Top 60 Films You Secretly Adore

Cinema offers a spectrum of films—some masterpieces, others flops, and then there are those so hilariously awful, overly sentimental, or ridiculously cheesy that they become irresistibly charming. These guilty pleasures hold a unique spot in the hearts of movie enthusiasts. Though their DVD copies might be tucked away in the darkest corners, they remain cherished, ready to bring joy no matter how cringe-worthy they are.

Searching for the perfect guilty pleasure film for your next solo TV night? Check out our curated list of 60 favorites.

1. Anaconda (1997)

Anaconda achieved for snakes what Jaws did for sharks—though with a key distinction: While Jaws is a masterfully crafted thriller relying on implied terror, Anaconda embraces its over-the-top absurdity. Jennifer Lopez, Ice Cube, and Owen Wilson star as a film crew sent to the Amazon to document an elusive tribe, only to be coerced by a sinister snake hunter (Jon Voight) into tracking a monstrous anaconda. The snake's exaggerated size is as ridiculous as the film's premise, yet this very absurdity has earned it a cult following. Despite its initial box office failure, the movie became a home video sensation, inspiring four sequels, a novel, and multiple video games. —Jennifer M. Wood

2. Bad Taste (1989)

Long before Peter Jackson became a household name with blockbuster hits and Oscar wins, he was honing his craft with Bad Taste, a gory, low-budget sci-fi horror film. The story follows aliens invading Earth to harvest humans for their intergalactic fast-food chain. Jackson’s debut feature, shot over four years on weekends with an old camera, features him and his friends in multiple roles. While the film’s escalating gore may deter some, its dark humor and campy style have cemented its status as a cult favorite. —JMW

3. Big Trouble in Little China (1986)

Despite its outdated gender and racial dynamics, Big Trouble in Little China remains a thrilling watch, thanks to Kurt Russell’s charismatic turn as a trucker aiding a friend in Chinatown. The film’s dazzling effects, electrifying soundtrack, and chaotic action sequences deliver pure entertainment, even if character depth takes a backseat. After all, how many comedy-fantasy-martial arts hybrids can you name? (Especially ones helmed by John Carpenter?) —Bess Lovejoy

4. Bloodsport (1988)

Loosely inspired by the supposed real-life adventures of martial artist Frank Dux, Bloodsport might seem like just another ‘80s B-movie fighting flick that filled video store shelves. However, it distinguishes itself through Jean-Claude Van Damme’s magnetic presence, portraying a dedicated Dux determined to honor his sensei by triumphing in the underground Kumite tournament. Donald Gibb (Revenge of the Nerds) adds a buddy-cop dynamic to the predictable storyline as a clumsy American fighter, while Bolo Yeung shines as a smug reigning champion. In his breakthrough leading role, Van Damme demonstrates that cinematic appeal isn’t solely about acting prowess—though he’s more skilled than often acknowledged—but about sheer watchability: You can’t help but root for Dux as he delivers those perfectly timed solar plexus kicks every time this film airs. —Jake Rossen

5. Body Double (1984)

Brian De Palma borrowed heavily from Alfred Hitchcock, but Body Double pushes boundaries further with its provocative sexuality, heightened violence, and unmistakable ‘80s aesthetic. This LA-set film noir/erotic thriller (a genre Hollywood has since abandoned) centers on actor Jake Scully (Craig Wasson), who, while house-sitting for a friend, becomes a Rear Window-style voyeur, fixated on his alluring neighbor (Deborah Shelton). After witnessing her gruesome murder, he becomes entangled in solving the crime, crossing paths with porn star Holly Body (Melanie Griffith) and even landing a role in Frankie Goes to Hollywood’s “Relax” music video. The film has sparked extensive debate among critics and academics: Is it misogynistic, or is it a self-aware commentary? Regardless, while it may not reach the heights of Hitchcock’s classics or De Palma’s own Carrie and Scarface, it captivates because, deep down, perhaps we’re all voyeurs. —Garin Pirnia

6. Bram Stoker's Dracula (1992)

Francis Ford Coppola's adaptation of Bram Stoker's novel delivers a series of stellar performances, with one notable misstep. Gary Oldman, as the titular Count, dominates the Gothic atmosphere with just two fangs; Winona Ryder and Sadie Frost, portraying Mina Harker and Lucy Westenra, defy Victorian norms for women; while Anthony Hopkins and Tom Waits (!) bring a fittingly eccentric energy. The opulent costumes and moody lighting enhance Coppola's Romantic vision of the timeless vampire tale. However, Keanu Reeves stands out for all the wrong reasons. His wooden portrayal and butchered British accent make his role as the ambitious barrister Jonathan Harker painfully unconvincing. No amount of period attire can salvage this casting blunder. —Kat Long

