The glass painting craft of the Khmer people in Soc Trang

Soc Trang is not only famous for its scenic beauty but also for its unique cultural elements. Among these is the distinctive glass painting craft, which is gradually disappearing.

Glass painting craft

Glass painting is a popular folk decorative art in the southern region of Vietnam. Localities like Lai Thieu (Binh Duong), Cho Lon (Ho Chi Minh City), and Cho Moi (An Giang) have developed this craft in the style of the Chinese people. In contrast, the glass paintings of Soc Trang province, especially in Phuoc Thuan Hamlet, Phu Tan Commune, Chau Thanh District, reflect the cultural identity of the Khmer people.

The Khmer people in the southern region of Vietnam, and particularly in Soc Trang, are well-known for their artistic forms such as Du Ke singing and Ro Bam dance. They are also famous for their Southern Theravada Buddhist architecture. Additionally, the glass painting craft of the Khmer people in Phu Tan Commune has been around for over fifty years. The glass paintings often depict themes from the life of the Buddha, nature, scenic landscapes, and pagodas. This craft requires dexterity and patience.

The paintings are created on glass panels of various sizes, with vibrant colors. The process starts with sketching the outline, then applying white and black lines on the glass before setting it to dry. Once the first layer of paint is dry, additional layers are added until the work is complete. Unlike painting on other materials, glass painting requires the artist to paint from the back of the glass. The initial designs are painted first, instead of last, as in other types of painting. Once completed, the painting is turned over, revealing the front surface.

The unique traditional craft of the Khmer people

Since the paint on glass dries slowly, artisans must work continuously, adding layers of paint once the previous layer has dried. If the painting is interrupted, it will result in gaps, and the colors will not blend evenly. Once the painting is completely dry, pearl oyster shells, gold leaf, or gilded paper are affixed to the back of the painting. The final step is to apply a protective layer of varnish before framing the piece. Therefore, glass painting requires a great deal of patience to complete a single piece.

Among the various themes, paintings of the Buddha are the most challenging to create. Capturing the soulful expression in the Buddha's eyes and a smile on his lips is particularly difficult. As a result, these types of paintings can only be created by experienced artisans. Nowadays, glass paintings have transitioned from the old painting techniques to the advanced silk pulling method. Each painting incorporates seven or eight colors and even layering colors to enhance the depth of the scenery.

In the past, every household in Phu Tan Commune knew how to paint on glass. Visitors would find glass paintings drying in front of every home. Over 100 households in the commune practiced glass painting. The paintings were sold in various provinces and cities across the southern region. However, today, only one person in Phu Tan continues this craft. As a result, artisans are gradually starting workshops to pass on the craft to younger generations in hopes of preserving this traditional skill.

According to Mytour.vn

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Reference: Mytour.vn Travel Guide