The character steering the boat in the celestial brush of 'The Boatman on the Da River' is exceptionally adept and selectively chosen.

II. Sample essay for reference: The character steering the boat in the celestial brush of 'The Boatman on the Da River' is exceptionally brilliant:

1. Perception of the character of the boatman on the Da River through the three stone battlefields or number 1

Nguyen Tuan is a writer with a unique artistic style. He not only delves into and explores ordinary human life but also showcases artistic talent. A prime example of this creative style is the essay 'The Boatman on the Da River.' The work highlights the image of the boatman navigating the perilous waterfall.

'The Boatman on the Da River' was written during Nguyen Tuan's actual journey to the remote Northwest of the Motherland. It is the result of a tremendously serious and arduous labor process by Nguyen Tuan. It is also a precious drop of honey that Nguyen Tuan carefully extracts from the 'myriad journeys of bees' for life.

He is an ordinary and unknown laborer on the Da River. His job is closely tied to the perilous and fierce profession of steering a boat along the treacherous river. This dangerous job demands special qualities in the laborer. Through Nguyen Tuan's description, the boatman emerges as a seasoned professional in his craft. He masters the tactics of the river deity, the stone deity, and understands all the guerrilla laws of the river where water gates are located. His memory is finely honed, meticulously recalling details as if nailing them into the heart of all the perilous waterfalls. The boatman's experience is not innate; it is the result of a prolonged, arduous training process, a gamble staked with life.

The image of the boatman becomes more pronounced during the waterfall crossing. In the first stone battlefield, the Da River reveals five gates in battle, four gates of death, and one gate of life. It wants to 'eat death' for every boat. At this moment, the boatman resembles a valiant commander leading a troop into a bizarre battle. When the water roars and breaks the boat's oars, the boatman grips the oar frame with both hands. The water uses cunning tactics, unleashing countless cunning moves: thrusting knees, capsizing the boat, flipping it upside down, causing the boatman unimaginable pain. His face twists in agony, but he persists, still holding onto the oar frame, legs tightly gripping the helm. On the boat, six rowers continue to echo concise, alert commands. In the first stone battlefield, the boatman displays extraordinary courage, resilience, and an indomitable spirit. This is the 'courage' of a commander.

In the second stone battlefield, the Da River changes tactics, becoming unpredictable, adding more gates of death and life on the opposing shore to deceive the boat. Yet, the boatman, well-versed in the laws of the river deity and stone deity in this perilous water gate, rides the waterfall waves 'as if riding a tiger,' tightly grasping the 'mane of the waves.' For the rear stones, he memorizes their faces: one dodges, swims sideways, another advances stealthily to cut a path forward. Here, readers witness swift, precise, and astonishingly skilled movements, coupled with the proactive and steady posture of a laborer navigating the waves of the Da River. In the second stone battlefield, the boatman appears as a seasoned, skillful laborer, passionate about his profession, living and dying with it.

In the third stone battlefield, the Da River, with fewer gates, has death on the left, death on the right, and life in the middle. The boatman, at an extraordinary speed, shoots the boat through the narrow stone gates. At this moment, the boat resembles an arrow made of bamboo soaring through the mist. Both boat and man seem to dissolve into the water vapor. With astonishing precision, the boatman guides the boat through the third stone battlefield in the blink of an eye.

With fifteen essays and a poetic sketch inspired by an adventurous journey through the mesmerizing Northwest, the collection 'River Notes' by writer Nguyen Tuan emerged in 1960, contributing a valuable work affirming the life and people of the Northwest in the nation-building endeavor. 'The Boatman of the Da River' stands out as a distinctive essay in Nguyen Tuan's collection. The courageous and skillful image of the boatman leaves an indelible impression on the reader's mind. Alongside this portrayal, Nguyen Tuan's unique artistic style becomes even more apparent, leaving a lasting impact.