7. Buffy the Vampire Slayer (1992)

Consider this 1992 film the prototype for Joss Whedon's iconic TV show about a teenager destined to battle vampires. Directed by Fran Rubel Kuzui, the movie diverges from the series' later tone but remains an entertaining watch. Kristy Swanson stars as Buffy Summers, a bubbly cheerleader horrified to discover her role as The Slayer, tasked with defending Los Angeles from vampires. (Her warning sign? Cramps!) She’s guided by her Watcher, Merrick (Donald Sutherland), and aided by sidekick Pike (Luke Perry). Rutger Hauer plays the lead vampire Luthos, with Paul Reubens, aka Pee-wee Herman, as his henchman Amilyn. The cast includes future Oscar winners Hilary Swank, who nails her mean girl role, and Ben Affleck in a fleeting cameo. This version of Buffy leans heavily into Valley Girl vibes but retains the sharp wit Whedon is known for, ensuring its enduring charm despite its campiness. —Erin McCarthy

8. The 'Burbs (1989)

Universal Pictures debuted Joe Dante's dark comedy The ‘Burbs on February 17, 1989, just a day after Tom Hanks earned his first Oscar nomination for 1988’s Big. While Hanks was transitioning from comedy to serious roles, The ‘Burbs remains one of his funniest films (alongside 1988’s Punchline), thanks to its absurd premise. Hanks plays Ray Peterson, a suburbanite on staycation who, along with his nosy neighbors, becomes obsessed with the mysterious Klopeks. Convinced they’ve murdered a neighbor, Ray and his friends spiral into paranoia, with the entire story unfolding in their cul-de-sac. The film’s influence echoes in works like American Beauty and the 2018 thriller Summer of 84. Beneath its quirky surface, The ‘Burbs explores themes of distrust, xenophobia, and suburban ennui, making it a surprisingly layered comedy. —GP

9. Cat in the Hat (2003)

The 2003 adaptation of Cat in the Hat is so universally panned that Dr. Seuss’s widow, Audrey, swore off any future live-action adaptations of her husband’s works. Yet, its infamy is precisely what makes it a fascinating trainwreck. The film is bizarre and off-putting, packed with humor that seems tailored for the most immature adults. Mike Myers’s rendition of the Cat is unhinged and almost menacing, with a sinister edge hidden beneath his whimsical hat. The entire movie is riddled with inappropriate gags, even from the child actors, suggesting a complete lack of oversight during production. However, if you have a taste for absurd, lowbrow comedy, disregard its dismal 9 percent Rotten Tomatoes rating and embrace the chaotic charm of Cat in the Hat. —Jay Serafino

10. Cobra (1986)

Cobra isn’t merely an ‘80s action flick—it epitomizes the genre. Starring Sylvester Stallone as Marion "Cobra" Cobretti, a ruthless cop determined to eradicate a terrorist group plaguing Los Angeles, the film is a relentless barrage of violence and bravado. Cobretti’s brutal methods alienate his superiors and the media, who accuse him of being as dangerous as the criminals he hunts. Yet, in the ‘80s, vigilante justice often trumped the law. Initially dismissed as a poor imitation of Dirty Harry, Cobra has since earned its place as a beloved cult classic. —JS

11. Cocktail (1988)

In 1988, Tom Cruise turned bartending into a glamorous art form. Cocktail showcases Cruise mixing drinks at a Jamaican resort, grooving to The Beach Boys’s “Kokomo.” While the film begins as a lighthearted romantic comedy, it soon explores the darker side of ambition and capitalism, inspired by a semi-autobiographical novel. Critics panned it as shallow, and it earned Golden Raspberry Awards for Worst Picture and Worst Screenplay. Even Cruise acknowledged it wasn’t his finest work. Yet, decades later, the allure of bartending and the dream of owning a bar remain quintessentially American. Cocktails and Dreams endure. —GP

12. Congo (1995)

Robert Pattinson, of Twilight and Batman fame, has hailed Congo as a "masterpiece," and he’s not wrong. This 1995 Frank Marshall-directed film, based on Michael Crichton’s novel, stars Laura Linney as Karen Ross, a telecom employee leading a mission to find survivors of a jungle expedition gone wrong. She’s joined by Peter Elliott (Dylan Walsh) and his signing gorilla, Amy, whose backpack translates her gestures into speech—her favorite phrase being, "Amy good gorilla!" Ernie Hudson and Tim Curry round out the cast. The team discovers a lost city, murderous white gorillas, and an impending volcanic eruption. Despite its laughable VFX, questionable animatronics, and over-the-top acting, Congo is a delightfully bad movie that’s impossible not to enjoy. You’ll be chanting, "Congo good movie!" by the end. —EM

