1. Essay on 'Narrative Voice in Storytelling' No. 4
A. KEY CONCEPTS
The narrative voice refers to the perspective used by the storyteller to narrate the events.
When referring to characters by name, the narrator remains detached, using a third-person perspective, offering flexibility and freedom in conveying events.
In contrast, when the narrator refers to themselves as 'I' (first-person perspective), they directly share their experiences, thoughts, and feelings.
To make storytelling more dynamic and engaging, the narrator can select the most appropriate voice.
The narrator using 'I' in a story does not necessarily imply the author is speaking.
B. EXERCISES AND GUIDELINES
Question 1: (Page 89 - 6th Grade Literature Textbook) Change the narrative voice of the following passage to third-person and comment on how the shift affects the narrative:
Every day, I enter the cave and work tirelessly to dig a large nest, turning it into a luxurious bed. Just like the elder crickets in my family, I dig deep tunnels and side exits to escape if danger arises.
(Tô Hoài, Adventures of a Cricket)
Solution:
The passage can be changed from first-person to third-person by replacing 'I' with 'The cricket':
Every day, the cricket enters the cave and works tirelessly to dig a large nest, turning it into a luxurious bed. Just like the elder crickets in the family, the cricket digs deep tunnels and side exits to escape if danger arises.
Switching to third-person makes the story feel more objective, as though observed from an outsider's perspective, helping readers visualize the cricket's actions as if happening before them.
Question 2: (Page 89 - 6th Grade Literature Textbook) Change the narrative voice of the following passage to first-person and comment on how the change affects the narrative:
A swift shadow darts out and lands on the table. Thanh focuses and clearly sees: the old cat belonging to the woman, the same cat that once played with the man. The cat curls up, swishing its tail gently, and its jade-green eyes gaze at the person. Thanh feels the urge to smile and approaches to pet the cat.
(Thạch Lam, Beneath the Hoang Lan's Shade)
Solution:
The passage can be changed from third-person to first-person by replacing 'Thanh' with 'I':
A swift shadow darts out and lands on the table. I focus and clearly see: the old cat belonging to the woman, the same cat that once played with the man. The cat curls up, swishing its tail gently, and its jade-green eyes gaze at me. I feel the urge to smile and approach to pet the cat.
Using the first-person perspective allows the character to express their emotions directly, creating a more subjective, personal tone.
Question 3: (Page 89 - 6th Grade Literature Textbook) What narrative voice is used in the story 'The Magic Brush'? Why?
Solution:
'The Magic Brush' is narrated in third-person, with the story being told from an external perspective. This voice fits the oral tradition of folklore, where the narrative is passed down collectively and can be freely adjusted in terms of time and space, extending the relationships between the protagonist and the events.
Question 4: (Page 89 - 6th Grade Literature Textbook) Why are fairy tales and legends often told in the third-person voice rather than first-person?
Solution:
The narrators of fairy tales and legends are often the collective public, with the third-person voice offering a more objective portrayal of the character's life and actions, free from personal bias or subjective emotions.
Question 5: (Page 89 - 6th Grade Literature Textbook) When writing a letter, which narrative voice do you use?
Solution:
When writing a letter, I typically use the first-person narrative voice, as it allows me to express personal feelings and thoughts to the recipient.
Question 6: (Page 89 - 6th Grade Literature Textbook) Use the first-person voice to narrate your feelings upon receiving a gift from a loved one.
Solution:
Yesterday, when the mailman arrived and handed me a package, I was surprised to discover it was a gift from my father. He had been away on a business trip for a while, and both my mother and I missed him greatly. The gift, wrapped with a green ribbon (my favorite color), contained a puzzle set and a wooden doll from Russia. I promised myself that I would work harder in my studies to make my father proud of me, just as he has always believed in me and shown his love.

2. Essay on 'Narrative Voice in Storytelling' No. 5
I- Narrative Voice and Its Role in Storytelling
Question:
a. Passage 1 is told in the third-person perspective. Indicators:
The narrator remains anonymous
Unclear who the narrator is
Characters are referred to by their names
b. Passage 2 is told in the first-person perspective. Indicators:
The narrator is present, using 'I': The Cricket
c. The narrator 'I' in passage 2 is The Cricket
d. The first-person voice allows for more freedom in storytelling, while the third-person voice is limited to only recounting what is known or experienced.
e. Changing to third-person by replacing 'I' with The Cricket would make the passage lose its sense of authenticity.
f. It is impossible to change third-person to first-person because it would remove the objectivity of the passage.
II- Practice Exercises
Question 1 (Page 89 - 6th Grade Literature Textbook):
Changing the narrative voice to third-person:
This change adds objectivity, making the passage feel more immediate and vivid to the reader.
