1. Explanatory Essay on Văn Miếu Quốc Tử Giám - Number 4

2. Explanatory Essay on Văn Miếu Quốc Tử Giám - Number 5

3. Explanatory Essay on Văn Miếu Quốc Tử Giám - Number 6
Văn Miếu – Quốc Tử Giám is regarded as the oldest university in Vietnam, symbolizing the nation's long-standing tradition of valuing education. It can also be considered one of the earliest universities in the world, a prominent historical site in the heart of Hanoi.
Over centuries, despite the challenges faced through history and nature, Văn Miếu – Quốc Tử Giám has managed to preserve its ancient charm, housing many architectural marvels of high cultural value. Among these are Khuê Văn Các, the Đại Thành Temple, and artifacts that serve as a testament to a thousand years of civilization, such as the altars, stone dragons, stone inkstones, and the stone stelae. These relics bear witness to the academic and examination traditions through the reigns of the Lí, Trần, and Lê dynasties. Embedded in the tangible culture here are spiritual values that reflect the reverence for scholars, the respect for talents, and the deep commitment to learning that the Vietnamese people uphold.
Located to the south of the ancient Thăng Long citadel during the Lí dynasty, Văn Miếu – Quốc Tử Giám consists of two main landmarks: the Văn Miếu temple dedicated to Confucius and other prominent Confucian sages, and the Quốc Tử Giám, the first national university in Vietnam. With over 700 years of operation (1076 – 1802), it has produced thousands of talented individuals for the country. Today, the site serves as a popular destination for both domestic and international tourists and is a place of recognition for outstanding students, also hosting an annual poetry festival on the full moon of the first month in the lunar calendar. It is particularly known as a place where modern-day students come to pray for success before exams.
Historical records state that Văn Miếu was constructed in October 1070 during the reign of King Lý Thánh Tông. In 1076, King Lý Nhân Tông established Quốc Tử Giám next to the Văn Miếu, initially as a school for the royal family but later expanding to admit talented students from across the country. The entire Văn Miếu – Quốc Tử Giám complex covers an area of 54,331 m², including Hồ Văn, Vườn Giám, and the inner sanctum surrounded by brick walls. Inside, the space is divided into five distinct sections.
The first section starts from the main gate to Đại Trung Gate, which features the inscription 'Văn Miếu Môn.' This is a two-tiered, three-arched gate structure, with a pair of stylized stone dragons from the Lê dynasty on the outside, and a pair from the Nguyễn dynasty on the inside. The Đại Trung Hall consists of three bays, covered by tiles, with two smaller gates, Thành Đức and Đạt Tài, on either side. The second section is highlighted by the Khuê Văn Các, a unique architectural structure built in 1805 during the Nguyễn dynasty, consisting of two stories, eight roofs, and round windows on all four sides, symbolizing the Khuê star. On either side of Khuê Văn are the Bí Văn and Súc Văn gates. Khuê Văn Các was traditionally used to evaluate the best literary works of students.
Today, Khuê Văn Các is regarded as a symbol of Hanoi. The third section stretches from Khuê Văn to Đại Thành Gate, featuring a square pond in the center called Thiên Quang Tỉnh, surrounded by a wall. On either side of the pond are two gardens of stelae, which hold 82 stelae erected between 1484 and 1780, recording the names and origins of the scholars who passed the imperial exams. Among them, we find famous figures such as Ngô Sĩ Liên, Ngô Thì Nhậm, Lê Quý Đôn, mathematician Lương Thế Vinh, and Lương Như Hộc, the founder of the printing profession.
These are invaluable relics of the site. Beyond the Đại Thành Gate lies the fourth section, the Bái Đường, or the main worshipping hall of Văn Miếu. This is a large square paved with ceramic tiles, flanked by two rows of buildings on either side, which once housed the tablets of 72 of Confucius's most brilliant disciples, as well as prominent cultural figures of the Trần dynasty. At the end of the courtyard is the Đại Bái Hall and the rear sanctuary, which houses several precious artifacts: on the left, the Bích Ung Đại Chuông (the Great Bell of the School of Literature), cast by Nguyễn Nghiễm in 1768; and on the right, a stone bell inscribed with a memorial in regular script describing the uses of the musical instrument.
The fifth section contains the old Quốc Tử Giám school (now known as the Thái Học House). Throughout history, many dynasties regarded 'talented individuals as the backbone of the nation' and selected outstanding scholars to fill prestigious academic positions such as teaching assistants, lecturers, and professors, contributing to the intellectual growth of the country. Many famous educators like Bùi Quốc Khải, Nguyễn Trù, and Chu Văn An have left their mark at Quốc Tử Giám.