13. Dante's Peak (1997)

In this volcanic disaster flick, Pierce Brosnan plays Harry Dalton, a volcanologist who finds himself in a small town just as a massive volcano threatens to erupt. He teams up with Rachel (Linda Hamilton), the town’s mayor and a single mom, to warn residents of the impending danger. Despite their efforts, evacuation comes too late, forcing Harry, Rachel, her family, and their dog to flee the deadly lava flow. While the casting and plot are questionable, some critics argue it outshines Volcano, a similar film released the same year. —KL

14. The Day After Tomorrow (2004)

The most gripping disaster films often start with a quirky scientist’s dire warnings being ignored by everyone else, setting the stage for catastrophe. In The Day After Tomorrow, climatologist Jack Hall (Dennis Quaid) predicts a global superstorm, but his alerts to the U.N. fall on deaf ears. Soon, a massive blizzard engulfs the planet, and Jack races to save his son Sam (Jake Gyllenhaal), stranded in New York City during a math competition. Sam and a group of survivors take refuge in the New York Public Library as floodwaters rise. Director Roland Emmerich prioritizes stunning visuals over scientific precision, but the film delivers a clear message: Listen to the scientists! —KL

15. Deep Blue Sea (1999)

What happens when you combine hyper-intelligent sharks with a remote oceanic research facility? Chaos, naturally. In this 1999 sci-fi movie, Dr. Susan McAlester (Saffron Burrows) genetically engineers sharks to find a cure for Alzheimer’s, ignoring ethical boundaries. Alongside her are shark wrangler Carter Blake (Thomas Jane), cook Preacher (LL Cool J), and financier Russell Franklin (Samuel L. Jackson). When a hurricane isolates the station, the sharks turn the tables, picking off the crew one by one. (Jackson’s abrupt demise during a motivational speech is unforgettable.) While scientifically dubious, the film is a thrilling ride for those willing to embrace its absurdity. —EM

16. Deep Impact (1998)

In the summer of 1998, audiences faced a choice: witness Bruce Willis save Earth from an asteroid in Armageddon or watch Robert Duvall attempt to destroy a comet in Deep Impact. The latter features Tea Leoni as an MSNBC reporter who uncovers the impending doom of a comet collision. Humanity’s survival hinges on Duvall and a fellow astronaut’s mission to nuke the comet, but their plan falters, forcing people like Leoni and young couple Elijah Wood and Leelee Sobieski to scramble for spots in government shelters. Directed by Mimi Leder, the film consulted NASA experts and outperformed Armageddon at the box office during its opening weekend. —KL

17. Desperately Seeking Susan (1985)

While body-swapping films were a staple of the 1980s, Desperately Seeking Susan offered a feminist twist on the genre. Directed by Susan Seidelman, who previously explored New York’s gritty side in Smithereens, the film stars Madonna in her breakout role. By its release, Madonna had skyrocketed to fame. The story follows Roberta (Rosanna Arquette), a bored housewife whose life intertwines with the free-spirited Susan (Madonna) through a case of amnesia and mistaken identity. Roberta embraces her wild side in New York City, accompanied by Madonna’s hit “Into the Groove” and iconic fashion moments. The film remains a testament to female solidarity and empowerment, transcending its status as a mere guilty pleasure. —GP

18. Dolemite (1975)

Eddie Murphy’s Netflix film Dolemite Is My Name revisits the making of this ‘70s blaxploitation gem, but the original Dolemite stands on its own as a delightfully absurd creation. Rudy Ray Moore, a former pimp, stars as Dolemite, a character who helps cops take down drug dealers. Moore’s lack of acting finesse is part of the charm—his awkward line delivery, clumsy kung-fu moves, and frequent breaks for rhyming stand-up routines add to the film’s endearing ineptitude. While the Netflix adaptation pays homage, it can’t replicate the raw, unintentional hilarity of the original. —JR

19. Drop Dead Gorgeous (1999)

Much like other films on this list, 1999’s Drop Dead Gorgeous was underappreciated upon release but has since gained recognition for its ahead-of-its-time humor. A mockumentary akin to This Is Spinal Tap, it delves into the cutthroat world of beauty pageants, inspired by screenwriter Lona Williams’s personal experiences. Kirsten Dunst plays Amber Atkins, a high schooler from a trailer park with dreams of becoming the next Diane Sawyer. Encouraged by her mother Annette (Ellen Barkin) and family friend Loretta (Alison Janney, who dominated 1999 with roles in American Beauty, 10 Things I Hate About You, and The West Wing), Amber enters the Sarah Rose Cosmetics Mount Rose American Teen Princess Pageant. Competing against characters like Leslie Miller (Amy Adams in her debut), Lisa Swenson (Brittany Murphy), and Becky Leeman (Denise Richards), the film balances dark humor with heartfelt moments, tackling sensitive topics like anorexia with surprising depth. —GP

20. Clue (1985)

Whether Clue is a guilty pleasure or simply a brilliant film is subjective, but its status as the best board game adaptation is undeniable. The story revolves around six strangers invited to a mysterious mansion for a dinner party, where Mr. Boddy (played by punk icon Lee Ving) is murdered. The guests, revealed to be connected, hilariously attempt to solve the crime. The film boasts stellar performances from Madeline Kahn, Tim Curry, Colleen Camp, Eileen Brennan, Michael McKean, Martin Mull, Lesley Ann Warren, and Christopher Lloyd. Originally, theaters showed one of three alternate endings, requiring multiple viewings to see them all—a costly ‘80s gimmick. Today, all endings are included, making Clue not just a guilty pleasure but an outright delight. —GP

21. Con Air (1997)

Nicolas Cage, John Malkovich, Dave Chappelle, and Steve Buscemi deliver over-the-top performances in this explosive blockbuster about convicts hijacking a prison transport plane. The film revels in its chaotic energy, from Malkovich’s theatrical villainy to Cage embodying every action-hero cliché imaginable. It proudly embraces its Razzie for "Worst Reckless Disregard for Human Life and Public Property," turning it into a mark of its audacious charm. —JS

22. Cruel Intentions (1999)

The late ‘90s were a golden age for teen movies, and Cruel Intentions stood out by taking a darker, edgier approach. A modern retelling of Dangerous Liaisons, it stars Sarah Michelle Gellar as Kathryn, a manipulative, drug-addicted antagonist with a twisted dynamic with her stepbrother (Ryan Philippe). The film is infamous for its provocative moments, including a memorable kiss between Gellar and Selma Blair’s character, Cecile. Backed by a stellar late-‘90s soundtrack, including the iconic “Bittersweet Symphony,” the movie remains a cult classic. Off-screen, Philippe and Reese Witherspoon’s real-life romance mirrored the film’s themes of love and betrayal, though their marriage, like the movie’s ending, didn’t last. —GP

23. The Da Vinci Code (2006)

Ron Howard’s The Da Vinci Code follows Robert Langdon (Tom Hanks), a Harvard symbologist, and Sophie Neveu (Audrey Tautou), a woman with a hidden past, as they unravel a murder at the Louvre. The plot spirals into a whirlwind of cryptic manuscripts, ancient symbols, and shadowy conspiracies involving Opus Dei and the Illuminati. Paul Bettany plays a fanatical monk, while Ian McKellen appears as a sinister historian attempting to thwart Langdon’s discoveries. Though not Howard’s finest work, it’s more entertaining than In the Heart of the Sea, offering a mix of intrigue and absurdity. —KL

24. The Devil's Advocate (1997)

In the ‘90s, Al Pacino brought an unmatched intensity to his roles, and his performance in 1997’s The Devil’s Advocate is a prime example. He plays the head of a corrupt New York law firm who, as it turns out, is Satan himself. Pacino’s character lures young lawyer Kevin Lomax (Keanu Reeves) into a moral quagmire, testing his integrity. While the film explores profound themes like human nature and religion, it truly shines when Pacino unleashes his theatrical flair, culminating in a dramatic monologue where he declares his dominion over humanity. —JS

25. Ella Enchanted (2004)

This 2004 adaptation of Gail Carson Levine’s novel is a whimsical fairytale packed with all the essentials: a wicked stepmother, a fairy godmother, a charming prince, and even a talking snake. Anne Hathaway stars as Ella, cursed to obey every command, which leads to a series of comedic and chaotic situations. The film also features Heidi Klum as a giant and a show-stopping performance of Queen’s “Somebody to Love” by Hathaway. Despite its lighthearted tone, Ella’s journey to break the curse is both heartfelt and hilarious, making it a standout in the genre. —Ellen Gutoskey

26. Face/Off (1997)

While the premise of Face/Off—John Travolta and Nic Cage swapping faces—is undeniably absurd, director John Woo elevates it into a thrilling and unexpectedly profound action film. This marked Woo’s American debut, and he infused the movie with his signature style, blending poetic visuals with high-octane sequences. Cage delivers an unhinged performance, while Travolta matches his energy, creating a dynamic interplay between the two. The film’s campy, over-the-top tone is part of its charm, making it impossible not to root for both leads. A standout moment features “Somewhere Over the Rainbow” during a key scene, proving that action and melancholy can coexist beautifully. —GP

27. Fear (1996)

Fear, a mid-‘90s thriller, fits snugly into the era’s obsession with stalker narratives, alongside films like The Crush, Cape Fear, and Single White Female. Executive producer Brian Grazer dubbed it “Fatal Attraction for teens,” complete with unsettling moments, including animal harm. Mark Wahlberg plays David McCall, a charming yet dangerous boyfriend to Reese Witherspoon’s Nicole Walker. One of the film’s most infamous scenes involves Wahlberg punching himself to frame Nicole’s father (William Petersen). Though intended as a serious thriller, Fear often veers into unintentional hilarity, making it a guilty pleasure. It’s a nostalgic reminder of the wild, unhinged teen dramas of the ‘90s. —GP

