Buzz
A few weeks back, I put together a Top 10 List of what I consider the least deserving films to have ever won the Academy Award for 'Best Picture.' The fantastic website Mytour was kind enough to feature it, and the response was incredible—over 400 comments flooded in within 48 hours, making for an engaging read. The feedback ranged from highly positive to some that were, well…less than flattering and directed at me. But that’s the charm of such lists and exactly what I envisioned when I started my Magic Lantern Film Blog—a space for movie enthusiasts to passionately discuss the films they love and loathe, a platform for healthy debates, and essentially, a community for film buffs like myself to connect. Several commenters suggested that instead of focusing on the negative, I should create a Top 10 List of the most deserving 'Best Picture' winners. I thought that was a fair suggestion, and here it is—The Top 10 Greatest Movies to Win the 'Best Picture' Oscar!
Compiling this list was somewhat easier for me, especially the Top 3. The real challenge was narrowing down so many exceptional films that have won the award into just ten spots. Unfortunately, a few deserving ones didn’t make the cut, though I wish I could have included more. My criteria? First, the film had to be an outstanding, timeless masterpiece—one that, even in hindsight, clearly stood out as the best of its year. A movie so good that if it hadn’t won 'Best Picture,' you’d be left wondering, 'Really? That didn’t win?' Second, it had to be, in my opinion, the best among the nominees for that year. If I believed another film was superior, it didn’t make the list (for example, I think 'JFK' is far better than the winner 'Silence of the Lambs'). Lastly, I considered the competition each winning film faced and what it had to overcome (have you ever seen the incredible lineup of films from 1939?). After careful consideration, I finalized these 10 remarkable Oscar-winning films. I hope this list sparks as much discussion and reaction as the previous one.
10. The Best Years of Our Lives dir. William Wyler, 1946
Wyler crafted some truly remarkable films, such as 'Mrs. Miniver,' 'The Heiress,' 'Jezebel,' and the Oscar-winning 'Ben-Hur,' any of which could have easily earned a spot on this list. Yet, for some reason, few consider this particular work one of his greatest. I first watched this film just three years ago and was utterly captivated by it—despite the war-film genre not being a personal favorite. Winner of 7 Academy Awards, this film triumphed over 'The Yearling' and the timeless 'It’s A Wonderful Life,' and in my opinion, deservedly so. The story revolves around three WWII veterans returning to Smalltown America, only to discover that everything has drastically changed. Wyler and screenwriter Robert E. Sherwood focus not on battle scenes but on the personal crises each man faces upon his return. Even six decades later, the film leaves a profound impact, bolstered by a stellar cast. Frederic March won an Oscar for 'Best Actor,' and Harold Russell, who portrays Homer, a man who lost both hands in the war, won 'Best Supporting Actor'—both performances are unforgettable. Teresa Wright and Myrna Loy also deliver deeply moving and compelling performances. I was struck by the film’s authenticity and its poetic portrayal of a post-war nation’s psyche. The three intertwined stories are so masterfully woven together that I wished the film extended beyond its 160+ minutes. I have a feeling many have yet to experience this American classic. If you’re among them, add this to your watchlist immediately.
9. Annie Hall dir. Woody Allen, 1977
Comedic films that have won 'Best Picture' are rare, and this one is arguably the best of them all (unless you want to argue for 'The Apartment,' which I’d understand). Here’s the thing—people often lament that legends like Stanley Kubrick, Charles Chaplin, Alfred Hitchcock, Howard Hawks, and Robert Altman never won an Oscar. Fair enough. The same would be said for Woody Allen if none of his films had taken home the golden statue. 'Really? How could that be? He never won despite all those incredible movies?' Now, if you’re not a Woody Allen fan, this pick might not resonate with you, but I had to include it. It’s one of the greatest comedies of all time and marks a pivotal moment in Allen’s career. Diane Keaton created one of cinema’s most iconic characters ('Lah-di-dah'), and the chemistry between her and Allen is electric and endlessly entertaining. A classic love story packed with some of Allen’s sharpest one-liners ('I don’t want to move to a city where the only cultural advantage is being able to make a right turn on a red light'), it also delves into moments of genuine drama and depth. I know 'Star Wars' fans feel their film was robbed, and while it was groundbreaking and revolutionized filmmaking, comedies often face skepticism when they win. I adore 'Star Wars,' but it feels somewhat dated now, likely due to the rapid evolution of special effects. 'Annie Hall,' which I consider Allen’s second-greatest film, will undoubtedly be remembered as one of cinema’s finest comedies for decades to come. It also avoids a clichéd ending, offering a realistic portrayal of a relationship’s decline. I could watch this film anytime, anywhere—so it earns its place on this list.