In the early 19th century, when the Nguyễn dynasty moved the school to Huế, this place became the Khải Thánh Temple. During the French colonial period (1946–1947), the site was destroyed by fire. In 2000, the Thái Học House was rebuilt to commemorate the 990th anniversary of Thăng Long – Hanoi. This space honors the nation's educational traditions and houses statues commemorating the three kings, Lý Thánh Tông, Lý Nhân Tông, and Lê Thánh Tông, as well as the educator Chu Văn An, all of whom played pivotal roles in the establishment of Văn Miếu – Quốc Tử Giám and the development of Vietnam's Confucian education system.
The distinctive construction materials used in Văn Miếu – Quốc Tử Giám, such as ironwood, fired clay bricks, and the uniquely shaped tiles from the Lê and Nguyễn dynasties, add to its authenticity. The ancient architecture is complemented by the towering trees, some hundreds of years old, creating a romantic and poetic atmosphere. Văn Miếu – Quốc Tử Giám thus stands as a bridge between Hanoi's past and present, a cultural treasure that enriches the nation's heritage and attracts visitors from around the world.
Văn Miếu – Quốc Tử Giám is not only a symbol of Vietnam's cultural heritage but also a source of pride for the nation today and for future generations. It is a precious national asset, recognized by the government for preservation, restoration, and enhancement in the service of national defense and development.

4. Descriptive Essay on Văn Miếu Quốc Tử Giám - Number 7
Every year during exam season, many students from northern Vietnam make their way to Văn Miếu Quốc Tử Giám to pray for good fortune, and it is also a popular spot for graduates to take memorable photos of their university days. But why is this place so often associated with educational activities? It is because it is rich in cultural and academic traditions.
Văn Miếu Quốc Tử Giám, located in Hanoi, is recognized as a symbol of the enduring cultural and educational excellence of the Vietnamese people, embodying the nation's reverence for teachers and education. According to the Đại Việt Sử Kí Toàn Thư, it was built in 1070 during the reign of King Lý Thánh Tông, dedicated to Confucian saints and sages. It also served as a royal school. In 1253, Emperor Trần Thái Tông expanded Quốc Tử Giám to admit talented students from commoner families who demonstrated exceptional academic abilities.
The Văn Miếu complex is situated on a rectangular plot of land with a total area of 54,000 m², surrounded by a large brick wall, enhancing its solemn and ancient atmosphere. Inside, the traditional architecture blends with lush trees, creating a captivating sight for visitors. Within the complex, there is Hồ Văn, a pond where poetry competitions are held. The inner sanctum is divided into five sections. The first section extends from the Văn Miếu gate to Đại Trung gate. To enter Văn Miếu, one must pass through four guardian pillars and three vaulted doors leading to the main gate. From the Văn Miếu gate, the straight path leads directly to Đại Trung gate, a three-bay brick structure.
The paved path continues to Khuê Văn Các, a two-story pavilion with eight roofs. This iconic building represents the literary culture of Vietnam. Beyond Khuê Văn Các is the Thiên Quang pond, square in shape, with water that remains calm year-round. The path around Thiên Quang leads visitors to the stelae of doctoral candidates, where 82 stone stelae engraved with exam records are placed on the backs of turtles, symbolizing the nation's intellectual heritage. After the stelae house, visitors arrive at a spacious courtyard paved with Bat Trang tiles. The final area is the Thái Học House, which was historically used for training talented individuals. Văn Miếu is a place to honor the great educator Chu Văn An and the kings who contributed to its establishment.
With its immense historical and cultural value, Văn Miếu Quốc Tử Giám is also a venue for conferences, seminars, and ceremonies honoring outstanding scholars. In May 2012, it was recognized as a special national heritage site. It is a famous tourist attraction for those wishing to explore Vietnam's cultural and historical legacy, a place where students come to ask for luck before exams, and a popular spot for graduation photos.
As a national heritage site, visitors are reminded to follow some basic guidelines: refrain from littering, avoid stepping on the red carpets, and do not rub the turtle statues. Proper attire and respectful conduct are expected.
Despite the passage of time, Văn Miếu – Quốc Tử Giám remains a monument representing the nation's long-standing tradition of academic achievement and has become a beautiful symbol of Hanoi.

