Reflect on timeless tracks like "Tears of a Clown" by Smokey Robinson & The Miracles, "Cool Jerk" by The Capitols, "Signed, Sealed, Delivered" by Stevie Wonder, and "Rubberband Man" by The Spinners. These iconic soul anthems are bound together by a deep, rhythmic bassline, a driving force provided by the legendary bassist Bob Babbitt.
Babbitt passed away today in Nashville after battling brain cancer. He was 74 years old.
Originally named Robert Kreiner and born in Pittsburgh, Babbitt trained in classical music during his youth. In his twenties, he relocated to Detroit to immerse himself in the Motown movement. By 1967, he became one of the rare white musicians to join the Funk Brothers, Motown's iconic house band. While initially a backup to bassist James Jamerson, Babbitt took on a more prominent role as Jamerson's struggles with alcohol worsened. He contributed to numerous Motown classics in its later years, including hits by Diana Ross ("Touch Me In The Morning") and Marvin Gaye ("Mercy Mercy Me").
Throughout the 1970s, Babbitt's distinctive basslines graced the works of artists like Jim Croce, Dionne Warwick, and Elton John. Over his career, he played on more than 200 songs that reached the Top 40 charts.
In the mid-1980s, Babbitt made Nashville his home. As studio opportunities dwindled, he embarked on tours with renowned artists such as Joan Baez, Brenda Lee, and Robert Palmer.
His contributions were highlighted in the 2002 documentary Standing In The Shadows of Motown, which chronicled the legacy of the Funk Brothers.
I had the pleasure of meeting Bob several times in Nashville. He was a warm, humble individual who rarely spoke of his remarkable accomplishments.
To honor his legacy, here are three standout tracks showcasing Babbitt's exceptional bass grooves: