Top 15 Essays Analyzing the Emotions of the Character Lien in 'Two Little Children'

Although Thach Lam's literary career spanned only five years, he quickly established himself as a unique short story writer. In his lifetime, he believed that "Beauty is scattered throughout the universe, hidden in the corners of every ordinary thing. A writer's job is to discover beauty in unexpected places, uncovering the hidden beauty in things for readers to appreciate." Taken from his short story collection 'Sunlight in the Garden,' 'Two Little Children' is a prime example of Thach Lam's distinctive, unblendable style. Readers are drawn to the iconic train-waiting scene, where Thach Lam’s pen reaches its highest expression.

Though a member of the Self-Strengthening Literary Group and the younger brother of Nhất Linh and Hoàng Đạo, Thach Lam carved his own path, focusing on the plight of the poor in society at that time. His writing often explores the vague and subtle emotions of people. 'Two Little Children' is a short story with no plot. The entire narrative unfolds like a slow-moving film about a poor rural town and the two sisters, Lien and An, on a summer evening. There are no twists or resolutions, yet the story easily lingers in the reader's mind, evoking a deep, beautiful sadness – the beauty of an ordinary life that Thach Lam discovered. The most remarkable scene in the story is the train-waiting moment.

Despite being incredibly sleepy, Lien and An always make an effort to stay awake and wait for the late-night train from Hanoi. Why? Is it to sell goods as their mother instructed? Absolutely not. The two sisters aren't waiting to open their shop for customers like the other vendors at the station; instead, they wait for the train for a different reason. Could it be because they want to witness the train's arrival, the final activity of the late night? Perhaps. And also because the train brings with it a different world, a world entirely different from the dim light of Tý's lamp or the flickering firelight from Siêu Uncle's place. While the town is shrouded in dark, decaying poverty, the train symbolizes a world that is bright, rich, lively, and bustling.

Because the train seems to bring a new world, the sisters quietly await it with feelings of longing, uncertainty, and excitement. They await the train as though they are anticipating the sacred moment of the New Year, each time the spring season arrives. An, on the verge of sleep, still manages to remind her sister, "Wake me up when the train comes!" Meanwhile, Lien sits still, gazing at the twinkling stars and the gently falling flowers, with a mind full of unclear, elusive feelings. It seems as if she has detached herself from the struggles of daily life to immerse herself in a dreamy, magical world.

When the lights of the train appear in the distance and the horn sounds, Lien quickly wakes An: "Wake up, An. The train is here!" Her urgent voice is filled with excitement and joy. The train approaches with its loud horn, illuminating the whole town, bringing life and brightness. Lien helps An to stand and watch the train rush by. The two sisters eagerly wish to merge into that lively, festive world. The more excited they become, the more puzzled they are as they watch the train pass by. The train disappears into the dark night, and the sisters continue to watch the small green light on the last carriage as it fades behind the bamboo groves. The train from Hanoi has truly captivated the hearts of the two sisters. As it passes, An wonders, "The train seems emptier today, doesn't it?" Lien, on the other hand, remains lost in thought, her spirit drifting in a dreamy state. Although the train ride was not as lively as usual, with fewer people and dimmer lights, she is still filled with joy because the train from Hanoi has arrived. The train has brought Lien back to her peaceful childhood, to the sweet past of her youth, and has awakened in her a belief in a brighter future.

Every night, Lien and An anxiously await the train. To many, this might seem like an idle, even meaningless pursuit. However, with his compassionate heart, Thach Lam reveals the hidden thoughts and romantic desires of the two sisters. Waiting for the train becomes a way of life, a spiritual need. It is a wait for a return to the gentle, sweet past of childhood innocence. It is a wait for the intense, bold, and daring desire to change their lives. This yearning is like a young sapling sprouting in barren soil, like a tiny star that continues to shine in the vast, dark sky. Through the depiction of the train-waiting scene, Thach Lam conveys his sympathy for the struggling lives of the poor, especially the children, while also honoring their dreams of reaching for the light and changing their fates. From the lives of the people in the poor town, Thach Lam's writing resonates deeply, urging readers to act: Save the children! Change this stagnant life! How can we ensure that children can live in hope, like fresh green shoots filled with life, rather than simply existing and withering in a dead land?

'Two Little Children' is a short story that is realistic, vivid, and rich in humanistic value, while also full of romantic poetic qualities. Reading Thach Lam's 'Two Little Children' reminds one of Hans Christian Andersen's 'The Little Match Girl.' Though they come from different countries and eras, both writers share a common voice of love and humanism for children.

The train-waiting scene also marks the conclusion of Thach Lam's delicate, quiet story. It is a scene that will linger in the reader's mind. As the story ends, we are left with an infinite sense of warmth and hidden affection for one's homeland, and a deep appreciation for the simple, profound, and sincere emotions of the characters. 'Two Little Children' has fulfilled the true mission of literature by evoking pure and meaningful human emotions in the hearts of readers.

"Thạch Lam was the first writer to introduce a unique introspective lyrical style in short stories. His pen often explores the inner world of the self, analyzing emotions with remarkable sensitivity." Thạch Lam is widely known for his talent in portraying the inner thoughts and feelings of his characters. Liên, a young girl who is sensitive to the world around her, illustrates this through her sorrow during the twilight, deep melancholy at night, and particularly the ‘vague, unclear’ emotions she experiences while eagerly waiting for the train in the short story ‘The Two Children.’ This work showcases Thạch Lam’s brilliance in capturing human emotions.

‘The Two Children’ is one of Thạch Lam’s finest short stories, featured in his collection ‘Sunlight in the Garden.’ The story presents a touching reality, written with a romantic style, deep meanings, and humanism that have resonated with readers.

The story lacks a conventional plot, a characteristic of Thạch Lam’s short fiction. It revolves around the lives of impoverished people in a small town, focusing deeply on Liên’s inner emotions. At twilight and into the dark of night, when shadows cover the land, Liên—a sensitive and perceptive girl—feels profound sadness. But as the late hour approaches, and with the anticipation of the train arriving from Hanoi, her mood shifts, blending memories of the past, the present, and hopes for the future.