5. Descriptive Essay on Văn Miếu Quốc Tử Giám - Number 8
Văn Miếu Quốc Tử Giám is a national historical site and also the first university in Vietnam, which preserves the legacy of the nation's remarkable educational figures. If you visit Hanoi, this historic site is a must-see.
Văn Miếu was established during the reign of King Lý Thánh Tông in 1010, chosen as the educational center for the royal princes during the Lý dynasty. In 1076, King Lý Nhân Tông founded Quốc Tử Giám, marking the establishment of the first university in Vietnam during the feudal era.
The Văn Miếu – Quốc Tử Giám complex, with its grand scale, is a cultural and historical monument that showcases many of the country's proud achievements. Covering over 50,000 m², the site includes Hồ Văn, the Giám garden, and the inner sanctum, all surrounded by a large brick wall. At the front gate, there are four pillars, with two stone tablets named 'Hạ Mã' on either side. The inner area is divided into five sections, each containing stelae and honoring the spirits of many distinguished scholars from across the nation. These individuals passed their exams and achieved notable feats that have been memorialized in Vietnam's history.
In the stone stele area, you will find the names of historical figures like the historian Ngô Sĩ Liên and Lê Qúy Đôn. The stone tablets record the life and contributions of various prominent Vietnamese officials throughout different historical periods. These priceless records embody the rich cultural and educational heritage of Vietnam. The carvings and inscriptions on each stele, along with the turtle statues that support them, bear unique marks from each historical period.
During a visit to Quốc Tử Giám, it is impossible to overlook the Bích Ung Bell, cast by Nguyễn Nghiêm in 1768, a large bell that holds significant historical value. Văn Miếu Quốc Tử Giám is a place where generations of scholars were trained, serving under various dynasties such as the Lê, Mạc, Trần, and Nguyễn. The importance of cultivating talented individuals has remained a key focus throughout Vietnam’s history, which is why the site continues to thrive and develop. Today, students often visit here before major exams, hoping for good luck and success.
In March 2010, UNESCO recognized 82 doctoral stelae from the Lê-Mạc dynasty at Văn Miếu – Quốc Tử Giám as a Memory of the World Documentary Heritage for the Asia-Pacific region. This recognition helps preserve and pass down these cultural and intellectual treasures for future generations.
Văn Miếu Quốc Tử Giám is not only a vital historical site in Vietnam but also a symbol of the nation's scholarly tradition and cultural excellence, which is actively preserved and maintained for future generations.

6. Descriptive Essay on Văn Miếu Quốc Tử Giám - Number 9
Our beloved nation has endured millions of years of struggle for its independence and defense. Now, even though the wars have faded, the marks of history, the heroic victories, and the traditional culture continue to resonate in the historical relics scattered across the country. When visiting Hanoi, the capital of Vietnam, one cannot help but think of Văn Miếu Quốc Tử Giám, one of the most renowned historical sites in our nation.
Văn Miếu Quốc Tử Giám is a historical site and a famous landmark located in the southern part of the ancient Thăng Long citadel. It is surrounded by streets: the south side is on Quốc Tử Giám Street, the north side on Nguyễn Thái Học Street, the east side on Văn Miếu Street, and the west side on Tôn Đức Thắng Street. Looking back at the history of Văn Miếu Quốc Tử Giám, we can see its unique evolution. Established in 1070 during the reign of King Lý Thánh Tông, Văn Miếu was not only a place to honor the Confucian sages but also a royal academy.
In 1253, King Trần Nhân Tông expanded the institution to allow commoners with outstanding academic achievements to study alongside the royal family. Under the reign of King Lê Thánh Tông, in 1484, a stone tablet was erected for each doctorate exam, commemorating the successful candidates. Over time, particularly during the French colonial era, several structures in Văn Miếu Quốc Tử Giám were damaged, but many have been rebuilt or restored in accordance with traditional architecture.
Văn Miếu Quốc Tử Giám, one of the most unique historical monuments in Vietnam, sits on a rectangular plot covering more than 54,000 square meters. The complex is surrounded by ancient moss-covered walls that have stood for thousands of years. Inside, visitors can explore three main areas: Hồ Văn, the Giám garden, and the inner sanctum of Văn Miếu – Quốc Tử Giám. Hồ Văn, located at the southern entrance, covers over 12,000 square meters. The serene lake, surrounded by lush greenery, features a small mound in the middle, adding to the lake's charm.