28. Flashdance (1983)

Roger Ebert famously dismissed Flashdance as "great sound and flashdance, signifying nothing," but the film’s cultural impact is undeniable. Jennifer Beals stars as a Pittsburgh welder and bar dancer with aspirations of becoming a professional ballerina. While the plot is thin, the movie is a quintessential ‘80s time capsule, complete with iconic dance sequences and fashion trends, particularly the rise of sweatshirts. Its blend of ambition, romance, and electrifying choreography makes it a nostalgic favorite, even if its story takes a backseat to style. —BL

29. Girls Just Wanna Have Fun (1985)

The 1980s were dominated by dance films, and while breakdancing often took center stage, Girls Just Wanna Have Fun offered a different flavor. Sarah Jessica Parker (Janey) and Helen Hunt (Lynne) play two teens determined to earn a spot on the popular show Dance TV. Their journey is fraught with challenges, including Janey’s disapproving father (reminiscent of Footloose) and school bullies. Though the film leans into cheesiness and couldn’t secure Cyndi Lauper’s hit song for its soundtrack, the climactic dance-off set to “Dancing in Heaven” is pure ‘80s magic. It’s a feel-good story about underdogs triumphing, making it a nostalgic favorite. —GP

30. Hackers (1995)

Before hacking became synonymous with real-world chaos, Hackers presented it as the backdrop for a stylish thriller. The film follows a teenage hacker framed for a crime and his friends, including a young Angelina Jolie, who rally to clear his name. Though critics dismissed it upon release, the movie has since gained a cult following, celebrated for its vibrant portrayal of 1990s cyberculture, even if heavily glamorized by Hollywood. It’s a nostalgic time capsule of an era when hacking still felt like a futuristic adventure. —BL

31. Halloween III: Season of the Witch (1982)

This cult classic stands out for its complete departure from the Michael Myers storyline, and that’s not necessarily a bad thing. Set during Halloween, the film revolves around Silver Shamrock Novelties, a company that embeds Stonehenge rock chips into their masks. When children watch the company’s flashing pumpkin commercial, the masks trigger deadly consequences. Unlike typical slasher films of the era, Halloween III delves into sci-fi horror, critiquing corporate greed and its lethal impact. Over time, audiences have come to appreciate its bold move away from the Myers narrative, recognizing its unique take on the holiday’s darker themes. —GP

32. Howard the Duck (1986)

Based on a Marvel comic and executive-produced by George Lucas, Howard the Duck is often labeled one of the worst films ever made. Originally planned as an animated feature, it shifted to live-action, resulting in a bizarre mix of humor and questionable content, including Howard’s overtly sexualized behavior. Despite its box office failure, the film has garnered a cult following over the years, even earning Howard a cameo in Guardians of the Galaxy. While undeniably flawed, its quirky charm and nostalgic ‘80s appeal keep it endearing to fans. —GP

33. Jaws: The Revenge (1987)

The Jaws franchise didn’t need sequels, but it got four, with Jaws: The Revenge being the most absurdly entertaining. In this installment, the Brody family relocates to the Bahamas to escape their shark-related trauma, only to find that a vengeful shark has followed them. The film never explains how the shark tracks them over 1000 miles or why it roars like a lion, but its ludicrous plot makes it a guilty pleasure. Despite its flaws, it’s a prime example of ‘80s campy horror. —Michele Debczak

34. Jennifer's Body (2009)

Following her Oscar win for Juno (2007), Diablo Cody took a sharp turn into the realm of horror with Jennifer's Body. The film blends the campy elements of teen horror and comedy, centering on Jennifer (Megan Fox), a cheerleader turned succubus after a botched satanic ritual. Her best friend, played by Amanda Seyfried, must stop her from killing their male classmates. While it’s a raucous, gory ride on the surface, the film also offers a nuanced exploration of female friendships, cementing its place as a landmark in feminist horror. —MD

35. Johnny Dangerously (1984)

Directed by Amy Heckerling, Johnny Dangerously is a comedic homage to 1930s gangster films, starring Michael Keaton as the titular character who turns to crime to support his ailing mother. The film features a star-studded cast, including Joe Piscopo, Griffin Dunne, Maureen Stapleton, and Danny DeVito, with a theme song by “Weird Al” Yankovic. Though often overlooked in discussions of Heckerling’s and Keaton’s careers, this parody is a hidden gem of ‘80s comedy, showcasing Keaton’s versatility before his dramatic turn in Clean and Sober and Heckerling’s talent before she directed Clueless. —GP