When does Liên experience her vague, unclear feeling? It is when she waits for the train. She immerses herself in the beauty of nature—twinkling stars in the sky, fireflies dancing on leaves, and the gentle falling of flowers on her shoulders. She observes those around her: An, fighting sleep, reminding her sister, “Wake me when the train arrives,” and others like the mother and daughter swatting flies or the street vendors trying to make a living in the dark. Despite their struggles, they all wait for the train, each hoping for something better. Liên, too, feels compassion for their lives and for herself. The romantic scenery intertwined with the harsh reality of their existence makes Liên’s confusion relatable and draws readers into contemplation of the lives of the poor.

The second mood Liên experiences while waiting for the train is one of eager anticipation. Despite feeling sleepy, she stays awake, not just to sell goods as her mother suggested, but for another reason: the train symbolizes her yearning for a brighter future. The night train, with its shining lights and the blinding glow of metal and fire, pierces the dark sky. The sounds of the train—loud, lively, with the shrill whistle, the screech of the wheels, and the chatter of passengers—shatter the silence and melancholy of the night. Liên eagerly awaits the change the train brings. It reminds her of Hanoi, a place of warmth and joy where her family once thrived. The train represents both a beautiful memory of her childhood and the hope for a better tomorrow. Thạch Lam’s insight into this bittersweet longing reveals how the character’s dreams, despite being fleeting, carry profound human significance, as Xuân Diệu once wrote:

“Better one glorious moment than a hundred years of dull, slow light.”

Liên, along with many poor people in her town, eagerly anticipates the arrival of the train for this very reason. Thạch Lam must have had a deep compassion for the poor to be able to craft such stories, vividly portraying their struggles and capturing the emotional depth of his characters with poetic language. Liên’s experience while waiting for the train evokes sympathy and admiration from readers, leaving a lasting impression and a profound life lesson.

Thạch Lam immerses himself into the character of Liên to explore and experience the village street. Although Liên is only 8 years old, she is highly sensitive and observant of the changes around her. Thạch Lam deftly captures her complex emotions during the brief moments between dusk and night. Every detail of life in her village, even the smallest changes, is perceived through Liên's eyes.

Liên is a compassionate girl, deeply moved by the struggles of life, particularly the weary existence of the old society. "It’s evening! Evening, a tranquil afternoon like a lullaby." The story begins with the sound of the distant drum signaling the end of the day, as nightfall with all its haunting memories approaches. Through Liên’s eyes, "Evening. Evening already" sounds like a startled, deep sigh. The street is bathed in melancholy, as light and darkness vie for dominance, though the "pink clouds look like dying embers".

The sadness in Liên intensifies as she watches the dilapidated market and the worn-out lives of the people during the dying moments of the day. The market, with its remnants of waste and decay, reflects the poverty of the rural area. The most striking image is of "poor children wandering aimlessly, picking up scraps of bamboo or anything left behind by the vendors".

This sadness deepens as night falls, and the whole street is consumed by darkness. People move about in the dark, unknowingly returning into the pitch-black night. For Liên, the night feels ominous. The roads seem endless, "the paths to the river, the way back through the market, and even the village alleys become darker still". Yet, Liên is not afraid of the dark anymore, a statement full of both resignation and acceptance. Still, her soul longs for the light, seeking out every "glimmer" or "beam of light" in the dark streets of the village.

Thạch Lam’s empathetic writing doesn’t want to leave the reader trapped in darkness and despair, but instead, it urges them toward the light of life, nurturing the hope for a better future. Through Liên’s yearning for the night train, the author exposes the different emotional layers of the character. Liên eagerly waits for the distant train, thrilled when it approaches, but sorrowful when it disappears.

As life grows more desolate, the train symbolizing hope becomes even more significant. Liên, alongside the villagers, anxiously awaits it, longing for a meaningful day. The train’s arrival stirs the street, bringing brief life to the otherwise forgotten village. Liên notices the luxurious upper-class carriages, shining metal, and the passengers’ muffled voices. The train is a fleeting glimpse into a world of wealth and opportunity, a world the poor people of the village dream of, even if only for a moment. The sight of the train awakens a familiar desire for the past in Liên and An, offering a brief escape from the hardships of their daily life.

The train from Hanoi serves as a reminder of a happier time for Liên, when she and her sister were not yet impoverished, and they could enjoy the simple pleasures of life. Although they live in the present, they often long for the past, and the train becomes their strongest symbol of hope and motivation. Liên dwells in these nostalgic memories until the train departs, vanishing into the darkness, taking with it their yearning eyes.

Thạch Lam’s portrayal of Liên reveals his deep connection with the character, as he lives through her emotions, understanding her innermost thoughts. The story doesn’t follow a traditional plot but uses monologues and subtle narrative techniques to expose the rich inner world of Liên.

Thạch Lam's short story, 'The Two Children,' was penned in 1938, and Liên is the character most thoroughly explored in terms of emotion and inner conflict. Although just a young girl, Liên embodies the desires and dreams of people from a poor village, longing for something more.

Liên's character is presented in various ways. Initially introduced as an eight-year-old, she appears more mature through the author’s perspective. Liên is skilled in taking care of household chores, fulfilling the role of both a sister and a mother. To her family, she is a devoted daughter, helping her mother despite her age. While most children her age focus on school and play, Liên is depicted as someone beyond her years, dealing with adult responsibilities.

The small family home and its belongings, along with the sounds signaling the end of the day, deepen Liên's sorrow. As the night falls over the village and fields, it mirrors the sadness Liên feels in her heart.

As night progresses, the image of children wandering the streets seems to awaken Liên’s perception of life, making her realize her fortune compared to others. The deeper the night grows, the more melancholic and reflective Liên becomes.

Liên’s childhood is filled with sadness, as her life is surrounded by decay and hopelessness. For her, the passing train from Hanoi represents the only solace, carrying her thoughts back to happier times with her family. These memories are treasured and unforgettable for her. In her heart, the passing train symbolizes a life full of small dreams and hopes she holds dear.