This area is often used for wordplay activities, particularly the Spring Calligraphy Festival and poetry competitions. The inner sanctum is the heart of the complex and is divided into five sections. The first section is Văn Miếu Môn, the outer gate. To enter, one must pass through four pillars and two stone tablets called 'Hạ Mã.' As with many ancient gates, Văn Miếu Môn has three doors, with the central one being larger and two smaller side doors. Before the gate are two stone dragons from the Lê dynasty, and inside, there is a pair of stone dragons from the Nguyễn dynasty. There are also classical Chinese couplets on either side of the gate. Passing through, visitors will find themselves at Đại Trung Môn.
The Đại Trung Môn is constructed with three sections, built on a raised brick foundation and covered by a tiled roof. Continuing along the straight path, visitors will arrive at Khuê Văn Các, a square pavilion with eight roofs – four upper and four lower – which stands as a beautiful and unique symbol of Vietnamese culture. Beyond this pavilion lies the Thiên Quang Well and the Doctoral Steles. Unlike other round wells, Thiên Quang Well is square, embodying the belief that it connects humans with the cosmos, promoting intellectual and moral development. Mentioning Văn Miếu always brings to mind the Doctoral Steles, where 82 stone tablets honor the successful candidates, placed on the backs of turtles, further elevating their value.
The final area in the complex is Thái Học, where scholars were trained for many feudal dynasties. As one of Vietnam's ancient architectural ensembles, Văn Miếu Quốc Tử Giám carries immense historical and cultural significance. Researchers and visitors alike can uncover valuable information about Vietnam's history and educational traditions. The site also provides insights into Confucianism, including its development in Vietnam. Due to its immense historical and cultural importance, Văn Miếu Quốc Tử Giám is often chosen as the venue for honoring outstanding graduates. It is also a major attraction for both local and international tourists. In recognition of its historical value, the complex was designated a Special National Heritage Site in December 2005.
In summary, Văn Miếu Quốc Tử Giám is a unique architectural masterpiece and historical monument. It attracts tourists while offering immense cultural, historical, and educational value to our nation.

7. Explanatory Essay on Văn Miếu Quốc Tử Giám - Number 10

8. Explanatory essay about Văn Miếu - Quốc Tử Giám, number 11
Thousands of years ago, King Lý Thái Tổ moved the capital from Hoa Lư to Đại La and renamed it Thăng Long. Despite numerous historical upheavals and the harshness of time, Hanoi has preserved within it 'the glorious marks of the past' alongside many scenic spots. One of these places is the Văn Miếu – Quốc Tử Giám, a monument tied to the establishment of Thăng Long under the Lý dynasty, with nearly a thousand years of history. This place, with its grand scale, represents Hanoi and is regarded as a symbol of Vietnam's culture and history.
According to the Đại Việt Sử Ký, in the autumn of the year Canh Tuất – 1070, King Lý Thánh Tông ordered the construction of Văn Miếu to honor the great sages and scholars who contributed to the nation, including Confucius – the founder of Eastern Confucianism, and Chu Văn An, the renowned educator of Vietnam. Six years later, in 1076, King Lý Nhân Tông decided to establish Quốc Tử Giám, the most prestigious Confucian academy of the time, to cultivate talent for the country. This was a pivotal event marking Vietnam's first choice for an education system based on Confucianism, aiming to develop Vietnamese scholars in line with Eastern education models.
Currently, the site still holds 82 stone steles, engraved with the names of 1,306 individuals who passed the doctoral exams between 1484 and 1780. These steles also record the oldest and youngest scholars in history: Bàn Tử Quang, who became a doctorate at the age of 82, and Nguyễn Hiền, who passed his doctorate at just 13 years old in 1247 under the reign of Trần Thái Tông. From then on, Văn Miếu and Quốc Tử Giám, considered the first university in Vietnam, remained significant until the 19th century.
Located on a plot of over 54,000m², the Văn Miếu – Quốc Tử Giám monument is surrounded by four streets, with the main gate on Quốc Tử Giám Street (to the South), to the North, it borders Nguyễn Thái Học Street, to the East, Tôn Đức Thắng Street, and to the West, Văn Miếu Street. The complex is enclosed by a four-sided wall, and inside, it is divided into five areas. Area 1 includes Văn Hồ (literary pond), the Văn Miếu Gate (the outermost three-door gate), with the central door being larger and higher, and an inscription 'Văn Miếu Gate' above it. The second area leads directly from the main gate to Đại Trung Gate, with Thánh Dực Gate on the left and Đạt Tài Gate on the right. Further inside is the Khuê Văn Các (constructed in 1805). Area 3 is the Thiên Quang Well (meaning 'heavenly bright well').