8. Terms of Endearment dir. James L. Brooks, 1983
James L. Brooks is, in my opinion, one of the most talented and witty screenwriters of our time, often packing at least 10 unforgettable lines into each of his best works. With this film, after years of success in television, he made his directorial debut, and it went on to win 5 Oscars, cementing its status as a modern classic. While some dismiss this movie, I’m not entirely sure why. Perhaps it’s because it’s seen as overly sentimental or labeled a 'tear-jerker,' but I find that criticism unfounded. It’s a beautifully crafted story filled with rich, compelling characters. I’m always moved to tears during the scene where Emma (Debra Winger) says goodbye to her sons, or when her mother, Aurora (Shirley MacLaine), desperately pleads for someone to help medicate her daughter. The dynamic between Jack Nicholson, who plays the self-absorbed ex-astronaut Garrett, and MacLaine is electric, making their scenes a joy to watch. Their first date is one of cinema’s most memorable, and Nicholson’s performance is as captivating as ever. Yet, even his character undergoes a transformation that leaves a lasting impression. At its heart, the film explores the complex, often tumultuous relationship between a mother and daughter, blending humor, conflict, and heartbreak in a way that feels deeply authentic. Brooks also draws standout supporting performances from Jeff Daniels, Danny DeVito, and John Lithgow. The film masterfully balances comedy and drama, seamlessly transitioning between the two. For me, it’s a charming, slice-of-life masterpiece. The old saying, 'I laughed, I cried,' perfectly encapsulates my experience every time I watch this film.
7. Schindler’s List dir. Steven Spielberg, 1993
Simply put, this is a masterpiece of filmmaking. With stunning cinematography by Janusz Kaminski, a haunting score by John Williams, and Michael Kahn’s expert editing, the film stands as a powerful and significant work of art. While I haven’t read Thomas Keneally’s book (though many of my students have), Steven Zaillian’s screenplay brings this harrowing and inspiring true story to life with remarkable skill. Among the many films about the Holocaust, this may not be my personal favorite, but it is widely regarded as the definitive 'Holocaust film.' Liam Neeson portrays Oskar Schindler, a initially self-serving businessman who exploits Jewish labor to establish a factory in Poland during WWII. Over time, he witnesses the atrocities faced by the Jewish people and embarks on a mission to save as many lives as possible, ultimately compiling a list of over 1,100 Jews he rescued from death. While this list is filled with praise for these 10 exceptional films, one statement stands out without exaggeration: Ralph Fiennes, in his portrayal of Amon Goeth, delivers what I consider the most despicable villain ever depicted on screen. Goeth embodies the darkest depths of human evil—terrifying, unpredictable, and chillingly real. His desperate desire for admiration, his awkward attempts to 'pardon' a Jew he longs to kill, and his cold-blooded executions are all portrayed with unsettling authenticity. While the film faced little competition the year it was released, it hardly matters. Spielberg’s masterpiece, which won 7 Oscars, was destined to take home the top prize—it’s that extraordinary.
6. The Deer Hunter dir. Michael Cimino, 1978
One of the greatest war films ever created, Cimino’s masterpiece delves into the lives of three close-knit friends—working-class factory workers from Pennsylvania—who enlist in the Army during the Vietnam War. Before their deployment, Steven (John Savage) marries his pregnant girlfriend, and the film’s first act centers on the wedding, which doubles as a farewell celebration for Steven and his friends Michael (Robert DeNiro) and Nick (Christopher Walken). While some viewers find this section slow and drawn-out, I see it as a strength; Cimino and screenwriter Deric Washburn excel at crafting deeply layered characters. These early scenes are crucial for understanding the emotional weight of what follows. The second act plunges us into the harrowing reality of a POW camp, where the three friends endure unimaginable suffering. The final act explores the devastating aftermath of war, both on the soldiers and their community. The film is bold, unflinching, and profoundly moving. The performances are exceptional across the board. A young Meryl Streep delivers a standout performance (unsurprisingly), often conveying volumes without uttering a word. This was also a time when DeNiro and Walken were fully dedicated to their craft, and their work here is nothing short of extraordinary. Walken’s portrayal of a shell-shocked soldier struggling to recall his name, and the chilling Russian roulette scenes, are images that have stayed with me since my first viewing. 'The Deer Hunter' captures the essence of a small American town, the brutal realities of war, and the lingering scars it leaves on those who serve and their loved ones. A 5-time Oscar winner (edging out 'Midnight Express'), it remains one of the most impactful films ever made.
5. On the Waterfront dir. Elia Kazan, 1954
Winner of 8 Academy Awards, 'On the Waterfront' stands as one of the greatest American films ever created. After receiving 'Best Actor' nominations for three consecutive years, Marlon Brando finally clinched his first Oscar in his fourth nomination, portraying Terry Malloy, a former boxer turned longshoreman who grapples with his conscience after witnessing a murder and confronting a corrupt union boss (played brilliantly by Lee J. Cobb). Brando’s transformation in this role is nothing short of mesmerizing. Budd Schulberg’s screenplay, reminiscent of an Arthur Miller play, is raw, impactful, and timeless. Alongside Brando’s flawless performance, Rod Steiger, Karl Malden, and Eva Marie Saint deliver equally compelling portrayals. Despite the controversial political backdrop of the era, particularly the fallout from HUAC and Kazan’s infamous 'naming of names,' the film feels as relevant today as ever. It’s said that Brando initially hesitated to work with Kazan due to the director’s actions during the HUAC hearings, but thankfully, he chose to proceed. Kazan and Miller, once close collaborators, had long envisioned a film exposing corruption on the docks, but their partnership dissolved after HUAC. While Miller penned 'The Crucible,' Kazan responded with this cinematic masterpiece, a bold statement on integrity and resistance.
4. One Flew Over the Cuckoo’s Nest dir. Milos Forman, 1975
Milos Forman’s gripping, unsettling, and occasionally humorous adaptation of Ken Kesey’s novel is a cinematic triumph. Jack Nicholson has delivered countless remarkable performances, but this may well be his finest. He plays Randle P. McMurphy, a rebellious convict transferred to a mental institution, where he immediately challenges the authoritarian rule of Nurse Ratched (Louise Fletcher), a figure more tyrannical than nurturing. McMurphy’s attempts to bring joy to the patients—whether through card games or watching the World Series—are repeatedly thwarted by Ratched’s oppressive control. The film is a modern classic, bolstered by stellar supporting performances from Danny DeVito, Christopher Lloyd, Ted Markland, and Vincent Schiavelli. Brad Dourif’s portrayal of Billy Bibbit, a patient paralyzed by fear of Ratched and his domineering mother (who remains unseen), is heartbreaking. Fletcher is impeccable as Ratched, crafting one of cinema’s most loathsome characters. Her confrontations with Nicholson are electrifying, akin to a battle between titans. McMurphy’s interactions with Chief Bromden are equally compelling. While the Christ-like symbolism of McMurphy is more pronounced in the novel, it’s subtly woven into the film. What begins as McMurphy’s ploy to escape prison labor by feigning insanity evolves into a dark, disturbing journey as he inspires his fellow patients. Forman masterfully balances humor and despair, building hope only to shatter it, leaving viewers emotionally gutted. Facing stiff competition for 'Best Picture,' the film became the first since 1934 to sweep the five major Oscar categories—a testament to its enduring brilliance.