When the train passes, Liên and her sister watch the faint lights go by. They are not waiting to sell goods, but for Liên to reflect on the past and long for a better life. This scene mirrors the silent wishes of the people in this impoverished village.

Through Liên, the author brings forth powerful human values that allow readers to understand the character's pain and the hardships of the villagers. The story’s humanistic theme is portrayed through Liên, helping readers gain insight into the lives and struggles of people during this period.

Thạch Lam is renowned for his narrative style that doesn't rely on a clear plot. His short stories often unfold without a specific event, instead offering a quiet, contemplative portrayal of everyday life and the human condition, all conveyed through a delicate, simple, and profound tone. He excels in capturing the inner worlds of his characters, not through direct description, but through subtle details, actions, and dialogues, revealing complex and unique inner lives. The character Liên in 'Hai Đứa Trẻ' is a prime example of this technique, where the delicate portrait of her soul and emotions is skillfully painted through the twilight scenes of a small town and the faded lives of its people.

Liên's emotions are first revealed through her sensitivity to the changing nature of the evening. As the light dims and everything seems to blur, the scene begins to seep into her soul. She feels a melancholic sadness as the day fades away: 'She feels a deep sorrow in the twilight of the day.' A young girl like Liên might be sad for many reasons, and the quiet, desolate scenery of the countryside evokes a certain stillness in her youthful spirit. The fading day, the quiet of the poor town as night falls, brings a profound sense of loneliness, with faint lights and sparse sounds. Liên senses 'a damp, warm smell of the day mixing with the familiar dust, a scent that feels like home,' a scent that isn't pleasant by normal standards, but to Liên, it's comforting, deeply tied to her memories of home.

Liên's empathy is also evident in her interactions with others. She shows compassion for the poor children rummaging through trash, though unable to help due to her own poverty: 'Liên felt sympathy for them, but she had no money to give them.' This conveys a deep sense of pity and helplessness at their hardship, as they struggle in the twilight of life. Liên also expresses tenderness towards the mother and child of Tí, feeling both concern and sorrow at their difficult circumstances. Even towards the elderly woman Thi, a poor, somewhat mad old woman, Liên shows understanding and sympathy, despite her fears.

Though Liên seems older and wiser than her years, there are still traces of childhood joy within her. She longs to play like any other child, yet she takes pride in being responsible, managing her family's small shop. The cherished trinkets like the chest key and lock symbolize her role as the responsible daughter, showing her maturity and capability.

As night envelops the town, Liên waits for the late-night train, which, despite the town's familiarity with darkness, still evokes in her memories of a better time in Hanoi. The memories of the vibrant lights of the capital, so different from the faint glimmers of her small town, are unforgettable to Liên. For her, the train passing through the night is a symbol of life, hope, and joy—something that briefly breaks the monotony of her narrow existence. Yet, with the train’s passing, a sense of loss lingers, and she longs for a connection to the world beyond her town, looking for something of Hanoi in the fleeting lights of the train. She notes that the train seemed emptier, less elegant this time, reflecting her sense of disappointment. The train brought with it a brief glimpse of another world, but once it passed, it left only nostalgia and a bittersweet reminder of the present reality.

Ultimately, the passing train stirs hopes and dreams, but they remain unrealized without action. Through Liên’s emotional journey, Thạch Lam not only showcases his skill in character development but also conveys a meaningful message about life—a message about hope and the necessity of real effort to bring about change, as reflected in 'Hai Đứa Trẻ.'

Nguyen Tuan commented on Thach Lam's writing style, stating: 'Thach Lam's emotions often stem from a deep, genuine understanding of the lives of the poor. He is a writer who cherishes life and respects the existence of those around him.' Thach Lam's emotional flow often arises from ordinary people and their simple lives. He captures the subtle feelings and emotions within their hearts. The character Lien in the short story 'Two Children' showcases this unique ability, and through her, we also see the author's deep admiration for humanity.

'Two Children' is a story that seems almost unfamiliar to the author himself. The narrative captures a fleeting moment of a typical evening in a small, poor town. Through the lens of Thach Lam's writing, every human figure, every destiny, is captured vividly. At the heart of this picture is Lien, a girl of fourteen or fifteen, sensitive and perceptive towards nature and life. Behind her calm exterior, her desires and dreams are clearly revealed.

In the twilight scene, Lien, being a sensitive girl, quickly notices even the smallest movements of nature. The sound of the distant drums signaling dusk, the fiery red Western sky with clouds that resemble fading flames, and the distant croaks of frogs – all of these she perceives in full. 'Her eyes gradually filled with darkness, and the melancholy of the evening seeped into her innocent soul,' she felt a deep sadness as 'the day faded away.' Furthermore, Lien senses the distinct scent of her homeland: 'a damp smell mixed with familiar dust,' a smell of home that fills her soul with warmth and attachment. In this moment, we not only witness Lien’s delicate sensitivity towards nature's shifts but also her compassionate heart, filled with love for others. She feels sorry for the poor children scavenging for leftovers after the market, but she herself has no money to give them. Upon seeing Mrs. Ti, Lien kindly inquires about her, her words infused with love, sympathy, and concern for Mrs. Ti’s difficult life. When hearing the lunatic old woman Thi laughing, Lien quietly pours a cup of wine for her and watches her until she disappears from view. Lien’s emotions are diverse and specific to each individual she encounters; she sympathizes with the misfortunes of others and feels deep empathy for their struggles, understanding their hardships and loneliness.

As the night fully envelops the surroundings, Lien finds joy in observing the world around her. She gazes up at the night sky, admiring its beauty: 'The sky was filled with thousands of twinkling stars, and fireflies hovered just above the ground, weaving in and out of the trees.' She imagines the Milky Way, with ducks following the path of the god of agriculture. These nostalgic memories of childhood, full of comfort and happiness, rush into Lien's heart. But she quickly looks down to the earth to notice other flickers of light: the glow from Mrs. Ti's porch, the distant tiny lights of the town, and the faint, floating sounds. In the dark, these small glimmers of light are hard to spot, but Lien searches for them diligently. These tiny sparks, though seemingly insignificant, ignite within her hopes and dreams for the future. Lien’s delicate soul also manifests in her perception of the tiny, fragile flowers falling softly on her shoulders. Only someone with an extraordinarily sensitive heart could truly appreciate such subtle movements of nature. Though the surroundings are sad, to Lien they are familiar, and she watches with compassion and sorrow the lives of the people in this impoverished town, feeling their hardships and sharing in their struggles.

Despite the darkness and sorrow that fills her, Lien's heart still holds a yearning, a hope for a better future. She seeks out sources of light to chase away the darkness: beams of light, glimmers, and glows. Though abundant, these sources of light are small and fragile, unable to drive away the night. Lien reminisces about the past, recalling a vibrant Hanoi lit with bright lights, but that light is just a memory. She then looks for the third source of light: the train's arrival. Lien eagerly waits for the train, as it marks the most exciting and joyful moment of her day. As the train passes, it brings a world of light and sound, starkly contrasting the dull, monotonous life in the small town. The train, coming from Hanoi, also carries with it countless memories of her peaceful, happy childhood. Moreover, the arrival of the train allows Lien to realize the stagnation and confinement of her impoverished life.

Through Lien's emotions, Thach Lam presents the harsh reality of rural life in pre-revolutionary Vietnam, evoking sympathy for the people’s plight and urging a deep appreciation for their dreams. At the same time, the story raises an alarm about the danger of living a life of stagnation and poverty, and underscores the profound humanitarian values that the author seeks to convey.

The character is portrayed through the unique art of psychological depiction. The language is rich in lyricism, vivid imagery, and symbolic meaning. The tone is intimate and reflective, filled with poetic elements. The storyline is simple, yet deeply explores the emotional flow and the inner workings of the character’s psyche.

Through the delicate psychological portrayal, the story reveals a character, Lien, who is sensitive, perceptive, and compassionate towards the world around her. She not only embodies the author's empathy but also embodies the hope for a better life in the future. Lien’s heart represents the author's deep respect for the poor, yet hopeful lives of those who strive for a brighter tomorrow.

Vietnamese literature of the feudal era ended at the close of the 19th century, making way for the development of modern literature. During this period, the most successful prose genres were crystallized in the novel and short story. When it comes to short stories, one must mention Thach Lam, "the writer with a unique talent for short stories." His short stories are known for their simplicity, yet they hold a distinct allure, portraying reality through a lens of subtlety. His characters, unlike the harshness seen in Nam Cao's Chí Phèo or Lão Hạc, or the suffering in Ngô Tất Tố’s chị Dậu, still leave a profound impression. One such character is Liên, in his short story “The Two Children,” who exemplifies a sensitive soul, whose emotions are skillfully portrayed through her mood shifts from dusk till late night, characterized by a lingering sadness and a fleeting joy when the train arrives.

Liên and An, the main characters, had once lived in Hanoi, filled with vibrant, new experiences. However, after her father lost his job, the family moved back to their impoverished hometown, a poor rural area. The two sisters were tasked with managing a tiny grocery store, where they sold meager items like soap, matches, and tobacco, hoping to support their family, though the income was minimal.

Liên, a young girl with a sensitive soul, reacts deeply to the surrounding environment and the struggles of those in poverty. The author delves into her inner world, capturing her emotions at various moments.

The sadness begins as soon as the story starts, with the author describing the twilight scene in a way that evokes the character’s melancholy. She feels sad as the day comes to an end, signaled by the distant sound of drums from the harvest season. She hears the hum of mosquitoes and the croaking of frogs from the fields. The darkness slowly spreads, and the evening sky glows with a fiery sunset, while the smell of moisture and the heat from the day rise, mixing into the scent of dust, which is the smell of her homeland. Liên also feels sorrowful as she watches the poor lives of those around her, such as the family of chị Tí, who spends her days catching crabs and fish and her nights selling tea, or the children scavenging for scraps of bamboo and other items to survive. There is also the elderly Thi, an eccentric woman who buys alcohol from Liên’s shop, only to return to the darkness with a laughter fading into the village. All of these sights, these people, evoke a sense of decay, stirring Liên’s deep sadness. As the evening darkens, Liên quietly observes, her eyes filling with the sorrow of the countryside evening, and she doesn’t fully understand why she feels such a deep sadness, but it lingers in her heart.

Liên’s sadness intensifies as the night falls, enveloping the village in darkness. On the one hand, the sky is filled with countless stars, while below, fireflies flutter. The silence and tranquility of the night only deepen her feelings of melancholy, as most homes have their doors tightly shut, with only a few shops still open, casting faint lights. Liên notices these feeble lights, and they don’t brighten the sky, but instead, they make the darkness even more intense, reflecting the bleak lives of the villagers. These lights are like those of bác phở Siêu’s, the dim glow of Liên’s own shop, and the faint flickering of chị Tí’s tea stall. The people live monotonous, repetitive lives, struggling to survive each day. As poet Huy Cận once wrote: “The same people, the same faces, day in and day out.” Liên and her family, like others, continue this unchanging existence.

However, life is not only filled with sadness; there are moments of joy, brief as they may be, which bring hope for a brighter tomorrow. Liên’s mood shifts when the train arrives. The train symbolizes a different world, a new emotion, as she and An eagerly await its arrival each night. Even though An is tired, he insists that Liên wake him when the train comes. For them, it’s not about selling goods as their mother hopes, but rather about the anticipation of seeing the train. The train’s bright lights, the sounds of the engine, and the lively atmosphere contrast with the dim, isolated life of the village. It brings a brief but profound joy to Liên and the villagers, reminding them of a dream for a better life. For Liên, the train is a link to her past life in bustling Hanoi, a symbol of hope that transcends the bleak present.

The moment of joy is fleeting, but it leaves a lasting impression on Liên’s heart. As the train disappears into the night, Liên watches the last flicker of light fade behind the treeline. It marks the end of the day’s sadness and a return to the quiet solitude of the night. The author’s exploration of Liên’s emotional journey—from sadness to fleeting joy—showcases their deep understanding of the character's internal world. Thach Lam’s writing, with its romantic and poetic style, captures the nuances of Liên’s emotions, illustrating the enduring human spirit even in the face of adversity. In his words, literature is not an escape, but a tool to challenge the falsehoods of the world and purify the soul. In this story, Thach Lam portrays the power of hope and the resilience of the human spirit, even in the most hopeless of circumstances.

Thach Lam is renowned as one of the finest romantic writers in modern Vietnamese literature. His simple yet emotionally rich writing has left readers reflecting deeply. 'Two Children' is one such work. Through its humble and heartfelt writing, along with various emotional layers, Thach Lam has created a character, Lien, who is filled with introspection and carries profound meanings.

'Two Children' is considered an unusual work due to its lyrical quality, which makes it feel more like a poetic piece than a typical short story. The narrative is a collage of moments from an evening in a poor village. What emerges from the story is the portrayal of lives in hardship within a constrained and impoverished environment. Each person in the village has a unique job, fate, and story, but they share the common struggle of poverty. Amidst this backdrop, Lien stands out as a figure with dreams and hopes for a better future.

Through Thach Lam's pen, Lien appears as a young girl who seems older than her years due to her keen observation and sensitive soul, traits uncommon for someone of her age. Even as she watches the evening unfold, she feels a deep, melancholic sadness: 'The sadness of the countryside evening seeped into Lien’s innocent soul; she felt a vague sorrow at the twilight hour.' This sorrow is a vague, bittersweet feeling, one that resonates with adolescence, when a young girl is attuned to the world around her. Thach Lam begins Lien’s sadness by setting the scene of a quiet evening, with the distant sound of frogs croaking by the fields. This ambiance sets the tone for her sadness. From this moment, Lien begins to feel compassion and solidarity with 'the poor children' scavenging through the remnants at the village market.

Not only does Lien observe and listen, but her sensitive soul also senses the familiar, earthy smell rising from the land: 'A damp smell mixed with the heat of the day and the familiar scent of dust, making Lien think of the smell of the earth, of her homeland.' It is only through a deep connection to her home and an understanding of the hardships there that Lien can appreciate this otherwise unnoticed scent. These words paint Lien not just as a sensitive girl but as one with a pure heart and profound empathy.

In the fading light of the day, the only thing Lien and her younger sister hope for is the passing night train. To them, the train symbolizes a bright future—a return to a life of city lights, good food, and wealth. This world is a stark contrast to their poor village life.

Lien may be young, but her heart is full of compassion and love, and she dreams of a brighter future. She observes the people around her carefully, noticing the elderly woman Thi, intoxicated and laughing loudly, and the two mothers, who struggle to make ends meet by selling tea. Then there is the image of the noodle seller who earns nothing all night, and the family of the blind man, playing their sorrowful music without success. The poor village and its people are as impoverished as the place itself. Each individual seems to live in a daily struggle, bound by the hardships that seem to follow them endlessly. Lien sees this hopelessness, this stagnation in her village, and her empathy only makes her yearn more for the passing train—the only symbol of a brighter, wealthier life for the village.

The story ends with the image of Lien and her sister watching the train pass by, fading into the distance, leaving Lien with a sense of regret and contemplation: 'Lien silently followed her thoughts, imagining distant Hanoi, glowing brightly, lively and bustling. The train seemed to carry with it a glimpse of a completely different world. A world that, for Lien, was completely different from the dim lights of Sister Ti’s lantern or the fire of Uncle Sieu. The darkness still enveloped them, the darkness of their homeland, while beyond, the vast, quiet fields awaited.' This leaves the reader with a sense of melancholy.

The story is built around the image of a young girl, full of sensitivity and thoughtfulness, yet her reflections illustrate the stark contrast between two worlds: one of light and promise, and the other of poverty and hardship. Thach Lam uses this story to shed light on the plight of poor children and the anonymous lives of those trapped in a society still struggling with the scars of war and poverty.

Although it may seem like a story without a clear plot, the narrative is deeply engaging, drawn in by the beautiful depiction of nature and humanity, despite the hardship and sorrow. This contrast between the poetic beauty and the harsh reality behind it serves to deepen the reader's appreciation of the story’s core human values.

It can be said that Thach Lam successfully created Lien’s character to indirectly convey his profound philosophies, which is likely what gives this work its enduring significance.

Thạch Lam represents a distinct break from conventional romantic literature. While many were exploring romance in city life, Thạch Lam turned his pen to the tender dreams and desires of the poor. This humanistic sentiment is clearly depicted in the short story 'The Two Children,' where Liên waits for the last train to pass through the impoverished village street.

Liên and An were once children who lived in Hanoi, a city full of light and dreams. However, due to their family's fall from prosperity, they moved to a poor village. Surrounded by destitution, the people of the village were trapped in darkness: the old woman who gathers crabs by day and sells water by night, the poor vendor who always has unsold pho, and the old woman who laughs madly. 'These people, living in darkness, longed for something bright to light up their suffering lives.' Their desire for light was most poignantly felt as Liên waited for the passing train.

Liên, having once lived a life of comfort and brightness in Hanoi, still holds on to her dreams and hopes despite the darkness of the village she now calls home. Her desire for something better never faded, and she waited for the train not just for business, but to momentarily escape her dull and monotonous reality. In this simple act, we see her deep yearning for a brighter future and a glimpse of the sensitivity of a young soul at the threshold of adolescence.

Upon hearing the old vendor’s call, 'The lights are out there,' Liên sees the blue flame flicker in the distance. She listens intently, ready to capture every moment of the approaching train. The faint lights and the sounds of passengers fill the air. Liên calls out to her sister so they can catch a better view of the train. As it passes, she catches a glimpse of the shining compartments, full of people and gold trim, a symbol of the affluent world she once knew. Yet, she also notes how different this train is: 'It’s not as crowded tonight, fewer people and it seems dimmer.' She watches until it disappears into the dark, leaving her with a sense of longing. She had waited for the train countless times, each time feeling the same sadness and yearning for a different life. The train, in its brilliance, symbolizes her dreams of escape, but as it fades into the dark night, her reality remains unchanged. The story poignantly captures her struggle and desire for a better future, contrasting the light of the train with the encroaching darkness of her current life.