Văn Hồ, situated opposite the main gate of Quốc Tử Giám, has been restored over the years. It is a clear pond, surrounded by trees, with a mound called Kim Châu in the middle. The peaceful and poetic scenery helps calm the nerves of candidates before the exam. The inner area of Văn Miếu – Quốc Tử Giám is separated from the garden and the external space by a brick wall, and the layout is symmetrical along the North-South axis. The walkways are lined with gravel or neatly paved stone. From the Văn Miếu Môn (main gate), the path leads straight to Đại Trung Gate, where trees line both sides, and there are four small ponds with lotus and water lilies, enhancing the beauty of the landscape. Around the ponds are flower walls separating the pathways from the water.
The Khuê Văn Các is an octagonal pavilion with eight roofs, consisting of four upper and four lower roofs. Its walls are adorned with round windows shaped like the sun, emitting rays of light. The lower level has four square brick pillars carved with floral patterns. The upper level is made of red-painted wood with gold leaf, except for the roof and corner decorations. The next area contains the stelae of doctoral graduates and the Thiên Quang Tỉnh pond (meaning 'well of sunlight'). Along the edge of the pond, there are solemn stone stelae arranged into two sections, East and West. Each section contains two rows of steles, all engraved with the names and hometowns of those who passed the doctoral exams during the Lê Dynasty. The steles are mounted on turtle-shaped bases, symbolizing the spirit, strength, and unity of the Vietnamese people.
Next to the stelae area and Thiên Quang Tỉnh pond is the Đại Thành Gate. Passing through this gate, one enters a vast courtyard of several thousand square meters, paved with Bat Trang tiles. This space was once used for lectures on Confucian teachings and now hosts large cultural events. Facing directly ahead is the Đại Bái Đường, a grand building spanning the width of the yard. Behind it and parallel to it is the Thượng Điện, consisting of nine bays, with walls on three sides and a curved roof. The Thượng Điện was once a place of worship and study, but today, it is a place of reverence for Confucius and other eminent figures. In the main chamber, there is a large throne, with a tablet and a bronze statue of Confucius. To the left and right are thrones for the Confucian sages Mạnh Tử, Nhan Tử, and Tử Tư, each accompanied by a wooden statue. Along the sides of the courtyard are two exhibition halls, showcasing cultural items and souvenirs for visitors.
Behind the Thượng Điện is the Khải Thánh area, dedicated to the parents of Confucius. At the far end are the Tiền Đường and Hậu Đường areas, newly constructed as part of a restoration project that began in 1999. The Tiền Đường displays the tradition of valuing education and honoring teachers, while the Hậu Đường is a two-story wooden building. The first floor is dedicated to Chu Văn An, the founder of Quốc Tử Giám, and exhibits related to Văn Miếu – Quốc Tử Giám and Vietnamese Confucian education. The second floor honors other figures who contributed to the development of the institution, such as King Lý Thánh Tông, Lý Nhân Tông, and Lê Thánh Tông.
Outside the Hậu Đường is a bell tower housing the Bích Ung Bell, cast in 1768, and a drum tower with a large red drum. Compared to the University of Bologna in Italy, the oldest surviving university in Europe, founded in 1088, Văn Miếu – Quốc Tử Giám retains its ancient charm, combining elements of Buddhist, Confucian, and Vietnamese folk architecture.
Văn Miếu – Quốc Tử Giám is an especially important cultural and historical site. It not only preserves individual pieces of history but also represents the formation and development of Vietnam's Confucian intellectual class, who absorbed and advanced the great achievements of Eastern civilizations. In his book 'The Doctoral Steles of Văn Miếu – Quốc Tử Giám', PGS.TS. Ngô Đức Thọ examines the historical and cultural significance of these steles, confirming their vital role in Vietnam's educational history. The steles are a testament to the importance of intellect and morality in Vietnamese society and serve as enduring symbols of the nation's rich cultural heritage.
The inscription project initiated by King Lê Thánh Tông to honor distinguished scholars was a groundbreaking idea, implemented with great ceremony during both the Lê Sơ and Lê Trung Hưng dynasties. Despite some losses, the 82 surviving steles have become a national treasure, admired and respected by the people. These inscriptions, created by 39 different authors over several generations, emphasize the value of intellectual achievement. They convey a powerful message about the importance of virtuous deeds, intellectual rigor, and national loyalty. The message of the steles is both an encouragement and a moral warning for future generations.