36. Jurassic Park III (2001)

The original Jurassic Park captivated audiences with its mix of action, innovation, and deep themes, becoming a timeless classic. While many, including Steven Spielberg with The Lost World, have tried to replicate its success, none have matched its magic. Jurassic Park III stands out by ditching heavy moralizing and complex plots, opting instead for a straightforward monster movie. Sam Neill reprises his role as Alan Grant, lured to Isla Sorna to help a couple find their missing son. After their plane crashes, the group must escape the island’s dinosaurs. The film thrives on thrilling chase scenes, delivering pure, uncomplicated entertainment. —MD

37. Labyrinth (1986)

There’s no need to feel guilty about enjoying the whimsical charm of Labyrinth, a Jim Henson masterpiece. With Brian Froud’s imaginative creature designs, a script by Terry Jones (of Monty Python fame), and David Bowie as the enigmatic Goblin King, the film is a visual and auditory feast. The story—a young girl (Jennifer Connelly) navigating a labyrinth to save her baby brother—takes a backseat to the film’s magical creatures, enchanting atmosphere, and Bowie’s iconic soundtrack. Just steer clear of the bog of eternal stench. —BL

38. The Legend of Billie Jean (1985)

In 1985, Helen Slater embodied Billie Jean, a modern-day Joan of Arc, in this cult classic. After her brother Binx (Christian Slater) shoots a local bully in self-defense, Billie Jean and her friends go on the run, sparking a media sensation. Along the way, Billie Jean becomes a feminist icon, famously cutting her hair and declaring, “Fair is fair!” With an electrifying soundtrack featuring Pat Benatar’s “Invincible” and Billy Idol’s “Rebel Yell,” the film follows the group’s fight against oppressive authority, culminating in a triumphant victory. —GP

39. Love Actually (2003)

This beloved Christmas romantic comedy boasts an all-star British cast, making it a must-watch for fans of ensemble films. Its interwoven storylines explore various facets of love, from Colin Firth’s endearing romance with his housekeeper to Liam Neeson’s heartfelt attempts to bond with his grieving stepson. Emma Thompson’s emotional moment with Joni Mitchell’s “Both Sides Now,” Hugh Grant’s dance to The Pointer Sisters’s “Jump (For My Love),” and Bill Nighy’s signature charm add to the film’s appeal. Love Actually unaedly tugs at your heartstrings, delivering a mix of joy and melancholy that’s hard to resist. —EG

40. MacGruber (2010)

Like many SNL-inspired films, MacGruber initially flopped at the box office but has since gained a devoted following. Based on a sketch parodying MacGyver, the movie follows an inept hero who hilariously fails at defusing bombs. Val Kilmer shines as the over-the-top villain Dieter Von Cunth, while Kristen Wiig and Ryan Phillippe provide perfect comedic support. Packed with running gags, absurd moments (like using celery as a distraction), and an unforgettable cemetery scene, MacGruber is a bizarre yet brilliant comedy that’s earned its cult status. KFBR392 forever! —EM

41. Mars Attacks! (1996)

When Mars Attacks! premiered, audiences were divided. Released shortly after Independence Day, Tim Burton’s homage to 1950s B-movies offered a quirky, comedic take on alien invasions, which didn’t resonate with everyone initially. Despite its box office failure, the film has since become a cult favorite, celebrated for its dark humor and campy sci-fi style. Beyond its alien antics, the movie is worth watching for its impressive ensemble cast, featuring Glenn Close, Pierce Brosnan, Sarah Jessica Parker, Michael J. Fox, Natalie Portman, Danny DeVito, and Jack Nicholson in dual roles. —MD

42. The Master of Disguise (2002)

In The Master of Disguise, Dana Carvey plays Pistachio Disguisey, a bumbling yet lovable character who discovers he’s part of a lineage of secret agents known as the “Masters of Disguise.” To save his kidnapped father, Pistachio hones his disguise skills, transforming into outrageous personas like Gammy Num Nums, Terry Suave, and even silent pies. While the plot serves as a vehicle for Carvey’s comedic impressions, its absurdity is part of its charm. Despite its dismal 1 percent Rotten Tomatoes score, the film’s sheer silliness is bound to elicit laughter. —EG

43. Masters of the Universe (1987)

Upon its 1987 release, Masters of the Universe struggled to meet the high expectations of fans hoping for a faithful adaptation of the He-Man toy line. Combining elements of Conan the Barbarian and Star Wars on a modest budget, the film was initially dismissed. However, viewed today without those lofty standards, it’s a fun, campy adventure with surprisingly solid effects, Jack Kirby-inspired visuals, and a standout performance by Frank Langella as Skeletor. Just brace yourself for the enduring annoyance of Gwildor. —JS