3. The Godfather: Part II dir. Francis Ford Coppola, 1974
In my opinion, this is the greatest American film ever made. How many sequels can claim to be as good as, if not better than, the original? Very few. I believe this film surpasses the 1972 masterpiece, albeit by a narrow margin. It also triumphed over formidable competition that year, including outstanding films like 'Chinatown,' 'Lenny,' and 'The Conversation.' I’m particularly drawn to the backstory of young Vito Andolini, from his arrival at Ellis Island to his rise as Don Corleone, culminating in the assassination of Don Fanucci. The scenes in Little Italy, featuring a captivating Robert DeNiro as the young Don, meticulously embodying Brando’s nuances, are a delight. Meanwhile, Michael Corleone (Al Pacino in arguably his finest role) descends further into darkness, tightening his grip on the family’s criminal empire in Las Vegas. Coppola had immense pressure to deliver, and he exceeded expectations, with performances that are nothing short of extraordinary. The late John Cazale shines with more screen time as Fredo (the heartbreaking 'I know it was you, Fredo. You broke my heart'), Lee Strasberg makes his screen debut as Hyman Roth, and Michael Gazzo and Bruno Kirby deliver stellar supporting performances. The storytelling is masterful, and I discover something new with each viewing. This was an easy choice for the top spot, as I’ve yet to encounter a better film. It rightfully won 6 Oscars, including 'Best Picture.'
P.S. — My apologies to 'Midnight Cowboy,' 'All About Eve,' 'Braveheart,' and 'From Here to Eternity'—all exceptional 4-star films in my opinion, each deserving of the Best Picture Oscar. As I mentioned earlier, I wish there were room for all of them. However, the ten films listed above simply couldn’t be excluded.
2. Gone With the Wind dir. Victor Fleming, 1939
Every time I watch this film, I’m amazed that it was made over seven decades ago. It’s a stunning cinematic achievement, crafted on an epic scale that still feels grand today. When discussing 'classic' films, this one undoubtedly tops the list. Adjusted for inflation, it remains the highest-grossing film of all time, surpassing giants like 'Star Wars,' 'E.T.,' and 'Titanic.' Vivien Leigh delivers an iconic performance as Scarlett O’Hara, masterfully portraying her journey through one of the most tumultuous periods in American history. Scarlett is one of cinema’s most enduring characters, undergoing countless transformations, and Leigh captures every nuance flawlessly. Alongside her struggles to save the Tara plantation, we witness the timeless love story between Scarlett and Rhett Butler (Clark Gable), a tale that has become immortal. The film is filled with unforgettable lines that have become part of our cultural lexicon, and it never loses its relevance. Many would rank this as the greatest film of all time, and I wouldn’t argue. Beyond its brilliance, consider the incredible competition it faced in 1939—films like 'Stagecoach,' 'The Wizard of Oz,' 'Dark Victory,' 'Mr. Smith Goes to Washington,' and 'Of Mice and Men.' It’s a testament to its greatness. As the saying goes, 'They don’t make ‘em like they used to,' and this film proves it.
1. The Godfather dir. Francis Ford Coppola, 1972
This film could easily claim the top spot on this list, as I consider it the second-greatest film ever made. Coppola’s masterpiece lost to 'Cabaret' in several Oscar categories, but it rightfully won the most important one—Best Picture. Marlon Brando delivers a career-defining performance, supported by exceptional turns from Robert Duvall, Diane Keaton, James Caan, and Talia Shire. Al Pacino shines in his breakout role as Michael Corleone, a complex character who evolves from a dutiful war hero to a morally compromised mafia boss. I’ve lost count of how many times I’ve seen this film, yet it never loses its impact. Coppola’s direction is subtle and graceful, offering an authentic glimpse into the inner workings of a mafia family long before shows like 'The Sopranos' romanticized the genre. The Corleone family feels real, and Michael’s transformation is utterly captivating. Iconic moments abound—Brando’s meeting with the five families, the infamous horse head scene, Carlo’s comeuppance—and the list goes on. With an unforgettable score, a brilliant screenplay, and Gordon Willis’s masterful cinematography, this is a film you simply can’t refuse.
