the green color of the mangrove forest on both sides of the river with different shades: The mangrove trees grow long along the shore, in layers, each layer overlaps the other, embracing the river, stacking each level of green leaves, moss green, bottle green... blending in and out in the morning mist and smoke. Those shades of green have described the layers of mangrove trees from young to old, connecting generations that have been like that for generations! The writer has indeed observed delicately and described even more skillfully in the use of adjectives describing colors.
The scene of Năm Căn market seems to appear vividly and vividly before the reader's eyes. Perhaps the author has observed meticulously, both comprehensive and specific, combining between narration and description, between listing and selecting remarkable details, attracting us to the beauty that is both rich and unique of the market.
2. Analysis of the Outstanding Art in the Cà Mau Water Text, sample 2:
Cà Mau Water is an excerpt from chapter XVIII in the text 'Southern Land' by author Đoàn Giỏi. Although excerpted from a fiction work, the excerpt is considered a complete descriptive essay.
In the excerpt, the writer effectively uses descriptive language with images that are perceived through vision and hearing to create a general impression of a vast, vast space, where colors and sounds blend together to create an initial general impression of the natural landscape here.
The author chose a quite suitable observation position to have a natural, logical description sequence, easy to compare, associate, and express emotions. For a boy like An, it is obvious that he must be overwhelmed by the green color overflowing the space and mixed in that green is the endless rustling sound of the sea breeze with a strong taste of salt.
To capture the uniqueness of the scenery here, the writer has flexibly used the method of exposition, explaining about some landmarks in this remote land of the country. Not with flowery nouns but rather rough, naturally simple according to its own characteristics. The names have given readers new and interesting insights. Through simple naming, through folk style, the author shows that nature here is still very natural and wild, and people live very close to nature.
The Outstanding Art in the Cà Mau Water Text helps students identify the artistic features of the work
Especially, the writer focused on many descriptive details to describe the vast, majestic, and wildness of the Năm Căn river: 'the Năm Căn river, water pouring into the sea day and night like a waterfall', fish swimming in flocks 'like swimming frogs', then the cajuput forest with 'cajuput trees as tall as sticks... stacked in different shades of green'. The image of the river opens up in all three dimensions, in its vastness and majesty, in its richness, and even in the green color of the cajuput forest with different levels. The author's observational skills and use of language combined with precise comparison techniques. The author chose vivid, evocative adjectives to evoke the grandeur, poetic, and unique beauty of the Năm Căn river.
Even the activity of the boat is accurately described by the author: 'our boat paddles through the Bọ Mắt channel, pours into the Cửa Lớn river, flows to Năm Căn'. The state of the boat in each scene is described with precise, subtle words. 'Paddles through' - describing the boat as it passes through a difficult, dangerous place; 'pours into' describes the boat from a small channel into a large river; 'flows' describes the boat lightly along the water in a calm river. These three verbs both describe the different strong activity states of the boat as it passes through different river spaces and also demonstrate the characteristics of the Cà Mau river.
In addition to the content they have learned, students need to prepare for the essay My Reflections After Studying the Excerpt from Cà Mau Rivers and Streams to master their 6th-grade Vietnamese language knowledge.