The steles at Văn Miếu – Quốc Tử Giám not only honor intellectuals but also serve as a historical record of Vietnam's educational system. They are not just repositories of information but are also masterpieces of literary and artistic expression. The steles are carved with great skill, showcasing both calligraphy and sculpture, making them true works of art.
The historical and cultural values of the steles at Văn Miếu – Quốc Tử Giám have inspired generations of students to follow in the footsteps of their predecessors. The steles continue to encourage future generations to excel in their studies and contribute to the nation's development. This is one of the reasons why UNESCO recognized the 82 doctoral steles of the Lê-Mạc dynasty at Văn Miếu – Quốc Tử Giám as a World Documentary Heritage.
Though it has undergone some changes over time, Văn Miếu – Quốc Tử Giám remains a symbol of knowledge, culture, and the Vietnamese desire for learning. Every year, during the spring, the traditional image of scholars writing calligraphy in red ink on red paper in the busy streets of Hanoi brings the ancient past to life. Văn Miếu – Quốc Tử Giám stands as a beacon of knowledge and culture for the people of Hanoi and the nation, attracting both domestic and international tourists. It continues to be a source of pride for the capital, a testament to the thousand-year-old cultural legacy of Thăng Long – Đông Đô – Hanoi.

9. Explanatory Essay on the Temple of Literature - Quoc Tu Giam No. 12
The Temple of Literature – Quoc Tu Giam is a historical landmark in Hanoi, which symbolizes Vietnam’s rich educational tradition, directly linked to the country’s millennium-long history. It is considered the first university in Vietnam, a proud symbol of the nation’s respect for knowledge and learning.
Established in the 11th century during the Ly Dynasty, the Temple is located to the south of the ancient Thang Long Citadel. For over 800 years, it has been a center for training brilliant minds in each era, honoring scholars who passed the royal exams under the Le, Mac, and Le Trung Hung dynasties. Stone steles were erected to honor those who excelled in their exams, aligning with the belief that 'Intellectuals are the nation’s foundation.'
Throughout its long history, the Temple of Literature has undergone significant architectural changes, particularly influenced by Eastern styles and the teachings of Confucianism and Buddhism. Today, it stands in the heart of Hanoi, surrounded by four key streets: Quoc Tu Giam Street to the south, Nguyen Thai Hoc Street to the north, Ton Duc Thang Street to the west, and Van Mieu Street to the east. The complex includes two main parts: the Temple dedicated to Confucius and other revered scholars, and the Quoc Tu Giam area, where Chu Van An, the first principal, was honored.
Originally, the Temple was reserved for royals and high-ranking officials, but later, it was opened to people from all walks of life. The architecture of the Temple today reflects the early Nguyen Dynasty, with a surrounding wall built using stone bricks from the late Le Dynasty. The complex is divided into three main sections: Van Ho (the Literary Lake), Vuon Giam (the Garden of Scholars), and the Inner Temple. Van Ho, directly opposite the main gate of Quoc Tu Giam, is a serene lake surrounded by trees, offering a peaceful atmosphere for relaxation after long hours of study or work.
The Inner Temple is separated from the Vuon Giam and surrounding spaces by a brick wall, with five distinct levels, each marked by stone walls and interconnected gates. Key structures include the Van Mieu Gate, Dai Trung Gate, Khuê Văn Cát, Dai Thành Gate, the worship hall, the Thái Học Gate, and the final area, Thai Hoc.
Before entering the Temple’s inner sanctum, visitors must pass through the imposing Van Mieu Gate, a grand three-door entrance, with the central door being the tallest and constructed in two stories. Inside, the Nhap Dao area is accessed through three main gates: Dai Trung, Thành Đức, and Đại Tài, from left to right.
Next is the Khuê Văn Cát, a square pavilion with eight roofs, four on top and four below, standing about nine meters tall. Built during the Nguyen Dynasty, this was once a place where scholars would meet to discuss the best essays from successful candidates. Following that is the Thiên Quang Well and the two Doctoral Stele Gardens, which house 82 stone steles placed on tortoise-shaped bases, symbolizing strength, unity, and protection—a reflection of the Vietnamese belief in the turtle as a divine figure. The Đại Thành Gate follows, characterized by three spans and two rows of columns in the front and back, with a central row of columns.
Upon passing the Đại Thành Gate, one enters the worship hall, the most significant area of Quoc Tu Giam, dedicated to Confucius, Chu Kong, the Four Great Teachers, and other revered scholars. This hall also served as a teaching space in ancient times. The final area, called Khải Thánh or Thai Hoc, is where Confucius’s teachings were passed down to future generations and served as a center for nurturing talents for several dynasties.