The train, in this context, is a powerful symbol: it represents the bright past of Hanoi, a world of beauty and hope that Liên once knew. It also symbolizes the dreams of the villagers, who long for a life of happiness and escape from their hardships. Through this image, Thạch Lam not only highlights the struggles of the people but also shows respect for their dreams of a better life.

The author expertly uses descriptive techniques, capturing the contrast between light and dark as the train passes, mirroring Liên's emotions and her dreams. The imagery is rich in symbolism, with the train conveying a message of hope, while also reflecting the harsh reality of the impoverished village. The story’s message urges readers to break free from a life of poverty and monotony to reach a brighter future, which is the true essence of human life. Thạch Lam’s mastery in depicting character psychology is also evident throughout the passage.

Thạch Lam was a writer deeply connected to his emotions, capturing his feelings toward the hard lives of the poor—those who silently endure and sacrifice. His characters reflect his sensitive soul and perspective. Liên, the protagonist of the short story 'The Two Children,' is an example of Thạch Lam’s characteristic sensitivity. Liên’s emotional shifts mirror those of a young girl in the throes of adolescence. Her personality is revealed through subtle details in the narrative, and these shifts reflect the author’s own evolving thoughts.

Liên’s emotions in the story unfold across several stages, with perhaps the most poignant being the sensitive response of a young girl to the quiet beauty of dusk. As a reflective young girl, the sounds, colors, and shapes of the evening deepen her mood. The evening begins with familiar sounds—the drumming of autumn calling the night and the pink clouds stretched across the horizon, bathed in the last rays of the sun. From her perspective, the sunset takes on new meaning, with tall bamboo silhouetted against the sky. In the quiet of the shop, the distant croaks of frogs and the hum of mosquitoes become a clear sign of the evening’s stillness. The atmosphere settles into the peace of dusk, a time that evokes a quiet sadness in Liên’s heart, reflecting her melancholy thoughts about the poverty-stricken village she lives in.

Liên’s mood is also portrayed through her observations of the market as it empties. After the market closes, the image of people lingering behind, gathering the remnants, or children scavenging small items, underscores a sense of hardship. Even the seemingly insignificant pieces of bamboo they collect hold meaning for Liên, making her feel a deep, intangible sorrow. Her sadness is not just from seeing the poverty around her, but also from her helplessness to change their situation, including that of the children. These small details speak volumes about Liên’s compassionate nature.

As night falls, the village quickly sinks into darkness, amplifying Liên’s sorrow, but it is a familiar sorrow, one she has grown used to. Thạch Lam uses light and shadow to beautifully describe this transition. As night falls and the market disperses, Liên sits by the shop, watching her surroundings with affection for her humble village. The light and shadows of this place are so familiar to her. Liên gazes into the distance, seeking light in the village’s darkness: the faint glow of lamps, the shimmering sand as it reflects the soft light, and the stars that flicker without dispelling the night’s darkness. For Liên, even as the village is engulfed in the darkness of night, there is still a sense of dreamy sadness that lingers.

The image of Sister Tí and her mother, selling drinks as they do every night after fishing, stands as a testament to the endless struggle for survival. Alongside them is Mr. Sầm’s family, their torn mat and the image of their young child playing with the sand. Mr. Siêu, hurrying with his pho stand, rounds out the scene of struggle. Liên is keenly aware of their efforts to make a living, and her compassionate heart extends to the mad old woman, bà Thi, who comes every day to buy liquor. Liên pours her a drink with quiet affection, revealing her love for this lonely soul through her actions.

The arrival of the train, a symbol of potential change, brings a brief moment of brightness to the village. Liên and her sister anxiously wait for the train, as it represents a fleeting escape, a reminder of their past joys. For Liên, the train is not just a means of transport, but a powerful link to a more carefree time, filled with memories of happiness. Even though the train doesn’t stop for them, it brings a brief spark of joy, a distant hope for a better future. Liên’s focus on the train’s light symbolizes her yearning for a brighter life, a life far removed from the hardships of her village. The train’s light flickers until it fades into the night, leaving Liên lost in thoughts of a brighter past and a hope for something better.

Despite being only a young girl, Liên’s soul is mature and deeply sensitive, filled with compassion and dreams. Her love, empathy, and her longing for a better life are expressed through her delicate perceptions and dreams of a brighter future, embodying the essence of the author’s own heart.

In portraying Liên’s emotional state, Thạch Lam masterfully reveals the harsh realities of poverty while infusing them with a poetic sense of beauty. He conveys his profound sympathy for the struggles of his characters, showing that even in the depths of hardship, there can be moments of grace.

"Literature is anthropology" (M. Gorky). In literature, the inherent beauty of humanity is always a means of aesthetic expression, where poetry and reality intertwine. To illustrate this, Thạch Lam's "Two Children" serves as a prime example.

"Two Children" is both a realistic portrayal of a poor rural town and a beautiful, lyrical poem. The work evokes a deep, lingering sadness about human life in the reader's heart.

The depiction of the poverty-stricken town becomes even more desolate and forlorn through the writer's lens. It is the twilight of a day in the countryside: "The sun had set behind the bamboo grove, and the only sight was the silhouette of the dark bamboo against the faintly pink sky." The sounds of frogs croaking in the distance make for an evening as peaceful and ordinary as any other.

Like an artistic motif, the remote town reappears during the market's closing hours, with just a few vendors packing up their goods, and children picking up discarded items. This scene also appeared in the "early autumn breeze," but it still carries an indescribable sorrow as dusk settles in "Two Children".