44. The Mummy (1999)

Let’s be clear: The Mummy is a cinematic gem. (Its sequels and the 2017 reboot, however, fall short.) Directed by Stephen Sommers, the film stars Brendan Fraser as Rick O’Connell, Rachel Weisz as Evelyn, a bookish Egyptologist, and Oded Fehr as Ardeth Bay. Packed with ancient curses, camel chases, skin-crawling bugs, and a vengeful mummy (Arnold Vosloo as Imhotep), the movie is a thrilling adventure. Imhotep, awakened by Evelyn, seeks to destroy the world to reunite with his lost love. A staple of basic cable, it’s a film you can enjoy repeatedly. As Roger Ebert noted, it’s not high art, but it’s undeniably entertaining. —EM

45. No Holds Barred (1989)

Before Dwayne “The Rock” Johnson and John Cena, Hulk Hogan reigned as wrestling’s biggest star and a budding action hero. However, his 1989 film No Holds Barred didn’t quite cement his Hollywood status. Hogan plays Rip Thomas, a wrestler who faces off against Zeus, a rival who rejects wrestling’s scripted nature for a brutal, real fight. While critics and fans initially panned the movie, it has since become a beloved example of cheesy ‘80s entertainment. —JS

46. Overboard (1987)

Few tropes are as satisfying as watching the wealthy endure hardship, and the 1980s delivered plenty of such films (e.g., Coming to America, Life Stinks, Maid to Order, Taking Care of Business). Among them, Leslie Dixon’s Overboard stands out. Goldie Hawn plays Joanna Stayton, a spoiled heiress who falls off her yacht, loses her memory, and is taken in by her vengeful handyman, played by Kurt Russell. He thrusts her into a life of poverty, forcing her to care for his unruly children. While the premise raises ethical concerns—some critics criticize its gaslighting elements—Joanna ultimately grows into a better person. —GP

47. Plan 9 From Outer Space (1959)

This sci-fi/gothic mashup about aliens resurrecting the dead is the epitome of a guilty pleasure. Intended to be serious, its unintentional hilarity makes it impossible to view as such. Flying saucers are represented by paper plates (or possibly hubcaps), a platinum-haired psychic narrates, and Vampira lurks in the shadows. The film also includes the final footage of Bela Lugosi, originally shot for a different project by director Ed Wood. It’s a delightfully bad masterpiece. —BL

48. Point Break (1991)

In Point Break, Keanu Reeves embodies his signature charm as FBI agent Johnny Utah, who goes undercover to infiltrate a gang of surfing bank robbers led by the enigmatic Bodhi (Patrick Swayze). Swayze’s intense performance, stunning aerial sequences, and a surprisingly grounded Gary Busey as Utah’s partner elevate the film beyond a standard action flick. It’s a thrilling ride that blends adrenaline and philosophy. —JR

49. The Princess Diaries (2001)

Anne Hathaway and Julie Andrews shine in this 2001 adaptation of Meg Cabot’s beloved novel. Hathaway plays Mia Thermopolis, a clumsy, frizzy-haired teen who learns she’s the heir to Genovia’s throne. As Mia debates accepting her royal destiny, she undergoes “princess lessons” from her poised grandmother, Queen Clarisse (Andrews). Alongside her royal training, Mia tackles high school challenges like mean cheerleaders, awkward crushes, and loyal but outspoken friends. Despite the potential for caricature, Hathaway and Andrews infuse their roles with humor and heart, making the film a charming, laugh-out-loud delight that’s endlessly rewatchable. —EG

50. Road House (1989)

This over-the-top action drama about a philosophical bouncer (Patrick Swayze) has earned a devoted following thanks to its earnest execution. Swayze’s Dalton is hired to clean up the Double Deuce bar, taking on corrupt employees and a local crime boss (Ben Gazzara). While the premise is ludicrous, Swayze’s nuanced performance and graceful physicality elevate the film. His character’s musings (“Pain don’t hurt”) and the film’s self-awareness make it a perfect late-night cable classic. Road House embraces its B-movie status and delivers exactly what fans crave. —JR

51. Rocky IV (1985)

As the Rocky series progressed, it strayed far from the heartfelt romance of the 1976 original. By Rocky IV, Sylvester Stallone had transformed Rocky into a chiseled, larger-than-life figure living in luxury, even gifting his brother-in-law Paulie (Burt Young) a bizarrely flirtatious robot. The film pits Rocky against Soviet powerhouse Ivan Drago in a match that doubles as Cold War propaganda. Absurd training montages and over-the-top drama make this entry the franchise’s most outrageous, yet its polished, high-energy style has cemented it as a fan favorite. —JR

52. She's the Man (2006)

When her school cuts the women’s soccer team, Viola (Amanda Bynes) disguises herself as her twin brother Sebastian to join the men’s team at a rival boarding school. Amanda Bynes’s hilariously awkward portrayal of a teenage boy is a highlight, but the real charm lies in the tangled love triangle: Viola falls for her roommate Duke (Channing Tatum), who thinks she’s a guy, while Duke pines for Olivia, who’s smitten with Viola-as-Sebastian. Based on Shakespeare’s Twelfth Night, the film’s chaotic, comedic plot is as entertaining as it is absurd. —EG