The Tiền Đường and Hậu Đường are modern structures within the Thai Hoc restoration project. Tiền Đường displays the traditional values of respect for education, while Hậu Đường honors Chu Văn An and the contributions of Confucian education in Vietnam.
Beyond encouraging intellectual growth for the nation, the Temple of Literature also symbolizes the formation and evolution of Vietnam’s Confucian scholar class, who absorbed and excelled in the wisdom of Eastern civilizations, creating a rich cultural and intellectual heritage. It remains a proud symbol of Vietnam’s educational history.
While the Temple has undergone many changes over time, it still retains its traditional charm. Each Lunar New Year, visitors witness the age-old custom of calligraphy, a unique cultural activity in Hanoi. With its immense historical and cultural significance, the Temple of Literature has become a source of pride for the people of Hanoi and all Vietnamese citizens.

10. Explanatory Essay on the Temple of Literature - Quoc Tu Giam No. 1
The Temple of Literature - Quoc Tu Giam, located in the heart of Hanoi, holds the distinction of being Vietnam’s first university. From its early days, it gathered many talented individuals who contributed significantly to the nation's development. Today, it remains a popular destination for tourists, admired for its impressive and unique architecture.
Over the centuries, the Temple of Literature has witnessed numerous historical events and upheavals, yet it has managed to preserve the traditional beauty of Hanoi's culture. Its spiritual and cultural significance has been safeguarded for generations. Positioned to the south of the ancient Thang Long Citadel during the Ly Dynasty, the Temple began its educational mission in 1076 and continued until 1820, producing many of the nation's leading scholars.
The Temple consists of two main components: the Temple of Literature, which venerates Confucius and other great sages, and the Quoc Tu Giam, which honors Chu Van An, the first principal of the institution. Despite the passing of centuries, the Temple retains its ancient charm. Originally a school for royal princes, it was later opened to talented individuals from across the country. Covering an area of 54,331 square meters, the Temple includes Van Lake, the Scholars' Garden, and the Inner Sanctuary, all encircled by brick walls. The architectural design, dating back centuries, reflects the passage of time and the transformations of the nation.
Upon entering the Temple, visitors are greeted by the main gate, inscribed with the words 'Van Mieu Mon'. Outside the gate, a pair of stone dragons from the Le Dynasty stand, while inside, another pair from the Nguyen Dynasty can be found. The second area is Khuê Văn Cát, a two-story pavilion built in 1805 with eight roofs. This space was once used for reciting and evaluating the poetry and literary works of scholars. The third area extends from Khuê Văn Cát to the Đại Thành Gate, with a square pond in the center, known as Thiên Quang Tĩnh. Surrounding the pond are 82 stelae recording the names, hometowns, and titles of renowned scholars like Ngô Thì Nhậm and Lê Quý Đôn.
At the far end of the yard stands the Đại Bái Hall and the rear sanctuary, where precious artifacts are preserved, including the Bích Ung bell, cast by Nguyễn Nghiêm in 1768. This large bell is of great historical and cultural value. A plaque inscribed with the words 'Thọ Xương' details the bell's function. The fifth area is the Quoc Tu Giam school itself, which served as a center for education, fostering talent and elevating the intellectual standards of the nation.
Many prominent figures, including Chu Văn An and Bùi Quốc Khải, emerged from this prestigious institution. The Temple of Literature was primarily constructed using ironwood, fired bricks, and clay tiles, showcasing the artistic styles of the Le and Nguyen Dynasties. These distinctive features were meticulously crafted by skilled artisans.
Today, the Temple of Literature remains a major tourist attraction, offering visitors a chance to reconnect with their heritage, pay respects, and learn about the history of their ancestors. It stands as the heart of Hanoi and a symbol of the city's millennia-old cultural legacy.

11. Explanatory Essay on the Temple of Literature - Quoc Tu Giam No. 2
Among the thousands of historical monuments in Hanoi, more than 500 have been recognized as cultural heritage sites, with the Temple of Literature – Quoc Tu Giam being a standout. It is deeply tied to the establishment of the Thang Long capital during the Ly Dynasty, boasting nearly a thousand years of history. This monument is not only grand and imposing in its design but also stands as a symbol of Vietnamese culture and history.