Yet, the portrayal of the town is not just about the scenery; it is a reflection of human life. A rural, isolated reality, mixed with elements of city life brought by the train passing through every night. The town's life consists of familiar routines for the people, as seen through Liên's eyes. Everyone has their habits: Uncle Siêu the noodle seller, Ms. Tý, the family of the blind street musicians, old Thi, and even Liên herself. The main activities are limited to listening for the autumn drum and closing shop to wait for the night. This reality doesn’t surprise us; it’s a town where hard-working people quietly labor in a humble, pitiable way.

But all of this reality is viewed through the romantic perspective of the writer. Time moves through the town slowly, not rushing or fading into the night. It unfolds step by step, mirroring the growth of the inner life. From the "sound of the autumn drum" to the gentle sentence, "It’s evening, it’s evening," the night falls, the sky darkens, and the only sounds are the soft whispers of nature. Every moment offers a new view of the scenery, yet all are imbued with poetic beauty, thanks to the writer’s flowing, graceful language.

Could any other writer capture the gentle serenity of the evening like Nam Cao or Vũ Trọng Phụng? Only the romantic soul of Thạch Lam could create such a smooth, poetic portrayal.

The genius lies in how the author seamlessly merges two perspectives: that of the writer observing, and the one through the eyes of the character Liên. This is made clear in Liên’s startled reaction: "Liên had been sitting so long she had forgotten! Now, she hurried to light the lamp and gather the blackened fruit." "The sky began to darken, a summer night soft as velvet, with a cool breeze." These sentences appear frequently and are used perfectly to convey the intended mood. Does this perception come from the writer’s soul, or is it from Liên’s, as the town falls silent in the evening? From her eyes, "Watching the late-night figures slowly disappearing into the darkness."

At the start of the evening, the town is still "adorned" by the lights from the roadside shops. But now, only darkness remains. A few faint glimmers of light shine through the cracks in the doors. The poetic gaze doesn’t stop at the tangible lights; it seeks out the fragile glow of fireflies in the banyan leaves, which heightens the sense of melancholy. The writer captures the rare light of nature in a brief, romantic moment. The poetry lies here. It mixes a bit of reality with the whimsical essence created by the author’s hand, lingering in the written page. Yet it all remains a part of the everyday life in the quiet, laborious town.

Ms. Tý’s lamp only illuminates a small area. From a distance, one can see a complete artistic picture, with its two contrasting "colors" of light and dark. The woman’s rustic face shows the fatigue of a day spent working for food and a living. The family’s life is filled with busyness, yet every evening she contributes a little light. While it may be for extra income, it almost feels like they’re selling for the sake of tradition.

So, what compels them to come here? Is it the lifestyle? The town at night becomes their place of existence... The sounds of life emerge from conversations and activities in the town. Each person contributes a bit of light, a touch of fragrance, or a sound. Together, they form the portrait of a poor town.

There are no dramatic flourishes in this picture, but the presence of the people creates the complete scene of life.

Where Nam Cao depicts the harsh reality of hunger and oppression, Thạch Lam’s reality is measured by a certain unit of "romance." His writing gently sketches the poverty of the town, but with a warmth and human essence. The people here may struggle to survive, but there is a truly warm atmosphere in their coexistence. Each person, even in their sorrow, retains the comforting warmth of familiarity.

The harmony between reality and romance gives Thạch Lam's work a light, ethereal quality, revealing his remarkable character.

Returning to the night-time scenes in the town, the romantic essence doesn’t end with the general description but focuses on the relationship between Liên and her younger sister. This is the focal point the writer carefully shapes. Liên impresses with her deep emotional insight, stemming from her sensitive nature. As night falls, Liên feels a profound, sorrowful feeling about the close of the day. This sadness comes from the bleak, lonely town, its autumn drum echoing as if it’s calling to the soul. Suddenly, she notices something that stirs her compassion: the ragged children picking up ice cream sticks in the long-empty market. The first impression is that Liên has a heart much older than her years. As an older sister, her posture reflects a sorrowful maturity that hints at emotional growth.

The picture of the impoverished town is shrouded in the shadows of the unknown. The town’s life has embedded itself deeply into Liên’s soul. It’s as if, if something were missing from the scene, she would be the first to notice. But everything remains the same, even the sound of old Thi, which sometimes scares Liên. Yet she still finds him endearing and pitiable. Each person’s life, each scene, passes through Liên’s seemingly innocent soul.

The lives of these individuals contribute to the life of the entire community. Like Liên, they all share the same environment. We clearly see a common theme: the narrow, repetitive life in their social setting. Every day, it’s the same empty market, the same rows of shops, and the same "fallen leaves" in front of the stalls. But Liên is different from everyone else. She waits for the train in a strange, seemingly pointless act. If her mother were here, she wouldn’t let her stay up. But this act symbolizes the depth of the work, as the author depicts Liên eagerly waiting for the train with the excitement of a child.

The train arrives, just as she had hoped, but the fleeting joy quickly fades. Today’s train is less crowded, its lights dimmer. This only deepens Liên’s sorrow, as the train, which once brought her happiness, now only increases her melancholy. The rumbling of the train fades into the thick night, and the town returns to its previous stillness. Liên’s mood is uncertain, torn between joy and sadness. She probably feels joy, for the train is a daily source of anticipation for her. Some say, "Waiting is the worst thing," but nothing is worse than having nothing to wait for. For Liên, the real horror is the joy she can only create for herself. Even in waiting for the train, there is romance. The train scene, while different from the one at the station, still carries the same longing. What is more notable is that only Liên is waiting. Life’s struggles have not made her succumb to a silent, unnoticed existence. Instead, her soul longs for life’s joy, even amidst sorrow. In truth, Liên’s soul is a complete poem, one that Thạch Lam so clearly brings to life. To this day, she still holds the joy that the train brings. Liên is the central figure who embodies both the realistic and romantic qualities of this story, drawing everything together with her life and role as the narrator.

Thạch Lam’s success lies in his seamless blending of romantic writing with realistic, humanistic trends, giving each of his works timeless resonance. The writer’s connection with his characters elevates the story’s meaning to a higher level. As someone once defined poetry: "Poetry is reality, poetry is life, and it’s also poetry," Thạch Lam’s short stories, including "Two Children," carry all the elements of a beautiful lyrical poem, yet they are deeply grounded in the reality of life.