The character of the boatman would undoubtedly fade into obscurity if the author merely described him in the mundane struggle for survival on the peaceful river. The boatman in the work truly becomes a vivid symbol, and the tumultuous river is the entrusted expression of Nguyen Tuan's aesthetic ideas, a writer dedicated to a lifelong pursuit and affirmation of beauty. The beautiful image of the boatman shines proudly in the juxtaposition with the fierce and majestic character of the Da River! This is precisely the strategic use of thoughts and art by Nguyen Tuan, as he aims to 'capture the arduous combat of the boatman on the battlefield of the Da River, in a water battle on the Da River front.'

The impressive beauty of the boatman comes to life amidst the terrifying challenges of the Da River. Imagine it as a 'stone battle on the river' set to capture and engulf the boat and its captain. In that situation, the Da River becomes fierce and mysterious: 'It's a rock battle on the river. Clusters of rocks divide into three rows blocking the lonely boat...'. In that bizarre and formidable battle, the image of the boatman emerges clearly in the beauty of strength and profound courage.

Nature wants to dominate, wants to devour, but the boatman remains calm and brave, rising above the fierce waves: 'The boatman holds the oars with both hands to keep them from being splashed by the waves launching directly at him.' How many challenges of the river has the boatman had to overcome? Extraordinary determination and proactive calmness are what enable him to face the demonic waves of the water: 'Sometimes they want to overturn the entire boat. The water clings to the boat like a creature clinging to the boatman's waist, trying to flip him upside down in the midst of the resounding water battle...'

Nguyen Tuan, the talented writer, skillfully orchestrates a linguistic ensemble, exploring various realms to vividly depict the dramatic clash between humanity (the boatman) and nature (the Da River). The intense emotions evoke a fierce yet magnificent essence, where the turbulent currents contrast with the calm and proactive courage of the boatman. A courageous and skilled individual confronts the wild and mysterious nature in a decisive battle. The image of the boatman evolves, becoming more majestic and resolute in the struggle. Riding the tumultuous Da River, he faces it head-on, like riding a tiger. Gripping the helm firmly, he navigates the swift currents, charting a course towards the rocky gateway with determination.

One distinctive feature of Nguyen Tuan's artistic style is the exploration of both nature and humanity from cultural and artistic perspectives. Here, we encounter the image of a highly talented boatman, an artist portraying the beauty of bravery and resilience in the face of nature's challenges.

A beautifully captured moment is the boatman's posture when 'gripping the helm' and 'speeding into the birth canal,' revealing a striking image of a gallant and elegant knight. A composed and confident demeanor as the boatman confronts the turbulent waves—'forcing them apart to clear a path.' The image of the boat rising 'like an arrow of bamboo piercing through the mist' delivers a refreshing and triumphant feeling, celebrating the victory of the boatman - the artist. This final depiction encapsulates the concentration of emotion and artistry by Nguyen Tuan.

On the bold precipice, a boatman on the Da River attains freedom by understanding the inherent laws of the river's flow. Nguyen Tuan portrays the boatman as a humble worker but extraordinary, symbolizing the beauty of the Vietnamese people in nation-building. It's a perspective, an exploration, and an affirmation of the Vietnamese in the modern era! Hence, the essay 'The Boatman of the Da River,' and the fifteen essays on the Da River by Nguyen Tuan, contribute to affirming the beauty of the new life and the new people in our Vietnam.

The powerful impression in the essay 'The Boatman of the Da River' lies in the daring journey over the Da River rapids, where the boatman reveals the fascinating beauty and extraordinary talent of ordinary laborers in the midst of the wild cascading waterfall. Revolutionary heroism is not confined to the battlefield with the sounds of guns and roaring bombs.

After reading 'The Boatman of the Da River,' the image of the brave and magnificent boatman with his small boat riding the wild waves to triumph lingers in our minds. The splendid and majestic beauty of that victorious moment is truly captivating!

For further insight, explore the sample essays in the article 'Analysis of The Boatman of the Da River' to gain a deeper understanding and apply it in your own essay writing.