Question 2 (Page 89 - 6th Grade Literature Textbook):
Changing the narrative voice to first-person:
The passage becomes more personal, highlighting the emotional tone of the narrator.
Question 3 (Page 90 - 6th Grade Literature Textbook):
'The Magic Brush' is narrated in third-person because:
No character refers to themselves as 'I' during the narration.
The narrator has the flexibility to recount what happens to Ma Luong without restriction.
Question 4 (Page 90 - 6th Grade Literature Textbook):
In folk tales and legends, stories are often told in third-person rather than first-person because:
It preserves the essence of myth and folklore.
It maintains distance between the storyteller and the characters.
These stories are collective narratives passed down through generations, not personal accounts or reflections of the storyteller.
Question 5 (Page 90 - 6th Grade Literature Textbook):
When writing letters, the first-person perspective is usually used, with 'I', 'me', 'you', 'we' as common expressions.
Question 6 (Page 90 - 6th Grade Literature Textbook):
On my recent birthday, my mother gave me a meaningful gift: the book I had long wanted. I was so surprised and happy to receive it. I am deeply grateful to my mother, as this gift is her encouragement for me to study harder. I will do my best to honor her love and trust by becoming a diligent and good student.

3. Essay on 'Narrative Voice in Storytelling' No. 6
1. Exercise 1, page 89, SGK.
2. Exercise 2, page 89, SGK.
3. Exercise 3, page 90, SGK.
4. Exercise 4, page 90, SGK.
5. Exercise 5, page 90, SGK.
6. Exercise 6, page 90, SGK.
7. Complete the following sentences:
a) Narrating in the third person has advantages such as /.../ but also disadvantages such as /.../
b) Narrating in the first person has strengths like /.../ but its limitations include /.../
Hints for completing the exercise:
Exercise 1. Changing the narrative perspective:
If we replace the pronoun "I" (first person) in this passage with "it" or "Dế Mèn" (third person), the story would still make sense but the narration becomes more abstract, lacking the direct, personal touch of the protagonist, Dế Mèn, telling the story himself. Thus, narrating in the first person is the most fitting choice here.
Exercise 2. Students should experiment with altering the narrative perspective in the passage, then compare it to the original text and provide a response. The text in the SGK is written in the third person, as if someone is telling the story about Thanh, rather than Thanh telling it. But referring to "Thanh" as a name makes it seem like Thanh is narrating. If we replace "Thanh" with "I", the passage would become more intimate and lyrical.
Exercise 3. Identifying the narrative perspective is not difficult. Students should mark the words showing the narrative perspective in the story "The Magic Pen", such as "they say", meaning a universal storyteller. This type of narration is free and unrestricted, appearing anywhere at any time. Why do people use this perspective? Think about how it offers flexibility and advantages in storytelling.
Exercise 4. From the answer in Exercise 3, we can answer this question. Imagine in folk tales, could the first person be used to tell the story? If so, there would be problems that cannot be solved, because a first-person narrator can only share what "I" witness. Things beyond the narrator's experience can't be told, which limits the story.
Exercise 5. This should be answered after reviewing letters you've written. Consider, for instance, when writing a letter to a friend, you might start with "Dear Lan", but for a letter to your mother, you would say "Dear Mother", which reflects the use of a different perspective. When writing, using "I have received your letter, I miss you so much..." represents a specific narrative perspective.
Exercise 6. Describe your feelings when receiving a gift from a loved one. You've likely received gifts from family members on various occasions. These could be a pet, a book, a toy, or something more expensive. Every gift is unique depending on the occasion. Share when you received a gift, whether you liked it, and what it tells you about the giver's affection and care for you.
Exercise 7. Review the "Notes" section, page 89, SGK, and fill in the exercise. Remember that every narrative perspective comes with its own set of benefits and limitations. No perspective is entirely perfect for every situation.

4. Composition on "Narrative Perspective in Storytelling" Number 1
I. Narrative Perspective and Its Role in Storytelling
1. Read the passage
a. Passage 1 is told in the third person, as the narrator does not refer to themselves as "I".
b. Passage 2 is told in the first person, with the narrator referring to themselves as "I".
c. The narrator in Passage 2 is the character Dế Mèn.
d. The third-person perspective allows for more freedom in storytelling, without limitations. The first-person perspective is limited to only recounting events the narrator has directly experienced or knows.
đ. Changing the first-person to third-person perspective would compromise the authenticity of the passage.
e. It is not possible to switch the third-person perspective in Passage 1 to first-person, because narrating the story in the first person would narrow the perspective of the story.