Over a thousand years ago, King Ly Thai To moved the capital from Hoa Lu to Dai La, renaming it Thang Long. Throughout the tumultuous events of history, Hanoi has managed to preserve remnants of its past, such as the Temple of Literature – Quoc Tu Giam. Built in the 11th century by the Ly Dynasty, the temple initially served as an educational institution for royal princes and talented individuals across the country. It also honored great figures in the nation's education system and was the site for national exams, including the prestigious doctoral exams.
The Temple of Literature – Quoc Tu Giam is located to the south of the ancient Thang Long citadel, now in the Dong Da district of Hanoi. Despite its central location, surrounded by bustling streets, the temple retains its serene, historic atmosphere. The entire complex covers 54,331 square meters, including Van Lake, the Temple of Literature – Quoc Tu Giam itself, and the Scholars' Garden. Van Lake, situated across from the main entrance, has been carefully restored over the years. The clear water of the lake, surrounded by trees, with a small hill in the center, creates a peaceful, poetic scene, ideal for students to relax before their exams.
The inner sanctuary of the Temple is separated from the Scholars' Garden and surrounding areas by a brick wall, with no external plaster, and features a well-planned, symmetrical layout. The pathways within the temple are paved with gravel or stone. From the main gate, Van Mieu Mon, visitors walk along a straight path toward the Dai Trung Gate. The areas on either side are shaded by trees and feature four small, symmetrical ponds, where lotus and water lilies bloom, enhancing the temple’s beauty. Surrounding the ponds are walls adorned with flowers, which serve to separate the walkways from the water.
The next landmark is Khuê Văn Cát, a square pavilion with eight roofs, four on top and four on the bottom. The pavilion’s walls feature round windows shaped like sun rays. The lower level consists of four square brick pillars with intricate carvings, while the upper level is made of red-painted wood with gilded accents, except for the roof and the decorative corners. Continuing on, visitors find the stelae of the doctoral laureates and the square Thiên Quang Tỉnh Pond (meaning 'Pond of Sunlight Reflection'). Along the pond’s edge, the rows of stone stelae are arranged into two sections, East and West. These 82 stelae honor the names, hometowns, and achievements of those who passed the imperial doctoral exams during the Le Dynasty. The stelae are placed on the backs of turtles, symbolizing strength, wisdom, and unity, according to traditional beliefs.
Next is the Đại Thành Gate. Upon passing through, visitors enter a large open area paved with Bat Trang tiles, once used for teaching. Today, it is a space for hosting major cultural events. In front stands the spacious Đại Bái Đường, which spans the width of the courtyard. Behind it, the Thượng Điện, a building with nine rooms and curved fish-tail roofs, served as a place for worship and study in the past. Today, it is dedicated to honoring Confucius and other prominent figures. In the central room, a large throne holds the tablet and bronze statue of Confucius, while two side rooms honor the teachings of philosophers like Tăng Tử, Mạnh Tử, Nhan Tử, and Tử Tư. The courtyard is also flanked by two galleries, Hữu Vu and Tả Vu, which display artifacts and souvenirs for visitors. Behind the Thượng Điện is the Khải Thánh area, dedicated to the ancestors of Confucius.
At the far end of the temple complex are the Tiền Đường and Hậu Đường, which are modern additions built as part of the renovation project that began in 1999. The Tiền Đường showcases the tradition of respect for education and teachers, and also hosts conferences on culture and national arts. The Hậu Đường, a two-story wooden structure, honors Chu Văn An, the principal of the Quoc Tu Giam, and other influential figures in Vietnamese Confucian education, including Kings Ly Thanh Tong, Ly Nhan Tong, and Le Thanh Tong. Outside the Hậu Đường are the bell tower, which houses the Bích Ung Bell, cast in 1768, and a drum tower with a large red drum.
When compared to the University of Bologna in Italy, the oldest university still operating in Europe, which was established in 1088 and preserves medieval architecture, the Temple of Literature – Quoc Tu Giam similarly blends traditional design with elements of Confucianism, Buddhism, and Vietnamese folk culture. Every spring, the temple comes alive with the image of scholars writing calligraphy on red paper, a ritual that has become an iconic cultural tradition in Hanoi.
The Temple of Literature – Quoc Tu Giam represents knowledge, culture, and the aspirations of scholars, both historically and today, making it a popular destination for domestic and international tourists. It stands as a cultural heritage symbol in Hanoi, embodying the city’s rich intellectual and cultural legacy.

12. Explanatory Essay on the Temple of Literature - Quoc Tu Giam (Version 3)