Thạch Lam is one of the outstanding romantic writers in modern Vietnamese literature. His writing, rich in emotion and simple yet evocative language, unveils the inner world of individuals, filled with various sensations and leaving a lingering impression on readers. His short story "Two Children" is one of his finest works. Upon reading it, readers cannot forget the character Lien—a girl from an old town, full of subtle emotions that are both fragile and profound, carrying hidden meanings.

As the day fades, Lien’s sensitive soul responds to the changing landscape and nature. The evening in her old town is calm and familiar, yet there is a sense of desolation. The sounds of the evening are present—distant drumbeats, croaking frogs, and the buzzing mosquitoes. The scenery is equally vivid, with the red western sky and clouds that resemble burning coals, contrasting with the local bamboo grove. All these elements blend together, creating a picture of the town at dusk, which deeply affects Lien’s mood. As night falls, "the darkness fills her eyes," and "the sadness of the rural evening seeps into her innocent soul." Lien feels a profound sorrow, but she also senses the familiar scent of her homeland—the dampness of the earth mixed with the warmth of the day and the dust. Her heart is moved when she sees poor children collecting the leftovers from the market, feeling sympathy not just for them, but for herself as well. It is clear that Lien is a compassionate and sensitive girl, filled with empathy for those around her.

As night begins to fall, with darkness enveloping the town, Lien’s heart is filled with conflicting emotions. She gazes into the distant sky, searching for joy and mystery in the night, imagining the stars competing to shine and the fireflies glimmering near the ground. Her thoughts wander to the Milky Way and to the magical world of fairy tales. This sparks childhood memories of her time in Hanoi, enjoying sweet and exotic treats. However, these memories now belong to the past, leaving only vague recollections, as she returns to her current life, observing the quiet and uneventful life of her town at night. The streets are bathed in darkness, with houses shut tight. She looks for light but only finds faint glimmers—dim lights from the small lamps of her neighbors. The town is shrouded in darkness, and the lives of its people are monotonous, unchanged day after day. The simplicity and hardship of their lives evoke in Lien a sense of sorrow and empathy.

Despite the overwhelming sadness in her town, there is a glimmer of hope in Lien’s heart. She continues to wait, with anticipation, for the train that passes through her town every night. It is the only source of joy for the people, especially Lien and her family, offering them a glimpse of another world beyond the mundane existence of their town. The train, coming from Hanoi, carries with it memories, light, hope, and dreams of a better tomorrow, bringing a sense of light to their dark lives. Waiting for the train has become an essential part of Lien’s daily routine. Both she and her sister eagerly await its arrival, filled with excitement and joy.

In conclusion, with its simple plot, rich imagery, and deep character psychology, Thạch Lam’s "Two Children" successfully portrays Lien—a character with complex emotions, delicate feelings, and deep empathy. Through Lien, the story also allows us to appreciate the compassion of the author for the people of the poor town.

Thach Lam believed that literature is not a means to escape or forget for the reader. On the contrary, it is a powerful and noble weapon to expose and change a false and cruel world, to make people's hearts purer and richer. In his story 'Two Children,' Thach Lam made readers face the reality of a poor rural town, unable to escape or forget. The character of Lien, the main protagonist, left a deep impression because she, despite living in poverty and confinement, still maintained a strong desire and belief in life.

First of all, Lien is no different from the other characters Thach Lam portrayed, enduring a life of limitation, exhaustion, and boredom. Due to her family's decline, Lien moved back to the countryside to live. Coming from a bustling city, filled with colorful drinks, amusement park outings, and bright lights, returning to the impoverished town posed a great challenge for her. Lien's family owned a small shop, insufficient for their living, merely selling minor goods to survive. Despite this, Lien maintained her inner beauty, her pure, innocent, and sensitive soul. When witnessing the peaceful twilight, Lien's heart was touched by the melancholy hour of sunset. Her eyes, filled with the encroaching darkness, reflected the sadness of the rural evening, seeping into her innocent soul. Only Lien's refined and sensitive spirit could detect the familiar scent of the earth: 'a damp smell rising from the ground, the heat of the day blending with the familiar dust, so much so that Lien thought it was the scent of the land, of her homeland.' At night, her dreamy and innocent nature again emerged as she gazed at the stars with An, symbolizing the purity and hope of youth. If the earth was filled with hardship, Lien's soul seemed to be a stark contrast to that harsh reality.

Not only did Lien possess a sensitive, perceptive heart, but she also had a compassionate and understanding nature toward others' suffering. Though recently arrived from the city, she quickly adapted to the rural life. She sympathized with the struggles of characters like Ms. Ti, Mr. Sieu, Mr. Sam, and the slightly mad old lady. Her pure heart was open to feeling empathy for those unfortunate lives, those desperate cries for help. Ultimately, what left the most significant impression of Lien on readers was her intense yearning for a better, more meaningful life, one that wasn't as dull and stagnant as the miserable, wandering spirits around her. This desire was particularly evident in the scene where she waited for the train.

The train represented a different world, one full of light and excitement. The train journey encapsulated Lien's desires and dreams. From afar, she watched as the train began as a distant green flame, followed by a thick white smoke. Upon closer inspection, she realized that the train was quieter and emptier than usual. But it was still adorned with luxurious carriages, sparkling coins, and the most important part: it was a train from Hanoi—the city of her childhood memories, full of joyful and vivid experiences, with its vibrant parks and bustling streets. That was the life Lien dreamed of, yearning to break free from the monotonous life and live meaningfully. The train became the clearest symbol of Lien's yearning for change, her wishes to transcend her current, impoverished reality. It also symbolized the hopes and dreams of other young souls.

By skillfully depicting Lien's psychological complexity, Thach Lam stands out as a masterful writer, particularly when it comes to writing about childhood and small, anonymous lives that constantly strive for betterment. Through his work, Thach Lam sends a powerful message to save the budding souls before they fade away in the shadows.