II. PRACTICE EXERCISES
Exercise 1 (Page 89, SGK, Literature 6, Vol. 1)
Every day, Dế Mèn would crawl into the deepest part of the burrow, working hard to dig a large hole to form a luxurious bed. He also planned ahead like the old insects in his family, digging deep tunnels and branching them off into shortcuts, back entrances, and higher passages...
Exercise 2 (Page 98, SGK, Literature 6, Vol. 1)
- Change the name "Thanh" (character's name) and the word "the young man" to "I".
- Passage: A quick shadow shot out from within, landing on the table. I focused to see clearly: it was the old cat of the young man, the same cat that had played with him before. The animal nestled against his legs, lazily waving its tail, and then stared at him with its bright green eyes. I smiled and approached to pet the cat.
Exercise 3 (Page 90, SGK, Literature 6, Vol. 1)
- "The Magic Pen" is told from a third-person perspective, naming the objects and events to be described.
- Using the third-person perspective in this story:
+ Accurately and objectively narrates events that occur.
+ Clearly expresses the narrator's attitude toward each character and event in the story.
Exercise 4 (Page 91, SGK, Literature 6, Vol. 1)
In folktales and legends, stories are often told from the third-person perspective because:
- These stories involve multiple characters, and each character participates in a different event, so the narrator cannot take on the first-person perspective.
- The story occurs in many different settings, and the narrator must be present in all of them to properly tell the story.
- The events are from ancient times, hundreds or even thousands of years ago, making it impossible for the narrator to be an actual character in the story.
Exercise 5 (Page 90, SGK, Literature 6, Vol. 1)
When writing letters, I typically use the first-person perspective.
- I refer to myself as "I", "me", or "myself", depending on my relationship with the recipient.
Exercise 6 (Page 90, SGK, Literature 6, Vol. 1)
When narrating, keep in mind:
- Use the first-person perspective, referring to "I".
- Narrate in a logical sequence: how you received the gift (what it was, who gave it to you) → your feelings of joy.

5. Composition on "Narrative Perspective in Storytelling" Number 2
I. Narrative Perspective and Its Role in Storytelling
Read the following passages and answer the questions:
Passage 1
The king and his officials regarded the boy as exceptionally intelligent. However, the king wanted to test him once more. The next day, while the father and son were having their meal at a public inn, a royal messenger arrived with a sparrow and a command to prepare three servings of food from it. The boy asked his father for a sewing needle and handed it to the messenger, saying:
- Please take this to the king and ask him to forge it into a knife to cut the bird's meat.
The king, hearing this, was completely impressed from that point on.
(The clever boy)
Passage 2
Because I eat in moderation and work with balance, I have grown quickly. Before long, I became a strong, young grasshopper. My legs were shiny and muscular. The claws on my feet and knees grew tougher and sharper. Occasionally, I tested the sharpness of my claws by kicking the grass, which bent as though it had been cut by a knife. My wings, once short and useless, now stretched to cover my back, down to the tip of my tail. Whenever I jumped, I could hear the crisp sound of my wings flapping.
(Tô Hoài, The Adventures of Dế Mèn)
a) Which perspective is used in Passage 1? What clue indicates this?
b) Which perspective is used in Passage 2? How can you identify this?
c) In Passage 2, who is the "I"? Is it the character (Dế Mèn) or the author (Tô Hoài)?
d) Which of the two perspectives allows for a freer narrative, while the other is limited to what the narrator knows and has experienced?
đ) Try changing the perspective in Passage 2 to third-person, replacing "I" with Dế Mèn. How would the passage change?
e) Can the perspective in Passage 1 be changed to the first-person perspective, using "I"? Why or why not?
Answers:
a) Passage 1 is narrated in the third-person perspective. The clue: the narrator is not directly identified, but is omnipresent, telling the story from an outside view.
b) Passage 2 is narrated in the first-person perspective. The narrator directly refers to themselves as "I".
c) In Passage 2, the "I" refers to Dế Mèn, not the author.
d) The third-person perspective allows for a broader, more flexible narrative. The first-person perspective is confined to the narrator's personal experiences.
đ) If the first-person perspective is changed to third-person, the passage remains similar but would hide the narrator's presence more.
e) It is not possible to change the third-person perspective in Passage 1 to first-person, because switching to "I" would limit the point of view and narrow the scope of the narrative.
