Prompt: Present your interpretation of the first four lines from the excerpt 'Scene of Spring Day,' extracted from Nguyễn Du's 'The Tale of Kiều.'
I. Detailed Outline
II. Sample Composition
Reflecting on the initial four lines from the excerpt 'Scene of Spring Day.'
I. Outline of Interpretation of the first four lines from the excerpt 'Scene of Spring Day' (Standard)
1. Introduction
- Providing an overview of the author Nguyễn Du and the work 'The Tale of Kiều.'
- Briefly introducing the interpretation of the first four lines from the excerpt 'Scene of Spring Day.'
2. Main Body
a. The spring scene is depicted based on two aspects of space and time.
- Depiction of swallows
+ Describing swallows gracefully soaring in the azure sky and high above.
+ It serves as a remarkable metaphor, suggesting hurried footsteps and the abstract, invisible flow of time...(Continued)
>> See detailed Outline Reflect on the initial four lines from the excerpt 'Scene of Spring Day' here.
II. Sample Composition Reflect on the initial four lines from the excerpt 'Scene of Spring Day' (Standard)
Nguyễn Du's masterpiece 'The Tale of Kiều' not only leaves a profound impression on readers with the tragic fate of Thúy Kiều - a talented yet ill-fated woman in feudal society but also encapsulates exceptional artistic values, especially in the art of depicting nature. This is vividly demonstrated through the excerpt 'Scene of Spring Day.' Through the first four lines of the work, we can perceive a vivid, pure, and vibrant spring landscape under the skilled penmanship of the author.
'In spring, swallows flutter by
With ninety-nine sunny days, past sixty
The green grass extends to the horizon
Pear branches dotted with a few flowers'
In the first two lines, the author portrays a spring scene based on two aspects of space and time. In the month of March, swallows race gracefully across the azure and vast sky. The image of 'swallows flutter by' is also a remarkable metaphor, evoking hurried footsteps and the abstract, invisible flow of time, manifesting concretely like the birds soaring across the sky, while also reminiscent of familiar folk poetry:
'Time swiftly passes as it flies
It goes on and on, awaiting someone'
The spring scenery continues to shine with the vibrant colors of the March dawn - 'the morning glow.' This is the time when spring reaches its brightest and most vivid, reminiscent of sparkling sun rays. Thus, the author vividly depicts the lively natural scene through the movement of swallows and the beauty of sunlight. Behind this painting seems to lie the nostalgia of humans facing the passage of time.
Against this backdrop, a magnificent natural painting is further depicted through prominent colors of green and white:
'Green grass extends to the horizon
Pear branches dotted with a few flowers'
Nguyễn Du's two verses evoke familiar verses from ancient Chinese poetry:
'Aromatic grass blends with the azure sky
On pear branches, a few flowers are marked'
(The fragrant grass mingles with the blue sky
A few flowers are marked on the pear branches)
However, while the ancient verses emphasize the fragrance of the grass, Nguyễn Du focuses on the green hue of the grass and complements it with the white hue of pear blossoms in the natural landscape. The two dominant colors harmonize through the technique of dotting. Amidst the space filled with the green hue of lush grass extending 'to the horizon' far and wide, the white pear blossoms emerge. If the verdant green of the grass highlights the vitality and freshness of spring, then the white hue of the pear blossoms embellishes the spring scene with purity and serenity. Particularly, the author flexibly applies inversion, placing the adjective 'white' before the verb 'marked' to vividly depict the dynamic nature of the spring scene, rendering the landscape in a state of motion. Thus, despite the concise description, through selective and gentle strokes, the great poet Nguyễn Du successfully portrays a natural landscape with its unique beauty and abundant vitality.
Through these verses, we can perceive the poet's love for nature, for grass and trees. Moreover, the verses demonstrate Nguyễn Du's talent in language usage, image selection, rhetoric, and artistic techniques in creating a beautiful natural landscape with colors and lines imbued with a strong sense of painting.