53. Showgirls (1995)

Following the success of Basic Instinct, writer Joe Eszterhas and director Paul Verhoeven reunited for Showgirls, a film often dubbed the Citizen Kane of stripper movies. Elizabeth Berkley, known for Saved by the Bell, stars as Nomi Malone, an ambitious dancer who hitchhikes to Las Vegas to become a showgirl. The film dives into the dark, cutthroat world of Sin City, where Nomi learns that success comes at a price. Critic David Keyes aptly described it as a “train wreck” you can’t look away from, making it a quintessential guilty pleasure. —JMW

54. Signs (2002)

Signs signaled a turning point for M. Night Shyamalan, following the success of The Sixth Sense. While the twist ending of this 2002 sci-fi film felt underwhelming compared to his earlier work, the movie remains one of his stronger efforts. It shifts the alien invasion trope to a rural setting, focusing on a family’s harrowing experience on an isolated farm. Shyamalan builds tension by teasing glimpses of the aliens—like a shadow on a roof or a foot vanishing into a cornfield—rather than fully revealing them. Though the early 2000s effects show their age, scenes like the chilling birthday party sequence still pack a punch. —MD

55. Sky Captain and the World of Tomorrow (2004)

Before Sin City and 300 popularized digital filmmaking, Sky Captain and the World of Tomorrow pioneered the technique in 2004. Directed by Kerry Conran, the film immerses viewers in a world of mad scientists, towering robots, and daring aviators, all rendered in a striking visual style inspired by Golden Age comics and Fleischer cartoons. Despite strong reviews and a star-studded cast including Jude Law and Angelina Jolie, the film struggled at the box office. However, its innovative approach and retro aesthetic have earned it a cult following. —JS

56. Swiss Army Man (2016)

This eccentric film comes from the creative minds of DANIELS, known for their bizarre music video for Lil Jon and DJ Snake’s “Turn Down for What.” Swiss Army Man (2016) features Paul Dano as Hank, stranded on a deserted island, and Daniel Radcliffe as Manny, a reanimated, fart-powered corpse who helps Hank return to civilization. The film’s absurdity is undeniable—Hank even uses Manny’s erection as a compass—but it’s also unexpectedly touching and humorous, even making “Cotton Eye Joe” enjoyable. It’s a unique blend of laughter, tears, and rewatchable charm. —EM

57. Tremors (1990)

Kevin Bacon and Fred Ward team up to battle subterranean monsters in 1990’s Tremors, a film that spawned a franchise and a TV series. The movie masterfully blends comedy and horror, treating its outlandish premise—giant worm-like creatures terrorizing Perfection, Nevada—with surprising seriousness. The diverse cast includes Victor Wong as store owner Walter Chang, Michael Gross and Reba McEntire as gun-toting survivalists, and Bacon and Ward as a mismatched duo with undeniable chemistry. Packed with memorable quotes and thrilling action, Tremors is a cult classic. —GP

58. Venom (2018)

In a genre often dominated by dark, brooding narratives, Venom stands out as a wild, comedic ride. Tom Hardy plays Eddie Brock, a down-on-his-luck journalist who bonds with the alien symbiote Venom. Their banter is hilariously chaotic, and the action sequences are delightfully over-the-top. While the film isn’t conventionally “good,” its sheer absurdity and Hardy’s commitment to the role make it oddly captivating. Grab some tater tots and enjoy the madness—it’s a guilty pleasure worth revisiting. —EM

59. Weekend at Bernie's (1999)

It’s hard to believe a studio would approve a film with such a premise today: Two hapless employees discover their boss dead at his Hamptons beach house and decide to pretend he’s still alive. Yet, the film succeeds thanks to the genuine chemistry between Andrew McCarthy and Jonathan Silverman. Despite its macabre theme, the movie avoids cynicism, though it does flirt with dark humor—like when McCarthy’s character jokes, “The guy gets laid more dead than I do alive.” Weekend at Bernie’s became a cult classic, inspiring a sequel (best avoided), influencing films like Swiss Army Man, and even earning a nod on Succession. —GP

60. Who's That Girl (1987)

By 1987, Madonna had already appeared in three films, including the poorly received Shanghai Surprise. While her music career thrived, her acting choices were less successful. Who’s That Girl, a chaotic homage to Bringing Up Baby, flopped at the box office. Madonna plays Nikki Finn, a wrongly imprisoned woman who teams up with lawyer Louden Trott (Griffin Dunne) to clear her name. Despite its messy plot, the film has its charms, including Madonna’s catchy songs like “Causing a Commotion” and “Who’s That Girl,” as well as Dunne’s deadpan performance. It’s a bizarre yet oddly entertaining watch. —GP