II. PRACTICE EXERCISES
Answer to Question 1 (Page 89, SGK, Literature 6, Vol. 1):
Change the perspective in the following passage to third-person and comment on how the new perspective alters the narrative:
Every day, I crawl deep into my burrow, working tirelessly to carve out a large nest and turn it into a luxurious bed. Like the elderly insects in my family, I also dig tunnels that branch off in different directions, creating shortcuts, back entrances, and high passages, so that if danger arises, I can escape through another route.
(Tô Hoài, The Adventures of Dế Mèn)
Answer:
- Replace all instances of "I" with "Dế Mèn" or "Mèn".
- The new passage feels more objective, as though it is being reported as a factual event.
Answer to Question 2 (Page 89, SGK, Literature 6, Vol. 1):
Change the perspective in the following passage to first-person and comment on how the new perspective alters the narrative:
A quick shadow darted out and landed on the table. Thanh focused to see clearly: it was the old cat of the young man, the one that had played with him before. The animal curled up against his legs, gently flicking its tail, and then looked up at him with its bright green eyes. Thanh smiled and approached to pet the cat.
(Thanh Lam, Under the Shadow of the Yellow Orchid)
Answer:
- Replace all occurrences of "Thanh" and "the young man" with "I". The first-person perspective adds a personal emotional layer to the passage.
Answer to Question 3 (Page 90, SGK, Literature 6, Vol. 1):
Which perspective is used in the story "The Magic Pen"? Why?
Answer:
The story "The Magic Pen" is narrated in the third-person perspective because no character refers to themselves as "I" while telling the story.
Answer to Question 4 (Page 90, SGK, Literature 6, Vol. 1):
Why is it common for folktales and legends to be told in the third-person perspective rather than the first-person?
Answer:
In folktales and legends, the third-person perspective is used because:
- It allows for a more objective and factual recounting of events.
- It enables the narrator to clearly express their attitude toward each character and event in the story.
Answer to Question 5 (Page 90, SGK, Literature 6, Vol. 1):
What perspective do you use when writing a letter?
Answer:
When writing a letter, the first-person perspective is used (referring to oneself as "I", "me", "myself", etc.).
The first-person perspective allows for the genuine expression of emotions to the recipient of the letter.
Answer to Question 6 (Page 90, SGK, Literature 6, Vol. 1):
Describe your feelings when receiving a gift from a loved one.
Answer:
- Use the first-person perspective to narrate.
- Maintain the use of personal pronouns (the narrator refers to "I").
- Narrate in a logical sequence:
+ The reason for receiving the gift.
+ What the gift is and how it helps you.
+ Your joy and excitement upon receiving the gift from a loved one.
- Your happiness from the care and attention shown by others.

6. Composition on "Narrative Perspective in Storytelling" Number 3
I. The Narrative Voice and Its Role in Narrative Texts
Read the following excerpts and answer the questions on pages 87 and 88 of the 6th-grade Literature textbook (volume 1).
Excerpt 1
The king and his officials agreed that the boy was exceptionally intelligent. However, the king still wanted to test him one more time. The next day, as the father and son were eating at a restaurant, a royal messenger arrived with a sparrow and a command to prepare three servings of food from it. The boy asked his father to fetch a needle, then handed it to the messenger, saying:
– Take this back to the king and ask him to forge it into a knife to carve the bird.
Upon hearing this, the king was thoroughly impressed.
(The Clever Boy)
Excerpt 2
Because I eat moderately and work within my limits, I grow quite fast. Before long, I had become a strong young grasshopper. My legs gleamed and my claws grew sharp and firm. Occasionally, I would test their sharpness by kicking the grass with them. The stalks would snap, as if sliced by a blade. My wings, once small and underdeveloped, now spread down to my tail. Whenever I took flight, they made a crisp, rhythmic sound.
(Tô Hoài, Adventures of the Grasshopper)
a) Which narrative voice is used in excerpt 1? How can you identify this?
b) Which narrative voice is used in excerpt 2? How can you identify this?
c) Is the narrator who says “I” in excerpt 2 the character (Grasshopper) or the author (Tô Hoài)?
d) Among these two narrative voices, which one allows the narrator to speak freely, without restrictions, and which one only narrates what the narrator knows or has experienced?
đ) Try changing the narrative voice in excerpt 2 to the third person, replacing “I” with “Grasshopper.” How would the passage change?
e) Can we change the third-person narration in excerpt 1 to first-person, using “I”? Why or why not?
Answers
a) Excerpt 1 is narrated in the third person. We can tell because the characters are referred to by their names, and the narrator remains anonymous.
b) Excerpt 2 is narrated in the first person. We can tell because the narrator uses “I” – the Grasshopper itself.
c) The “I” in excerpt 2 refers to the character Grasshopper, not the author Tô Hoài, though the author adopts the perspective of the character to narrate the story.
d) The third-person narrative in excerpt 1 allows the narrator to freely recount events and know everything about the characters. The first-person narrative in excerpt 2, however, is limited to only what “I” (the Grasshopper) knows and experiences.
