In continuation of our previous guide on 11th-grade literature, today's article aims to assist students in revising the literature section to reinforce and solidify their understanding of the literary concepts covered. Students are encouraged to refer to our article below to prepare the most comprehensive literary composition.
=> Explore more literature compositions for 11th grade here: 11th-grade literature compositions
Our instructional material for revising the literature section encompasses a complete summary of all the literary content in the 2nd semester of the 11th-grade Vietnamese literature curriculum, along with guidance on completing textbook exercises on page 115. We invite students to read our following literature composition to learn how to tackle this composition and become more proactive in participating in revision sessions in class.
Prepare for Literature Review, Brief 1
Prepare for Literature Review, Brief 2
Question 1:
Literature from 1900 - 1945 is divided into two parts: public literature and private literature.
Public literature is further divided into two main streams: romanticism and realism.
Private literature is pushed beyond the legal boundaries and must circulate secretly.
Question 2:
a.
| | Tiểu thuyết trung đại Việt Nam | Tiểu thuyết hiện đại Việt Nam |
Đề tài, cốt truyện | - Mượn cốt truyện từ Trung Quốc - Xây dựng các yếu tố kì ảo, hoang đường | - Đề tài tự do, sáng tạo - Đi sâu vào thế giới nội tâm của nhân vật |
Kết cấu | - Theo chương, hồi, kết thúc thường có hậu. - Truyện được trần thuật theo trình tự thời gian chặt chẽ, lối văn biền ngẫu, mang tính ước lệ,... | Không theo công thức, kết thúc đa dạng - Bút pháp tả thực, tự nhiên, không mang tính ước lệ. |
b.
The work “Heavy Filial Duty” by Ho Bieu Chan possesses elements reminiscent of medieval novels such as an external plot, episodic structure, a happy ending, the use of random and melancholic prose, and characters embodying moral principles and lifestyles…
Question 3: Analyze situations in the short stories Vi Hành, The Prisoner, Physical Education Spirit:
- Vi Hành: Creates a mistaken identity situation between the character I and the forgiving king Khai Dinh → Mocking laughter and irony.
- The Prisoner: Two contrasting individuals: The prisoner and the observer both possess artistic souls. One is skilled in beautiful writing, cherishing beauty. The other appreciates beauty, venerating it. The author places these two characters in a tragic, ironic situation—a meeting of kindred spirits in the dark, filthy confines of prison.
- Physical Education Spirit: The fundamental satirical contradiction of the story lies in the conflict between the exuberance of the sports spirit promoted by the French authorities and the practical desire to seek shelter in the homes of the people, oscillating between cheering and finding every possible way to stay home, to evade.
Question 4:
a. The artistic excellence of the short story “Two Children”
The story lacks a plot; its narrative flows into character portrayal and psychological description.
The prose is gentle, tinged with melancholy.
b. The artistic brilliance of the short story “The Prisoner”
Constructing emblematic character images through romantic writing techniques
Remarkable artistic contrast and opposition
Language: Elaborate, rich in imagery, employing many Sino-Vietnamese words to evoke the atmosphere of the era.
c. The artistic brilliance of the short story Chí Phèo
- The narrative tone is harmoniously combined between dialogue and monologue, indirect speech and semi-direct speech.
- There's a fusion between the narrator's language and the characters' language. The language is simple, intimate, and directly expresses emotions.
Question 5:
a. Satirical artistry through the excerpt “The Happiness of a Mourning Family”:
Constructing a satirical story situation → the frivolity, decadence of contemporary society.
The title conceals a mocking laughter, a bitter sarcasm
Contrasting images within the funeral procession
Utilizing various rhetorical devices such as hyperbole, exaggeration, sarcasm, criticism, and exposing the true nature of society
b. Vũ Trọng Phụng speaks out, accusing the hypocritical, decadent, and corrupt facade of the upper class before the August Revolution of 1945.