
The Adam West Batman series, which aired from 1966 to 1968, was vibrant, cheerful, and arguably the most whimsical show on TV. This approach didn't resonate well with some die-hard fans of the Dark Knight, who longed for a revival of the character's darker pulp origins.
Enter the late Dennis “Denny” O’Neil. A former journalist, O’Neil joined DC Comics as a writer in 1968. Alongside artist Neal Adams, he spearheaded a transformation in Batman's tone, replacing campy humor with intense crime dramas. As quoted by DC’s Chief Creative Officer Jim Lee, O’Neil and Adams “captured the spirit of the era, presenting a darker, more realistic, and emotionally rich version of Batman.”
In the 1980s, O’Neil, then an editor for Batman comics, compiled a set of guidelines called “A Brief Batbible: Notes on the Dark Knight Detective.” This document, shared with new writers and artists, outlined the essential dos and don’ts for crafting authentic Batman stories as envisioned by O’Neil.
Consider it Bruce Wayne’s personal rulebook. O’Neil established a comprehensive set of guidelines covering everything from the billionaire vigilante’s eating habits (“He consumes food in moderation and chooses high-quality meals”) to his approach to research (“mastering speed reading was among his earliest achievements”). The document also includes detailed instructions about his allies, adversaries, gadgets, his city, and the types of narratives suitable for the hero. This framework not only prevented continuity errors but also provided creators with a deeper understanding of the character’s essence.
Below are 13 of the most intriguing takeaways from this unique chapter in comic book lore.
1. Batman isn’t permitted to travel to Mars—but battling a vampire is perfectly acceptable.

Not every genre suits the Dark Knight, and O’Neil emphasized keeping Batman away from “cosmic science fiction and fantasy” tales. Writers were advised against sending the hero to distant planets like Mars or mystical realms such as J.R.R. Tolkien’s Middle-earth. However, O’Neil fully endorsed “supernatural” Batman stories, stating, “Ghosts, vampires, and even poltergeists are entirely acceptable.”
2. The Wayne family’s wealth has deep historical roots.
“The Wayne fortune is ancient,” O’Neil noted. “The family has been a cornerstone of Gotham since the Colonial era.” The city’s very structure reflects their legacy, with one of Bruce’s ancestors, Solomon Wayne, playing a pivotal role in shaping Gotham’s downtown architecture.
3. Alfred, the butler, has an uncanny talent for impersonating Bruce Wayne.
Alfred Pennyworth, Bruce Wayne’s devoted butler and father figure, boasts an impressive skill set. He’s a trained paramedic, a skilled chef, a handyman, and, most notably, someone who can “perfectly mimic” his employer’s voice. Whether imitating Bruce Wayne or replicating his disguised Batman voice, Alfred excels—though he might need a throat lozenge afterward.
4. Incorporating religious symbols into Batman comics is strictly prohibited.

O’Neil explicitly banned the use of “religious references in plotlines and dialogue,” encouraging writers to create “alternative equivalents” instead. Direct references to real-world religions were entirely forbidden. However, even Batman occasionally finds himself entangled in religious controversies.
5. Wayne Manor’s grandfather clock hides a mysterious and dark secret.
One of the numerous hidden entrances to the Batcave beneath Wayne Manor is concealed within a grandfather clock. Situated in the library, it “reveals a secret door” when the clock hands are set to 10:42. O’Neil explained that this specific time marks “the exact moment Bruce Wayne’s parents were tragically killed.”
6. Batman abstains from sexual relationships.
Despite his wealth, charm, and “a genius-level IQ,” Bruce Wayne isn’t one to entertain Gotham’s most sought-after bachelorettes. He frequently cuts dates short and never follows up with the women he meets. As O’Neil succinctly put it, “[Batman] remains celibate. Any romantic involvement would divert focus and energy from his mission. While he respects and admires women, intimacy is a luxury he cannot afford.” (Though this stance has evolved in modern comic iterations.)
7. The Batcave hosts a diverse and intricate ecosystem.
“The cave is enormous,” O’Neil noted. “Even Wayne hasn’t fully mapped its depths. It houses thousands of bats and features a small underground stream teeming with freshwater fish.”
8. Gotham would have been a paradise for Boss Tweed.
To illustrate Gotham’s rampant corruption, the Batbible draws a parallel to New York City’s infamous Tammany Hall. Led by the notorious William Meager “Boss” Tweed, this political organization siphoned millions—possibly billions—of dollars from the city.
9. Batman often uses an abandoned subway tunnel.

Wayne Manor features a private underground passage that allows Bruce to travel directly to Gotham via a “long, narrow tunnel” connecting to “an abandoned subway tunnel roughly two miles from the [Batcave’s] main chamber.” It’s certainly a unique way to commute.
10. Batman is the real persona; Bruce Wayne is the facade.
Batman views Bruce Wayne as a role he occasionally assumes, not the other way around. “Wayne has become a tool in his arsenal, a useful identity,” O’Neil explained. As a high-profile billionaire, the Wayne persona effortlessly gathers confidential information and builds professional networks—something that’s challenging to do while dressed in a cape and cowl.
11. The Dark Knight can run or swim 20 miles in “just over two hours.”
He’s also said to bench press 550 pounds effortlessly. Impressive, to say the least.
12. Batman’s costume draws inspiration from ninja attire.
“The dark hues of his outfit help him merge into the shadows, a skill he adopted from Japanese ninjas,” O’Neil explained. Additionally, his suit is crafted from “lightweight, flexible fabric, resembling a circus acrobat’s attire, [providing] him with unmatched mobility.” (This might remind you of Ra’s al Ghul’s thoughts on theatricality.)
13. Batman shares striking similarities with Count Dracula.

The Batbible delves into the Dark Knight’s roots in folklore and literature. O’Neil draws parallels between superheroes and ancient legends, likening Superman to Gilgamesh, the Flash to Apollo, and the Incredible Hulk to Hercules, among others.
However, O’Neil believes Batman’s true inspiration comes from historical villains. “If you squint at Dracula, you’ll see Batman,” he wrote. He views the Caped Crusader as a modern representation of society’s fears surrounding crime, urban life, and the unknown terrors of the night. In this way, Batman shares a kinship with figures like Dracula and werewolves.
Yet, unlike these monsters, who are often depicted as dangers to humanity, Batman stands as a force for justice—albeit a shadowy and enigmatic one. “What I’m proposing,” O’Neil clarified, “is that we’ve taken these darker archetypes, embraced them, and transformed them into allies, complete with their ferocity, relentless drive, and superhuman skill. One such ally is Batman.”