đ) Changing the voice in excerpt 2 to third-person would make the story feel more objective, as if an invisible observer is recounting the Grasshopper’s actions. While it would still tell the story, it would lack the personal, subjective touch that the first-person narration adds.
e) Changing from third-person to first-person in excerpt 1 isn’t feasible because third-person narration allows for a broader view of events, whereas the first-person perspective would limit the scope to only what the narrator knows.
II. Exercises
Exercise 1, page 89, 6th-grade Literature textbook (volume 1)
Change the narrative voice in the following passage to the third person and discuss how the change affects the text:
Every day, I would crawl deep into my burrow, tirelessly digging to create a large, comfortable bed. I also thought ahead like the older grasshoppers in my family, digging side tunnels and escape routes for safety in case danger struck.
(Tô Hoài, Adventures of the Grasshopper)
Answer:
If we change the narrative voice from “I” to the third person – “The Grasshopper,” the passage would have a more detached, objective tone, as though an external observer is recounting the Grasshopper’s activities.
Exercise 2, page 89, 6th-grade Literature textbook (volume 1)
Change the narrative voice in the following passage to the first person and discuss the effects of this change:
A quick shadow darted from inside and landed on the table. Thanh clearly recognized it: the old cat, the same one that had played with him before. The cat curled up by his feet and flicked its tail, its greenish eyes staring up at him. Thanh smiled and moved closer to pet the cat.
(Thạch Lam, Under the Shadow of the Yellow Lantern)
Answer:
Changing the narrative voice to first person, using “I” for Thanh, would highlight the emotional connection and make the scene more personal, as if the narrator is directly expressing their feelings and thoughts.
Exercise 3, page 90, 6th-grade Literature textbook (volume 1)
What narrative voice is used in the story The Magic Pen? Why?
Answer:
Similar to other folktales, The Magic Pen is narrated in the third person. It is told in a way that feels collective, as though it is a shared story passed down through generations. The third-person narration aligns with the traditional nature of folk tales, where the emphasis is on the community rather than individual perspectives.
Exercise 4, page 90, 6th-grade Literature textbook (volume 1)
Why are folk tales and legends often narrated in the third person, rather than the first person?
Answer:
Folk tales and legends are typically told in the third person because they are collective narratives passed down by the community. The third-person voice supports the timeless nature of these stories and removes personal biases, allowing the events to feel universal and less focused on individual experiences.
Exercise 5, page 90, 6th-grade Literature textbook (volume 1)
What narrative voice do you use when writing a letter?
Answer:
When writing a letter, the first-person narrative is used, as the writer addresses the recipient directly (the second person). The focus is on the personal experience of the writer.
Exercise 6, page 90, 6th-grade Literature textbook (volume 1)
Use the first-person narrative to describe your feelings upon receiving a gift from a loved one.
Answer:
When narrating in the first person, it is important to maintain the use of pronouns like “I.” The description should follow a clear sequence of details, such as:
– The reason for receiving the gift.
– What the gift is and how it benefits you.
– The joy and excitement you felt when receiving it from your loved one.
– The happiness of being cared for by others.
Summary of Narrative Voice Concepts
1. Definition
- The narrative voice is the position the storyteller adopts when recounting a story.
- There are two main narrative voices:
+ Third-person narrative
The narrator refers to the characters by their names (the king, the boy, the messenger, etc.).
The narrator remains unseen, yet omnipresent, able to tell any aspect of the story.
This voice allows for more freedom and flexibility in recounting the events.
+ First-person narrative
The narrator uses “I.”
The narrator can describe their personal experiences, thoughts, and emotions directly.
2. Role of Narrative Voice in Narrative Texts
- The storyteller has the freedom to choose the narrative voice.
- In first-person narration, “I” can represent either the author or a character telling their own story, resulting in a subjective perspective. The narrator can directly share what they have seen, heard, or experienced.
- In third-person narration, the storyteller remains anonymous and refers to characters by their names. This voice allows for more flexibility and objectivity in recounting events.
- It is easier to switch from first-person to third-person than vice versa.
Key Points to Remember
The narrative voice defines the storyteller’s position in the story.
In third-person narration, the storyteller remains hidden but recounts everything freely and objectively.
In first-person narration, the storyteller shares personal experiences and thoughts directly.
To make the story engaging and dynamic, the storyteller may choose the narrative voice that best suits the context.
The narrator using “I” is not necessarily the author.

